"Look at the birds". Through the painful days of the pandemic stuck in her home, Courtney Ellis found herself looking down in despair. Soon after, her beloved grandfather died unexpectedly. It was around this same time that Ellis took up watching birds. "Took up" might not be exactly right—as she puts it, "the switch flipped," and she's been borderline obsessed with birds ever since. Looking Up is a meditation on birding as a practice of hope.

Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1.

Since the dawn of the twenty-first century, the West has been in crisis. Social unrest, political polarization, and the rise of other great powers—especially China—threaten to unravel today’s Western-led world order. Many fear this would lead to global chaos. But the West has never had a monopoly on order.

Cardinal Thomas Wolsey (1473-1530) will always be remembered as the Lord Chancellor who fell from power when he failed to obtain the annulment of King Henry VIII's marriage to Catherine of Aragon. The eminent British historian, Mandell Creighton, writes that Wolsey was branded by Tudor historians as "the minion of the Pope, and the upholder of a foreign despotism. But the publication in the nineteenth century of the mass of documents relating to the reign of Henry VIII made possible a truer assessment of the visionary schemes of the great cardinal and of his underlying patriotism.

Princess Catherine Radziwill exposes Rasputin as a charlatan and pawn of Germany in this two-part analysis. Part one discusses the social and religious climate in Russia before WWI and analyzes the particular cultural situation that allowed Rasputin to gain influence. She debunks claims of Rasputin's extraordinary influence in the Russian government, characterizing him instead as a hedonistic, illiterate peasant who was manipulated into furthering Germany's cause during the war.