The Sick Bag Song chronicles Cave's journey with his band, the Bad Seeds, on a 22-day North American tour. Inspired by John Berryman's 'ream Songs, it is an epic exploration of inspiration, creativity, loss, love and death. The book blends poetry, lyrics, memories, musings, flights of fancy and journal entries. The Sick Bag Song began life scribbled onto airline sick bags acquired during the internal flights taken by Cave during the tour.

One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer and a legend. He created a new kind of music, mixing Black and white, male and female, funk and rock. As a songwriter, he penned some of the most iconic anthems of the 1960s and ’70s, from “Everyday People” to “Family Affair.” As a performer, he electrified audiences with a persona and stage presence that set a lasting standard for pop-culture performance.

Many famed music producers are known for a particular sound that has its day. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable. Over the years, he has learned that being an artist isn’t about your specific output, it’s about your relationship to the world.

Faith, Hope and Carnage is a book about Nick Cave’s inner life. Created from more than forty hours of intimate conversations with Seán O’Hagan, it is a profoundly thoughtful exploration, in Cave’s own words, of what really drives his life and creativity. The book examines questions of faith, art, music, freedom, grief, and love. It draws candidly on Cave’s life, from his early childhood to the present day, his loves, his work ethic, and his dramatic transformation in recent years.

Set adrift by his wife's suicide and struggling to keep some sort of grasp on reality, Bunny Munro drives off in his yellow Fiat Punto, Bunny Jr. in tow. To his son, waiting patiently in the car while he peddles beauty wares and quickies to lonely housewives in the south of England, Bunny is a hero, larger than life. But Bunny himself seems to have only a dim awareness of his son's existence, viewing his needs as a distraction from the relentless pursuit of sex, alcohol, and drugs.

Werner Herzog was born in September 1942 in Munich, Germany, at a turning point in the Second World War. Soon Germany would be defeated and a new world would have to be made out the rubble and horrors of the war. Fleeing the Allied bombing raids, Herzog’s mother took him and his older brother to a remote, rustic part of Bavaria where he would spend much of his childhood hungry, without running water, in deep poverty. It was there, as the new postwar order was emerging, that one of the most visionary filmmakers of the next seven decades was formed.

Dylan, who began working on the book in 2010, offers his insight into the nature of popular music. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan’s unique prose. And while ostensibly about music, they are really meditations on the human condition.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late 60s and 70s and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists' ascent, a prelude to fame.

Thurston Moore moved to Manhattan’s East Village in 1978 with a yearning for music. He wanted to be immersed in downtown New York’s sights and sounds—the feral energy of its nightclubs, the angular roar of its bands, the magnetic personalities within its orbit. But more than anything, he wanted to make music—to create indelible sounds that would move, provoke, and inspire. His dream came to life in 1981 with the formation of Sonic Youth, a band Moore cofounded with Kim Gordon and Lee Ranaldo.

In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans—and all movie lovers—could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining.

In one afterlife you may find that God is the size of a microbe and is unaware of your existence. In another, your creators are a species of dim-witted creatures who built us to figure out what they could not. In a different version of the afterlife you work as a background character in other people’s dreams. Or you may find that the afterlife contains only people whom you remember, or that the hereafter includes the thousands of previous gods who no longer attract followers.

In the tornado that was downtown New York in the 1980s, John Lurie stood at the vortex. After founding the band The Lounge Lizards with his brother, Evan, in 1979, Lurie quickly became a centrifugal figure in the world of outsider artists, cutting-edge filmmakers, and cultural rebels. Now Lurie vibrantly brings to life the whole wash of 1980s New York as he developed his artistic soul over the course of the decade and came into orbit with all the prominent artists of that time and place.

From the acclaimed, controversial singer-songwriter Sinéad O’Connor comes a revelatory memoir of her fraught childhood, musical triumphs, fearless activism, and of the enduring power of song.

There are few creative acts more mysterious and magical than writing a song. But what if the goal wasn't so mysterious and was actually achievable for anyone who wants to experience more magic and creativity in their life? That's something that anyone will be inspired to do after listening to Jeff Tweedy's How to Write One Song. Why one song? The idea of becoming a capital-S songwriter can seem daunting, but approached as a focused, self-contained event, the mystery and fear subsides, and songwriting becomes an exciting pursuit.

Since his death ten years ago, Lou Reed’s living presence has only grown. The great rock-poet presided over the marriage of Brill Building pop and the European avant-garde, and left American culture transfigured. In Lou Reed: The King of New York, Will Hermes offers the definitive narrative of Reed’s life and legacy, dramatizing his long, brilliant, and contentious dialogue with fans, critics, fellow artists, and assorted habitués of the demimonde.

Jimmy Webb's words have been sung to his music by a rich and deep roster of pop artists, including Glen Campbell, Art Garfunkel, Frank Sinatra, Donna Summer, and Linda Ronstadt. He's the only artist ever to win Grammy Awards for music, lyrics, and orchestration, and his chart-topping career has, so far, lasted 50 years, most recently with a Kanye West rap hit and a new classical nocturne. Now Webb delivers a snapshot of his life from 1955 to 1970, from the proverbial humble beginnings into a moneyed and manic international world of beautiful women, drugs, cars, and planes.

From the voice of a generation: the most highly anticipated autobiography of the year, and the story of a man who wanted The Who to be called The Hair; wanted to be a sculptor, a journalist, a dancer and a graphic designer; became a musician, composer, librettist, fiction writer, literary editor, sailor; drank too much and nearly died; detached from his body in an airplane, on LSD, and nearly died; planned to write his memoir when he was 21; and published this book at 67.

Having outlived his bandmates, Marky is the only person who can share the secrets and stories of the Ramones' improbable rise from obtuse beginnings to induction into the Rock and Roll Hall of Fame. But it wasn't all good times and hit songs, and Marky doesn't shy away from discussing his own struggles.

In the last year, the narrator of 10:04 has enjoyed unexpected literary success, has been diagnosed with a potentially fatal heart condition, and has been asked by his best friend to help her conceive a child, despite his dating a rising star in the visual arts. In a New York of increasingly frequent super storms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water.

Described by the New York Times as “a bawdy countercultural sprite” and named one of the most fun people in show business by Time magazine, Alan Cumming is a genuine quadruple threat - an internationally acclaimed, award-winning star of stage, television, and film, as well as a New York Times best-selling author whose real-life vivacity, wit, and charm shine through every minute of his third book, You Gotta Get Bigger Dreams.

In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).

When Alice Cooper became the stuff of legend in the early '70s, their shows were monuments of fun and invention. Riding on a string of hits like "I'm 18" and "School's Out", they became America's highest-grossing act, producing four platinum albums and hitting number one on the US and UK charts with Billion Dollar Babies in 1973. Their utterly original performance style and look, known as shock rock, was swiftly copied by countless bands.

The Peculiar Crimes Unit has solved many extraordinary cases over the years, but some were hushed up and hidden away. Until now. Arthur Bryant remembers these lost cases as if they were yesterday. Here, then, is the truth about the Covent Garden opera diva and the 17th reindeer, the body that falls from the Tate Gallery, the ordinary London street corner where strange accidents keep occurring, the consul’s son discovered buried in the unit’s basement, the corpse pulled from a swamp of Chinese dinners....

A beautiful, vibrant memoir about growing up motherless in 1970s and 80s San Francisco with an openly gay father. After his wife dies in a car accident, bisexual writer and activist Steve Abbott moves with his two-year-old daughter to San Francisco. There they discover a city in the midst of revolution, bustling with gay men in search of liberation - few of whom are raising a child. Steve throws himself into San Francisco's vibrant cultural scene.

Journalist, presenter, broadcaster, husband, father, vigorous all-rounder – Alan Partridge – a man with a fascinating past and an amazing future. Gregarious and popular, yet Alan’s never happier than when relaxing in his own five-bedroom, south-built house with three acres of land and access to a private stream. But who is this mysterious enigma? Alan Gordon Partridge is the best – and best-loved – radio presenter in the region. Born into a changing world of rationing, Teddy Boys, apes in space and the launch of ITV, Alan’s broadcasting career began as chief DJ of Radio Smile....

In the vein of Neil Strauss’ The Game and Joshua Foer’s Moonwalking with Einstein comes the fascinating story of one man’s colorful, mysterious, and personal journey into the world of magic and his unlikely invitation into an underground secret society of revolutionary magicians from around the world.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.

Guy Pratt came of age just as bass playing became sexy. Having dallied with punk legend Sylvain Sylvain, Pratt suddenly found himself on Top of the Pops and supporting David Bowie with smooth Australian outfit Icehouse. He became bass player to the stars, crawling from studio to bar and hotel to stadium Portakabin with the likes of Pink Floyd, Robert Palmer, Womack &Womack and Bryan Ferry. Guy has recorded with everyone from Madonna and Michael Jackson to McFly.

He is a record collector and a connoisseur of vinyl, hunting out rare and elusive LPs. His business card describes him as the Vinyl Detective, and some people take this more literally than others. For example, the beautiful, mysterious woman who wants to pay him a large sum of money to find a priceless lost recording on behalf of an extremely wealthy yet shadowy client. And so begins a painful and dangerous odyssey in search of the rarest jazz record of them all....

Jon Fine spent nearly 30 years performing and recording with bands that played various forms of aggressive and challenging underground rock music. And, as he writes in this memoir, at no point were any of those bands "ever threatened, even distantly, by actual fame". Yet when members of his first band, Bitch Magnet, reunited after 21 years to tour Europe, Asia, and America, diehard longtime fans traveled from far and wide to attend those shows.

Faith, Hope and Carnage is a book about Nick Cave’s inner life. Created from more than forty hours of intimate conversations with Seán O’Hagan, it is a profoundly thoughtful exploration, in Cave’s own words, of what really drives his life and creativity. The book examines questions of faith, art, music, freedom, grief, and love. It draws candidly on Cave’s life, from his early childhood to the present day, his loves, his work ethic, and his dramatic transformation in recent years.

There are two types of people who think professionally about the future: Foresight strategists are civil futurists who think about geoengineering and smart cities and ways to evade Our Coming Doom; strategic forecasters are spook futurists, who think about geopolitical upheaval and drone warfare and ways to prepare clients for Our Coming Doom. The former are paid by nonprofits and charities, the latter by global security groups and corporate think tanks.

The Sick Bag Song chronicles Cave's journey with his band, the Bad Seeds, on a 22-day North American tour. Inspired by John Berryman's 'ream Songs, it is an epic exploration of inspiration, creativity, loss, love and death. The book blends poetry, lyrics, memories, musings, flights of fancy and journal entries. The Sick Bag Song began life scribbled onto airline sick bags acquired during the internal flights taken by Cave during the tour.

Set adrift by his wife's suicide and struggling to keep some sort of grasp on reality, Bunny Munro drives off in his yellow Fiat Punto, Bunny Jr. in tow. To his son, waiting patiently in the car while he peddles beauty wares and quickies to lonely housewives in the south of England, Bunny is a hero, larger than life. But Bunny himself seems to have only a dim awareness of his son's existence, viewing his needs as a distraction from the relentless pursuit of sex, alcohol, and drugs.

Werner Herzog was born in September 1942 in Munich, Germany, at a turning point in the Second World War. Soon Germany would be defeated and a new world would have to be made out the rubble and horrors of the war. Fleeing the Allied bombing raids, Herzog’s mother took him and his older brother to a remote, rustic part of Bavaria where he would spend much of his childhood hungry, without running water, in deep poverty. It was there, as the new postwar order was emerging, that one of the most visionary filmmakers of the next seven decades was formed.