It’s summertime in Williamsburg, Brooklyn, during the first wave of the COVID-19 pandemic. Ian has lost his job, while his wife, Parker, thrives in her e-commerce career. Parker’s days are frenetic and full. When she’s not in Zoom meetings, she’s doom-scrolling about the virus or hanging out on Houseparty with her friends. Meanwhile, Ian claims to spend his days looking for a full-time job, but he’s mostly goofing around on Tik Tok and taking their dog, Hutch, for longer-than-necessary walks. What he really wants is to start a family, but Parker still isn’t ready.

The fading memories Jacob has of his deceased mother are buried on a few VHS home movies. Recently haunted by recurring dreams of her, he sets out to pick up a used VCR, and finds one at a local yard sale. However this is no ordinary VCR. According to the owner, this particular model not only plays movies, but it allows one to communicate with the dead. Fueled by curiosity, Jacob takes it home and soon discovers that what he possesses opens a doorway to darkness, death, and lust.

Charlie Johnson is your average American teenager. He’s a good student, he’s a good son, his girlfriend is the love of his life. He’s a nice kid. Charlie also murders people for their sins. A serious car accident leaves Charlie comatose, and when he comes to, he suffers from visions of unspeakable horror that keep him awake at night. He soon discovers that when he touches people, he can sense their evil and see their greatest evils. Some crimes are too terrible to describe. Some crimes are too terrible to go unanswered.

The 26th century. Humanity has expanded beyond Earth’s system to hundreds of planets that colonists now call home. But the United Earth Government and the United Nations Space Command is struggling to control this vast empire. After exhausting all strategies to keep seething colonial insurrections from exploding into a full-blown interplanetary civil war, the UNSC has one last hope.

Johnny Smith awakens from a five-year coma after his car accident and discovers that he can see people's futures and pasts when he touches them. Many consider his talent a gift; Johnny feels cursed. His fiancée married another man during his coma, and people clamor for him to solve their problems. When Johnny has a disturbing vision after he shakes the hand of an ambitious and amoral politician, he must decide if he should take drastic action to change the future.

An astonishing technique for recovering and cloning dinosaur DNA has been discovered. Now humankind’s most thrilling fantasies have come true. Creatures extinct for eons roam Jurassic Park with their awesome presence and profound mystery, and all the world can visit them - for a price.

Contains three complete, novel-length audiobooks in the Middle Falls Time Travel series.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and 10-year-old Avery Dixon.

In this deeply scary and intensely unnerving debut novel, Jake and a woman known only as "The Girlfriend" are on a drive to visit his parents at their secluded farm. But when Jake leaves "The Girlfriend" stranded at an abandoned high school, what follows is a twisted unraveling of the darkest unease, an exploration into psychological frailty, and an ending as suspenseful as The Usual Suspects and as haunting as Misery.

On an entirely normal, beautiful fall day in Chester's Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as "the dome" comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when - or if - it will go away.

A terrible accident takes Edgar Freemantle's right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. When his marriage suddenly ends, Edgar begins to wish he hadn't survived his injuries. He wants out. His psychologist suggests a new life distant from the Twin Cities, along with something else.

Melanie is a very special girl. Dr. Caldwell calls her "our little genius". Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don't like her. She jokes that she won't bite, but they don't laugh.

Evil is alive in Libertyville. It inhabits a custom-painted red and white 1958 Plymouth Fury named Christine and young Arnold Cunningham, who buys it. Along with Arnold's girlfriend, Leigh Cabot, Dennis Guilder attempts to find out the real truth behind Christine and finds more than he bargained for: From murder to suicide, there's a peculiar feeling that surrounds Christine - she gets revenge on anyone standing in her path. Can Dennis save Arnold from the wrath of Christine?

Victoria McQueen has an uncanny knack for finding things: a misplaced bracelet, a missing photograph, answers to unanswerable questions. When she rides her bicycle over the rickety old covered bridge in the woods near her house, she always emerges in the places she needs to be. Vic doesn't tell anyone about her unusual ability, because she knows no one will believe her. She has trouble understanding it herself.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.

Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

After a string of bad dates and no prospects, Sophia Othonos has finally hit the jackpot: an actual nice guy. When he suggests a romantic getaway, she’s sure they’re about to take the next step toward their future. A rustic cruise to the Galápagos Islands isn’t exactly her idea of a vacation, but Sophia is ready for anything…until her boyfriend has to cancel. Now she’s all alone on a trip that was meant for two. Sophia finds herself at a crossroads about who she is, what she wants, and whether her relationship is really everything she thought.

Every year, Caroline Reed takes a trip with her best friend, Esme Lamont. They’re usually accompanied by their spouses - but this year, everything’s changed. Esme has just gone through a bitter divorce, and Caroline's wondering if her own marriage is reaching its breaking point as she and her husband, John, cope with the discovery that their son has been abusing drugs. Still, the inseparable duo books a weeklong stay at a beach-front home in Shoreham, Florida, inviting Esme’s brother, Nick, and his new husband. After a blissful first night in the vacation home, tragedy strikes.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

It’s 1997, and Kathy Murray, desperate to leave her medical sales job and pursue her passion, accepts an offer to teach aerobics in Germany - as a former elite athlete, she’s confident she can handle whatever comes her way. She quickly realizes, though, that her leap of faith may be more challenging than she thought, struggling with the German language and the overt racism she constantly faces as one of the only Black people in her new community. But that doesn’t stop her from taking on her biggest challenge yet: coaching a cheerleading squad of disengaged teenagers.

In "People in Hell Want Ice Water" - an eerie and suspenseful short story about connection, trust, and self-preservation - a random hookup amidst the COVID-19 pandemic brings two lonely people together when they need it most. Colin is an immunocompromised software engineer living alone in Los Angeles when he meets Martha on an early morning walk. She’s irreverent and mysterious, and although Colin knows better than to invite a stranger into his house, it’s been over 40 days since he’s been touched, and he can’t resist the temptation.

Hal Beekman is exhausted. With all of his energy devoted to his real estate developments, he doesn’t have the bandwidth to figure out why his wife is sad. As for Stacey Beekman, a transplanted Midwesterner with divorce-whisperer friends, the only solution for a husband who doesn’t desire her is to find a second husband who does. But with Stacey left alone in a new house to parent her tech-addicted children and Hank isolated in a Greenwich McMansion that neither of them ever loved, COVID-19 has surprises in store for the Beekmans.

Eloise hasn't quite figured out how to move on after the death of her son, Eddie. She makes good money, buys a new apartment, learns the piano, engages in an office flirtation, but nothing seems to brighten her days quite like the occasional letter from one of her accounting clients, Ed B. When, after months of correspondence, Ed invites Eloise to his country home for a visit, she finds herself overwhelmed by the "Eddies" of her life - the one she lost, the one she writes to, and the one she's eternally searching for.

The events of Jive take place in a not-too-distant future where things have gone from bad to worse. After the pandemics (and yes, there will be more) came the Bloom, an invasion that arrived in a way that no one could have predicted. It was a genetic invasion, the ancient alien hidden in our DNA “blooming”, an event that killed a third of the world population (that’s over one billion) and mutated a third into something slightly “more” than human. They were a daunting presence - and they were in charge.