For Tulane University's 2018 commencement, Jesmyn Ward delivered a stirring speech about the value of hard work and the importance of respect for oneself and others. Speaking about the challenges she and her family overcame, Ward inspired everyone in the audience with her meditation on tenacity in the face of hardship.

Let Us Descend describes a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. A journey that is as beautifully rendered as it is heart wrenching, the novel is “[t]he literary equivalent of an open wound from which poetry pours” (NPR). Annis, sold south by the white enslaver who fathered her, is the listener’s guide. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother.

In five years, Jesmyn Ward lost five young men in her life - to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly Black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write, she realized the truth - and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships.

A hurricane is building, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's 14 and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.

Treasure is a wannabe Instagram influencer in Lagos, Nigeria. She shows off a luxurious life in a gated community that her almost five thousand followers can only dream of. @Sho4Sure is determined to be part of it. The macho mechanic is Treasure’s number one fan, and double taps and blushing emojis are no longer enough. He needs to meet her in the flesh. If only Treasure were more prepared for destiny.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

The classic urban tale of a young Black woman's struggle to raise her son alone amid the violence, poverty, and racial dissonance of 1940s Harlem.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

Korean immigrant Mina Pak Johnson is clearing out the last of her husband’s things when she finds a picnic basket in his closet—a long-forgotten wedding present from her mother. With it comes decades of memories—of her mother’s wishes for her to be happy and her own shattered hopes for her first child—and regret at never having used it. Pushing her husband’s ashes and a bottle of wine in a rusty old stroller, Mina is determined to re-create the picnic they never had. But with it comes something Mina never expected, illuminating a loving gesture her husband made years ago.

It’s 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. Instead, they seek to maintain, and fortify, the community they cherish on their “side of the woods.” In this place, Alice falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup’s longstanding status quo and could lead to the young couple’s expulsion—or worse—from the home they both hold dear.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

Nona “Peaches” Davenport, abandoned by the man she loved and betrayed by family, left her Natchez, Mississippi, home fifteen years ago and never looked back. She’s forged a promising future in Chicago as a professor of African American Studies. Nona even finds her once-closed heart persuaded by a new love. But that’s all shaken when her father’s death forces her to return to everything she’s tried to forget.

A trip to the library prompts one woman to question her fate in this galvanizing short story. For a woman like Hadley, deemed not acceptable to procreate, there’s only one recourse. Unlicensed for motherhood, she can alleviate her grief and frustration at a “baby library,” where a curiously endless supply of infants is available for a two-week loan. But the borrowed life that serves as a temporary balm leads to a journey of self-discovery that will forever change the direction of Hadley’s future.

A community of Black faith healers witness an event that will change their lives forever in this novel set in a fictional city in the American South. Though they all united in their search for the healing properties of salt, some of them are centered, some are off-balance; some are frightened, and some are daring. From the men who live off welfare women to the mud mothers who carry their children in their hides, the novel brilliantly explores the narcissistic aspect of despair and the tremendous responsibility that comes with physical, spiritual, and mental well-being.

From the moment Ava Carson and her ten-year-old son, Toussaint, arrive at the Glenn Avenue family shelter in Philadelphia 1985, Ava is already plotting a way out. She is repulsed by the shelter's squalid conditions: their cockroach-infested room, the barely edible food, and the shifty night security guard. She is determined to rescue her son from the perils and indignities of that place, and to save herself from the complicated past that led them there.

On a humid day in June 1806, on the edge of Ohio's Great Black Swamp, 17-year-old Susanna Quiner watches from behind a maple tree as a band of Potawatomi Indians kidnaps her four older sisters from their cabin. With both her parents dead and all the other settlers out in their fields, Susanna makes the rash decision to pursue them herself. What follows is a young woman's quest to find her sisters and the parallel story of her sisters' new lives.

Tiana was a Cherokee woman. She grew up learning the magic, spells, and nature religion of her people. Before Sam Houston became the father of Texas, he was a young man who had run away from his home in Tennessee to live among the Cherokee. He came to love Tiana. As the Cherokee would say, she walked in his soul. But Sam was a white man, and Tiana, a Cherokee. And the dreams each had for their land and their people were far apart.

Dar Oakley - the first Crow in all of history with a name of his own - was born two thousand years ago. When a man learns his language, Dar finally gets the chance to tell his story. He begins his tale as a young man, and how he went down to the human underworld and got hold of the immortality meant for humans, long before Julius Caesar came into the Celtic lands; how he sailed West to America with the Irish monks searching for the Paradise of the Saints; and how he continuously went down into the land of the dead and returned.

Christophe has been in the New World only a year when his native guides abandon him to flee their Iroquois pursuers. A Huron warrior and elder named Bird soon takes him prisoner, along with a young Iroquois girl, Snow Falls, whose family he has just killed, and holds them captive in his massive village. Champlain's Iron People have only recently begun trading with the Huron, who mistrust them as well as this Crow who has now trespassed onto their land; and her people, of course, have become the Huron's greatest enemy.

In 1836, when she was nine years old, Cynthia Ann Parker was kidnapped by Comanche Indians. This is the story of how she grew up with them, mastered their ways, married one of their leaders, and became, in every way, a Comanche woman. It is also the story of a proud and innocent people whose lives pulsed with the very heartbeat of the land. It is the story of a way of life that is gone forever.

Young Emma Wagner chafes at the constraints of Bethel colony, an 1850s religious community in Missouri that is determined to remain untainted by the concerns of the world. A passionate and independent thinker, she resents the limitations placed on women, who are expected to serve in quiet submission.

Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until one day a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good.

In the dawn of history, a valiant people forged a pathway from an old world into a new one. Led by a dreamer who followed the spirit of the wolf, a handful of courageous men and women dared to cross the frozen wastes to find an untouched, unspoiled continent.

From the fantastic exploits of the Hero Twins to the stories of how the world came to be to folktales about people, animals, and supernatural beings, Maya myth presents us with a fascinating variety of characters, plots, and imagery. All of these tales, whether from an ancient or more modern source, reveal the great richness and beauty of Maya literature. Enjoy this captivating collection of Maya myths.

In this short book illuminated by a deep understanding and love of humanity, John Steinbeck retells an old Mexican folk tale: the story of the great pearl, how it was found, and how it was lost. For the diver Kino, finding a magnificent pearl means the promise of a better life for his impoverished family. His dream blinds him to the greed and suspicions the pearl arouses in him and his neighbors, and even his loving wife cannot temper his obsession or stem the events leading to the tragedy. For Steinbeck, Kino and his wife illustrate the fall from innocence of people who believe that wealth erases all problems.

For centuries the Túatha Dé Danann lived in peace on an island where time flowed more slowly and the seasons were gentle - until that peace was shattered by the arrival of invaders. The Gaels, the Children of Milesios, came looking for easy riches and conquest, following the story of an island to the west where their every desire could be granted. They had not anticipated that it would already be home to others, and against the advice of their druids, they began to exterminate the Túatha Dé Danann.

A soaring work of the imagination based on oral histories of the post - Civil War years in North Texas, Paulette Jiles's The Color of Lightning is at once an intimate look into the hearts and hopes of tragically flawed human beings and a courageous reexamination of a dark American history.

Circa 2200 BCE: Changes rocking the Continent reach Eire with the dawning Bronze Age. Well before any Celts, marauders invade the island seeking copper and gold. The young astronomer Boann and the enigmatic Cian need all their wits and courage to save their people and their great Boyne mounds, when long bronze knives challenge the peaceful native starwatchers. Banished to far coasts, Cian discovers how to outwit the invaders at their own game. Tensions on Eire between new and old cultures and between Boann, Elcmar, and her son Aengus, ultimately explode.

Four thousand years ago, three brothers grow up in a land that is now Britain. One becomes a warrior, ruthless in his pursuit of gold and power. One is a mystic who sees visions of the future and hears the gods speak to him. Between them stands Sagan, the gentle brother who will dedicate his life to building a temple he hopes will bring health and peace to the land.

Before the expedition of Meriwether Lewis and William Clark, the United States stopped at the Mississippi River. However, their journey opened up the wilderness borders to the Pacific Ocean. The key to the success of this 18 month journey was a young Indian girl - Sacajawea. Without her, the corps of discovery would have been doomed from the start.

In five years, Jesmyn Ward lost five young men in her life - to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly Black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write, she realized the truth - and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships.

Let Us Descend describes a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. A journey that is as beautifully rendered as it is heart wrenching, the novel is “[t]he literary equivalent of an open wound from which poetry pours” (NPR). Annis, sold south by the white enslaver who fathered her, is the listener’s guide. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother.

A hurricane is building, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. A hard drinker, largely absent, he doesn't show concern for much else. Esch and her three brothers are stocking food, but there isn't much to save. Lately, Esch can't keep down what food she gets; she's 14 and pregnant. Her brother Skeetah is sneaking scraps for his prized pitbull's new litter, dying one by one in the dirt. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting.

For Tulane University's 2018 commencement, Jesmyn Ward delivered a stirring speech about the value of hard work and the importance of respect for oneself and others. Speaking about the challenges she and her family overcame, Ward inspired everyone in the audience with her meditation on tenacity in the face of hardship.

National Book Award winner Jesmyn Ward takes James Baldwin's 1963 examination of race in America, The Fire Next Time, as a jumping-off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time.

On Ash Wednesday in 1908, Swiss German immigrant Fritz Hirter arrives at his children’s school, where he is the lone custodian. But soon after lessons start, a fast-moving fire breaks out—its cause is unknown, but its effects are horrifying. Although Fritz is soon cleared of any responsibility for the catastrophe, the community continues to suspect him, supremely testing Fritz and his family.

After her mother’s passing, Aldona finds a tin filled with old letters from a prisoner at Ravensbrück, a women’s concentration camp in northern Germany. Amid the descriptions of daily deprivations and humiliations at the camp, she uncovers the heart-wrenching story of a small circle of women who risked their lives to hide a baby girl from the guards. Aldona is rocked to the core by this record of courage and sisterhood during one of the grimmest chapters of human history.

Alan is able to imagine every way critical equipment might break during the launch and landing of Apollo 11. But his experience in preventing cosmic disasters does nothing to prepare him for the pressures of a hasty marriage to a woman he barely knows—or the strain of keeping up appearances amid the shifting social attitudes of the late ’60s. When a crisis at home forces Alan back to earth, he’s faced with a choice he doesn’t know how to make: whether to let go or move forward.

When Alison Strange receives a debt claim she can’t afford to pay from the Australian government’s unemployment office, she’s caught completely off-balance. As she wrestles with a slippery bureaucracy, her history-loving grandfather bolsters her resolve with the story of their ancestor John Strange, an English cobbler who was banished to Australia for his part in a political movement. Drawing inspiration from John’s life, Alison finds her own unique way to demand a future that’s fair for all.

At a fort in Cabo Vermelho in 1779, Sisi, a West African girl with a gift for languages, works as a translator for her English enslavers. She was separated from her younger brother after they were kidnapped from their village by the ahosi, fierce female warriors who serve a neighboring king—and her guilt over her failure to protect him has never left her. When unexpected news reaches the fort, Sisi must find her voice, for her brother’s sake and for her own.