Monsters
A Fan's Dilemma
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Narrated by:
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Claire Dederer
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By:
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Claire Dederer
About this listen
A NEW YORK TIMES NOTABLE BOOK • NATIONAL BESTSELLER • A timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist?
"A lively, personal exploration of how one might think about the art of those who do bad things"—Vanity Fair • "[Dederer] breaks new ground, making a complex cultural conversation feel brand new."—Ada Calhoun, author of Also a Poet
From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is “part memoir, part treatise, and all treat” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?"
Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?
Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.
“Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us."—The Washington Post
A Best Book of the Year: The New York Times, NPR, The Washington Post, The New Yorker, Vulture, Elle, Esquire, Kirkus
©2023 Claire Dederer (P)2023 Random House AudioListeners also enjoyed...
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Critic reviews
NAMED A MOST ANTICIPATED/BEST BOOK OF SPRING BY: The New York Times (twice!), BuzzFeed, Entertainment Weekly, TIME Magazine, Bustle, i-D, Nylon, Kirkus, The Millions, LitHub, Alta, Chicago Review of Books, The Philadelphia Inquirer
“Part memoir, part treatise, and all treat . . . nimble, witty . . . Her exquisitely reasoned vindication of Lolita brought tears to my eyes . . . This is a book that looks boldly down the cliff of roiling waters below and jumps right in, splashes around playfully, isn’t afraid to get wet. How refreshing.” —The New York Times
“Excellent . . . A work of deep thought and self-scrutiny that honors the impossibility of the book’s mission. Dederer comes to accept her love for the art that has shaped her by facing the monstrous, its potential in herself, and the ways it can exist alongside beauty and pathos. Go ahead, she tells us, love what you love. It excuses no one.” —The New Yorker
“[A] vital, exhilarating book . . . Although Dederer has done her homework, her style is breezy and confessional . . . Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." —The Washington Post
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The Mohawk phrase for depression can be roughly translated as a mind spread out on the ground. In this urgent, visceral work, Alicia Elliott explores how apt a description that is for the ongoing effects of the personal, intergenerational, and colonial traumas experienced by her so many Native people. Elliott's deeply personal writing details a life spent between Indigenous and White communities - a divide reflected in her own family - and engages with such wide-ranging topics as race, parenthood, love, art, mental illness, poverty, sexual assault, gentrification, and representation.
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Well written, heartfelt, revealing
- By KWK on 07-15-24
By: Alicia Elliott
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The Republic of Imagination
- America in Three Books
- By: Azar Nafisi
- Narrated by: Mozhan Marnò
- Length: 10 hrs and 8 mins
- Unabridged
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Blending memoir and polemic with close readings of her favorite novels, she describes the unexpected journey that led her to become an American citizen after first dreaming of America as a young girl in Tehran and coming to know the country through its fiction. She urges us to rediscover the America of The Wonderful Wizard of Oz and Adventures of Huckleberry Finn and challenges us to be truer to the words and spirit of the Founding Fathers, who understood that their democratic experiment would never thrive or survive unless they could foster a democratic imagination.
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Love
- By Rebecca on 05-29-16
By: Azar Nafisi
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Batman Unauthorized
- Vigilantes, Jokers, and Heroes in Gotham City
- By: Dennis O'Neil - editor, Leah Wilson - editor
- Narrated by: Colby Elliott
- Length: 7 hrs and 21 mins
- Unabridged
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Compiled by a veteran writer of the comic series, this collection of essays explores Batman’s motivations and actions, as well as those of his foes. Batman is a creature of the night, more about vengeance than justice, more plagued by doubts than full of self-assurance, and more darkness than light. He has no superpowers, just skill, drive, and a really well-made suit.
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batman uninformed opinions
- By Aurey C. on 04-13-17
By: Dennis O'Neil - editor, and others
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Autism in Heels
- The Untold Story of a Female Life on the Spectrum
- By: Jennifer Cook O'Toole
- Narrated by: Jennifer O'Toole
- Length: 12 hrs and 39 mins
- Unabridged
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This intimate memoir reveals the woman inside one of autism’s most prominent figures, Jennifer O'Toole. At the age of 35, Jennifer was diagnosed with Asperger's syndrome, and for the first time in her life, things made sense. Now, she exposes the constant struggle between carefully crafted persona and authentic existence, editing the autism script with wit, candor, passion, and power. Her journey is one of reverse-self-discovery not only as an Aspie but - more importantly - as a thoroughly modern woman.
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Somewhat relatable but not really.
- By M Bond on 02-26-23
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Last Days at Hot Slit
- The Radical Feminism of Andrea Dworkin
- By: Andrea Dworkin, Johanna Fateman - editor and introduction, Amy Scholder - editor
- Narrated by: Hillary Huber
- Length: 13 hrs and 58 mins
- Unabridged
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Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. It includes “Goodbye to All This” (1983), a scathing chapter from an unpublished manuscript.
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Almost perfect reading
- By Paul on 04-02-20
By: Andrea Dworkin, and others
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Art Is Life
- Icons and Iconoclasts, Visionaries and Vigilantes, and Flashes of Hope in the Night
- By: Jerry Saltz
- Narrated by: Jerry Saltz, Mark Bramhall
- Length: 16 hrs and 1 min
- Unabridged
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Jerry Saltz is one of our most-watched writers about art and artists and a passionate champion of the importance of art in our shared cultural life. Since the 1990s he has been an indispensable cultural voice: Witty and provocative, he has attracted contemporary listeners to fine art as few critics have.
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WRONG for audio program
- By Karen Lehrer on 11-07-22
By: Jerry Saltz
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Looking for Lorraine
- The Radiant and Radical Life of Lorraine Hansberry
- By: Imani Perry
- Narrated by: LisaGay Hamilton
- Length: 8 hrs and 27 mins
- Unabridged
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Lorraine Hansberry, who died at thirty-four, was by all accounts a force of nature. Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work—until now.
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Radiant
- By Rose Brookins on 03-20-19
By: Imani Perry
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The Second Mountain
- How People Move from the Prison of Self to the Joy of Commitment
- By: David Brooks
- Narrated by: Arthur Morey
- Length: 12 hrs and 58 mins
- Unabridged
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Author David Brooks explores the four commitments that define a life of meaning and purpose: to a spouse and family, to a vocation, to a philosophy or faith, and to a community. Our personal fulfillment depends on how well we choose and execute these commitments. Brooks looks at a range of people who have lived joyous, committed lives, and who have embraced the necessity and beauty of dependence. He gathers their wisdom on how to choose a partner, how to pick a vocation, how to live out a philosophy, and how we can begin to integrate our commitments into one overriding purpose.
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Pursue meaning, reject hyper-individualism
- By Adam Shields on 05-07-19
By: David Brooks
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Cunt (20th Anniversary Edition)
- By: Inga Muscio
- Narrated by: Inga Muscio
- Length: 8 hrs and 5 mins
- Unabridged
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In this fully revised anniversary edition of the classic testament to women's empowerment, Muscio explores with candidness and humor such traditional feminist issues as birth control, sexuality, jealousy between women, and prostitution with a fresh attitude for a new generation of women. Sending out a call for every woman to be the "Cuntlovin' Ruler of Her Sexual Universe", Muscio stands convention on its head by embracing the provocative and celebrating womanhood.
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Best book ever
- By Paula Daniels on 07-28-19
By: Inga Muscio
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Disfigured
- On Fairy Tales, Disability, and Making Space
- By: Amanda Leduc
- Narrated by: Amanda Barker
- Length: 8 hrs and 17 mins
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Fairy tales shape how we see the world, so what happens when you identify more with the Beast than Beauty? Amanda Leduc looks at fairy tales from the Brothers Grimm to Disney, showing us how they influence our expectations and behaviour and linking the quest for disability rights to new kinds of stories that celebrate difference.
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Mixed bag
- By Kim Padan on 01-18-22
By: Amanda Leduc
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Philip Roth
- The Biography
- By: Blake Bailey
- Narrated by: George Guidall
- Length: 31 hrs and 46 mins
- Unabridged
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"I don't want you to rehabilitate me," Philip Roth said to his only authorized biographer, Blake Bailey. "Just make me interesting." Granted complete independence and access, Bailey spent almost 10 years poring over Roth's personal archive, interviewing his friends, lovers, and colleagues, and listening to Roth's own breathtakingly candid confessions. Tracing Roth's path from realism to farce to metafiction to the tragic masterpieces of the American Trilogy, Bailey explores Roth's engagement with nearly every aspect of postwar American culture.
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moved
- By Michael on 08-18-21
By: Blake Bailey
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Poetry in Person
- Twenty-five Years of Conversation with America's Poets
- By: Lucille Clifton, Alexander Neubauer - editor, Eamon Grennan, and others
- Narrated by: Alexander Neubauer
- Length: 5 hrs and 55 mins
- Unabridged
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This first audio edition of Poetry in Person: 25 Years of Conversation with America’s Poets (Knopf, 2010), invites listeners into an intimate classroom with eight acclaimed poets. Full of compelling, in-depth conversation about manuscripts and drafts by the poets themselves, plus readings of the finished poems, these historic recordings offer one of the most detailed portraits ever produced of how poems are actually made.
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Fascinating
- By d on 08-28-16
By: Lucille Clifton, and others
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Story
- Substance, Structure, Style, and the Principles of Screenwriting
- By: Robert McKee
- Narrated by: Robert McKee
- Length: 6 hrs and 12 mins
- Abridged
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Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.
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Only 5 Chapters
- By Stephen Buck on 02-15-11
By: Robert McKee
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How Fiction Works
- By: James Wood
- Narrated by: James Adams
- Length: 5 hrs and 47 mins
- Unabridged
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Ranging widely from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings, Wood takes the reader through the basic elements of the art, step by step. He sums up two decades of insight with wit and concision, resulting in nothing less than a philosophy of the novel, which has won critical acclaim nationwide, from the San Francisco Chronicle to the New York Times Book Review.
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Educational!
- By Don on 05-04-09
By: James Wood
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Catching the Big Fish
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In Catching the Big Fish, internationally acclaimed filmmaker David Lynch provides a rare window into his methods as an artist, his personal working style, and the immense creative benefits he has experienced from the practice of meditation. Lynch describes the experience of "diving within" and "catching" ideas like fish and then preparing them for television or movie screens, and other mediums in which he works, such as painting, music, and design.
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Interesting insight into Lynch's creative process
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What listeners say about Monsters
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Syd Young
- 11-01-23
Adresses my many questions
Great job narrating, even greater job critically thinking through this enormous problem. A many headed problem I haven’t been able to figure out. At least now I’ve thought through it in detail. Thank you to Jamie Ford for suggesting it.
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- JP
- 07-21-23
"What do we do about the terrible people we love?"
It's a question near the end of this wonderful book of essays, and it's really what the entire book is attempting to answer—with no simple one provided.
I understand why some people are frustrated with the memoir + argument parts of the book, especially since it seems many others are looking for an "answer" or "solution" and Claire Dederer doesn't offer one. Well, except that she does, but it's not the one that people want since it implicates us all and says there is no easy answer. As she states in one of the final chapters, "under capitalism, monstrousness applies to everyone." Am I monstrous, are you? Yes. As she reiterates, this is really getting at "the problem of human love." A topic I'm intensely interested in and, I would argue, the majority of people are invested in pondering at some point, or all the time.
I listened to and read this book concurrently, and I enjoyed the process immensely in both formats. I liked having Claire narrate her work, and I liked going back and re-reading things so I could see the words on the page and reinforce the complicated analysis and narrative and then re-read again. This is a book that I will value for its writing, for its bravery, for its smartness, for its structure, for its simplicity and for its complexity for years to come. I've already discussed it in an essay writing class I taught this summer at the New School's creative writing program. And I've already recommended to many people who are grappling with this question, this problem, this reality and need to have others for support.
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- Sonja Halvorson
- 06-13-23
Recommending to everyone
I feel like this was the answer to a question I have had for years. She fleshes it out in heart rendering, tender and thoughtful detail. I am so grateful for this piece of excellent writing.
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- J. Johnson
- 05-21-23
Of Monsters and Men
Incredibly well researched book, beautifully written that challenged me at every chapter. I loved the author’s narration. You won’t find any easy answers and your Monsters may be different. A perfect book club read for the variety of opinions likely to surface. And also? I want to go to Murfa, Texas.
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- Adam Hertz
- 06-25-23
The chapter on writers spoke my truth
Excellent , deep, raw , authentic analysis
On thinking about art, cancel culture, passion & addiction.
Brave & forceful!
Bravo!
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- Nicole Thompson
- 07-12-23
Excellent foray into our collective dilemma
Really enjoyed this book, and I think the author did a great job reading it. I listened at 1.9 speed so I don’t know if that made a difference in sound quality. I was challenged by her arguments for and against monsters, and I appreciated the connection to late stage capitalism.
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- Ryan Hertel
- 08-10-23
A Necessary Think Piece
Anyone who loves art created by a monster will get something from this, and that’s unfortunately probably most of us.
The diversity of the subjects really brings everything home too
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- Amazon Customer
- 12-28-23
Not just a book about terrible men
I almost didn’t buy this book, thinking it would just be endless cataloguing of the monstrous acts of so many men over the millennia (& I had no desire to rehash that history.) But the author was introspective and even had a chapter on how women (herself included) can be monsters! She also wrote much about how creative arts require total dedication of the artist such that monstrous behavior often results from creation of masterpieces. Loved this book!
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- Lydia C.
- 09-08-23
You lost me with the mothers
I'm not sure who she's talking about but the monsters in the beginning were very different from the monsters in the end. Are you a monster because you send your kids to daycare? I don't think so. Are you a monster because you have a job? Better than no home, food, clothes, and all the other things available with an income.
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- Dennis Hinkamp
- 07-02-23
Interesting Topic, Too Many Sidetracks
I like the parts of the book that stuck with the premise "Can we love the art of people who did bad things?" It starts out well discussing this, but then side tracks into a lot of the author's own memoir, so I felt a little cheated... interesting personal insight but that should be another book. The conclusion seemed to be that we are all monsters so there is no conclusion. Even the narrator (who is the author) seemed to be tired and depressed near the end.
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