-
Men, Women, and Chain Saws
- Gender in the Modern Horror Film
- Narrated by: Eva Wilhelm
- Length: 10 hrs and 7 mins
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Publisher's summary
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented - notably the slasher movie's "final girls" - as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers.
Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid fanbase from students of film theory to major Hollywood filmmakers.
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Story
Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics by the moral philosopher Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women.
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Five Star Book w/bad Narration
- By Cherrybomb on 02-08-19
By: Kate Manne
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Not Gay
- Sex Between Straight White Men
- By: Jane Ward
- Narrated by: Dara Rosenberg
- Length: 8 hrs and 6 mins
- Unabridged
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Not Gay thrusts deep into a world where straight guy-on-guy action is not a myth but a reality: There's fraternity and military hazing rituals, where new recruits are made to grab each other's penises and stick fingers up their fellow members' anuses; online personal ads, where straight men seek other straight men to masturbate with; and, last but not least, the long and clandestine history of straight men frequenting public restrooms for sexual encounters with other men.
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Extreme Feminism and Liberalism
- By David McDougall on 01-17-18
By: Jane Ward
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Sontag
- Her Life and Work
- By: Benjamin Moser
- Narrated by: Tavia Gilbert
- Length: 22 hrs and 4 mins
- Unabridged
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No writer is as emblematic of the American 20th century as Susan Sontag. Mythologized and misunderstood, lauded and loathed, a girl from the suburbs who became a proud symbol of cosmopolitanism, Sontag left a legacy of writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism and Fascism and Freudianism and Communism and Americanism, that forms an indispensable key to modern culture.
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Cloying voice
- By Suzanne on 11-02-19
By: Benjamin Moser
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Wasteland
- The Great War and the Origins of Modern Horror
- By: W. Scott Poole
- Narrated by: Andrew Eiden
- Length: 11 hrs and 30 mins
- Unabridged
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Overall
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Performance
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Story
In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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An interesting take
- By CN on 07-30-19
By: W. Scott Poole
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Last Days at Hot Slit
- The Radical Feminism of Andrea Dworkin
- By: Andrea Dworkin, Johanna Fateman - editor and introduction, Amy Scholder - editor
- Narrated by: Hillary Huber
- Length: 13 hrs and 58 mins
- Unabridged
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Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. It includes “Goodbye to All This” (1983), a scathing chapter from an unpublished manuscript.
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Almost perfect reading
- By Paul on 04-02-20
By: Andrea Dworkin, and others
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Women & Power
- A Manifesto
- By: Mary Beard
- Narrated by: Mary Beard
- Length: 1 hr and 35 mins
- Unabridged
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At long last, Mary Beard addresses in one brave book the misogynists and trolls who mercilessly attack and demean women the world over, including, very often, Mary herself. In Women & Power, she traces the origins of this misogyny to its ancient roots, examining the pitfalls of gender and the ways that history has mistreated strong women since time immemorial.
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Short and fabulous
- By André C. on 03-13-20
By: Mary Beard
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Men Explain Things to Me
- By: Rebecca Solnit
- Narrated by: Luci Christian Bell
- Length: 2 hrs and 47 mins
- Unabridged
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In Men Explain Things to Me, Rebecca Solnit takes on the conversations between men who wrongly assume they know things and wrongly assume women don't. The ultimate problem, she shows in her comic, scathing essay, is female self-doubt and the silencing of women. Rebecca Solnit is the author of fourteen books about civil society, popular power, uprisings, art, environment, place, pleasure, politics, hope, and memory, most recently The Faraway Nearby, a book on empathy and storytelling.
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Great read - horrible performance
- By Denise Johnson on 03-26-15
By: Rebecca Solnit
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Jewish Comedy
- A Serious History
- By: Jeremy Dauber
- Narrated by: Jeremy Dauber
- Length: 10 hrs and 49 mins
- Unabridged
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In a major work of scholarship both erudite and very funny, Jeremy Dauber traces the origins of Jewish comedy and its development from Biblical times to the age of Twitter. Organizing his book thematically into what he calls the seven strands of Jewish comedy - including the satirical, the witty, and the vulgar - Dauber explores the ways Jewish comedy has dealt with persecution, assimilation, and diaspora through the ages. He explains the rise and fall of popular comic archetypes such as the Jewish mother, the JAP, and the schlemiel and schlimazel.
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Not funny
- By supermantwo on 08-31-20
By: Jeremy Dauber
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The Perversion of Virtue
- Understanding Murder-Suicide
- By: Thomas Joiner
- Narrated by: Chris Kayser
- Length: 10 hrs and 19 mins
- Unabridged
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In The Perversion of Virtue, leading suicide researcher Thomas Joiner explores the nature of murder-suicide and offers a unique new theory to explain this nearly unexplainable act: that murder-suicides always involve the wrongheaded invocation of one of four interpersonal virtues: mercy, justice, duty, and glory. The parent who murders his child and then himself seeks to save his child from a fatherless life of hardship; the wife who murders her husband and then herself seeks to right the wrongs he committed against her, and so on.
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I cannot more highly recommend this book
- By Emily Karp on 05-07-18
By: Thomas Joiner
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Feminism and Pop Culture
- Seal Studies
- By: Andi Zeisler
- Narrated by: Angela Reed
- Length: 6 hrs and 26 mins
- Unabridged
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Whether or not we like to admit it, pop culture is a lens through which we alternately view and shape the world around us. When it comes to feminism, pop culture aids us in translating feminist philosophies, issues, and concepts into everyday language, making them relevant and relatable. In Feminism and Pop Culture, author and cofounder of Bitch magazine Andi Zeisler traces the impact of feminism on pop culture (and vice versa) from the 1940s to the present and beyond.
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Really needs an update
- By Lori Grossman on 04-05-18
By: Andi Zeisler
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Becoming Faulkner
- The Art and Life of William Faulker
- By: Philip Weinstein
- Narrated by: Edoardo Ballerini
- Length: 12 hrs and 15 mins
- Unabridged
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William Faulkner was the greatest American novelist of the 20th century, yet he lived a life marked by a pervasive sense of failure. Throughout his career, he remained haunted by his inability to master a series of personal and professional challenges: his less-than-heroic military career; the loss of his brother in an airplane crash; a disappointing stint as a Hollywood screenwriter; and a destructive bout with alcoholism.
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Miss.'s BCS-Bundren.Compson.Snopes/Sutpen/Sartoris
- By W Perry Hall on 05-01-14
By: Philip Weinstein
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Shakespeare in a Divided America
- What His Plays Tell Us About Our Past and Future
- By: James Shapiro
- Narrated by: Fred Sanders
- Length: 9 hrs and 11 mins
- Unabridged
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The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.
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An Entertaining History Lesson
- By David on 08-17-20
By: James Shapiro
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Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.
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A good listen, but narrow in scope
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The Black Guy Dies First
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The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-listen for cinema and horror fans alike.
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So Much To Absorb!
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It Came from the Closet
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Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.
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This is not a book about queer horror
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Behind the Horror
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Unearth the terrifying and true tales behind some of the scariest horror movies to ever haunt our screens, including the Enfield poltergeist case that was retold in The Conjuring 2 and the serial killers who inspired Hannibal Lector in The Silence of the Lambs. Behind the Horror dissects these and other bizarre tales to reveal haunting real-life stories of abduction, disappearance, murder, and exorcism.
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Okay
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Wasteland
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In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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An interesting take
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The Horror of It All
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The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.
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Great book, if you were a teen in the 80's
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Shock Value
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The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-listen for cinema and horror fans alike.
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So Much To Absorb!
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It Came from the Closet
- Queer Reflections on Horror
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- Narrated by: Graham Halstead, Aven Shore, Aida Reluzco, and others
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Horror movies hold a complicated space in the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. It Came from the Closet features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on Jennifer’s Body, Jude Ellison S. Doyle on In My Skin, Addie Tsai on Dead Ringers, and many more, these conversations convey the rich reciprocity between queerness and horror.
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This is not a book about queer horror
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In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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Dark Carnivals
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The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.
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The Iron Cage
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At a time when a lasting peace between the Palestinians and the Israelis seems unattainable, understanding the roots of their conflict is an essential step in restoring hope to the region. In The Iron Cage, Rashid Khalidi provides a lucid context for the realities on the ground today, a context that has been, until now, notably lacking in our discourse.
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The other side.
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House of Psychotic Women
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Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.
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House of Psychotic Outsiders
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Nightmare Fuel
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Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.
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Science + Horror = Intrigued
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Monster, She Wrote
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Satisfy your craving for extraordinary authors and exceptional fiction: Meet the women writers who defied convention to craft some of literature’s strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction.
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Absolutely Inspiring!
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Eating one's own kind is a completely natural behavior in thousands of species, including humans. Throughout history we have engaged in cannibalism for reasons related to famine, burial rites, and medicine. Cannibalism has also been used as a form of terrorism and as the ultimate expression of filial piety. With unexpected wit and a wealth of knowledge, Bill Schutt takes us on a tour of the field, exploring exciting new avenues of research and investigating questions like why so many fish eat their offspring and some amphibians consume their mothers' skin.
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Ruined it at the end
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Before Alex Marzano-Lesnevich begins a summer job at a law firm in Louisiana, working to help defend men accused of murder, they think their position is clear. The child of two lawyers, Alex is staunchly anti-death penalty. But the moment convicted murderer Ricky Langley’s face flashes on the screen as Alex reviews old tapes—the moment they hear him speak of his crimes—they are overcome with the feeling of wanting him to die. Shocked by their reaction, Alex digs deeper and deeper into the case.
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Memoir of Molestation
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Horror Noire (2nd Edition)
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From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.
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An indispensable reference for horror fans, film scholars, and aspiring filmmakers
- By TrevorTrujillo on 01-29-24
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Yellow Bird
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- By: Sierra Crane Murdoch
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When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher “KC” Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone.
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Interesting story, dull narration
- By Sophia Loch on 08-16-20
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Dead Blondes and Bad Mothers
- Monstrosity, Patriarchy, and the Fear of Female Power
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- Narrated by: Chloe Cannon
- Length: 6 hrs and 42 mins
- Unabridged
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Sady Doyle, hailed as "smart, funny, and fearless" by the Boston Globe, takes listeners on a tour of the female dark side, from the biblical Lilith to Dracula's Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein's "domineering" mother Augusta; exorcism casualty Anneliese Michel, starving herself to death to quell her demons; author Mary Shelley, dreaming her dead child back to life.
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This book is exceptional!
- By Chays Love on 09-19-19
By: Sady Doyle
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The Missing Thread
- A Women's History of the Ancient World
- By: Daisy Dunn
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Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.
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So comprehensive!
- By jf on 09-14-24
By: Daisy Dunn
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The Empusium
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- By: Olga Tokarczuk
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September 1913. A young Pole suffering from tuberculosis arrives at Wilhelm Opitz’s Guesthouse for Gentlemen in the village of Görbersdorf, a health resort in the Silesian mountains. Every evening the residents gather to imbibe the hallucinogenic local liqueur and debate the great issues of the day: Monarchy or democracy? Do devils exist? Are women born inferior? War or peace? Meanwhile, disturbing things are happening in the guesthouse and the surrounding hills. Someone—or something—seems to be watching, attempting to infiltrate this cloistered world.
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Never ending Misogyny
- By Nina O on 10-11-24
By: Olga Tokarczuk
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- David Anderson
- 10-28-23
Brilliant insight and analysis!
The term "final girl" is just the tip of the iceberg in Carol Clover's book.
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- Wesley W. Lummus
- 06-03-23
Very insightful!
Explains some deeper motives for why people enjoy horror movies. She discussed many movies that I hadn’t seen before. 👍
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- Andrew Cybulska
- 03-29-23
Rich and insightful
I’m a massive genre fan, and being able to read this seminal work, one which coined the term “final girl”, has been a total joy. The audiobook is well performed by Eva Wilhelm, and includes the latest forward by the author. My only complaints have to do with the facts that a) the chapters in the audiobook do not match up with the physical book at all (when the audiobook metadata says “chapter 6” but the narrator says “chapter 3”, you can see how difficult it would be to sync up the audiobook with the physical book you might be reading in bed) and b) none of the footnotes are read.
Regardless, this is a great way to enrich your knowledge of cinemas least understood genre.
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- Mary
- 01-03-24
Good reader, decent book
This one was ok. Interesting, but not riveting. I read it on a movie podcast recommendation. It used a lot of psych and movie language I wasn’t super familiar with. I might have liked it better if I liked movies more. It was also frustrating that it was an older book and didn’t reference any newer movies which addressed the book’s arguments.
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- The Fourth Summers Brother
- 08-24-22
Absolutely Fascinating!
Men, Women & Chain Saws is a fantastic analysis of gender in the horror movies we love. I believe it's a must for fans that love a deeper perspective on the genre.
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- Rhiannon E. Hoffman
- 05-07-23
In chapter 3
So, I am only in chapter 3, and my change my view by the end of the author begins doing more research, but I am sneering a bit as she takes the bait and low polling result on the main audience to slasher films. It has been studied and noted, in easily found publication and documentries, that the rate or female audience to mainstream slasher film is higher-55% at last counts- then the male audience. If you subject studies to exploration grindhouse theatre houses, female audience is lower only due to the towns that those movie houses reside being in areas deemed as “rougher”. While I have gone to those theatres , it was only in daytime with a keen eye always on the lookout for a purse snatcher or assaulted before and after. Females LOVE slasher films, and that a female would not find this research is not a good thing. That she also seems to be more pointed toward male feeling on female captivity and suffering and stating a female must become “masculine” to defeat the villain is also bunk. The female must find her own, defiantly feminine power to defeat the villian. I hope further throughout she does more research and does not localize studies to her own small cali cityscape
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- Violet
- 08-27-22
pls get a new recording
this book is SO interesting but the recording feels like siri reading to you. I still finished it because it’s super intriguing, but I ordered the physical copy bc I couldn’t cope.
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- Shadow007
- 07-26-24
Outdated by today’s standards but interesting academic read
Horror movies especially the 1980s slasher movies are often been criticized for their portrayal of women getting attacked. This landmark book argues on the contrary, explaining how the then modern horror films weren’t necessarily all anti-women butchering movies.
The author using mainly Texas chainsaw massacre, exorcist, deliverance, and a few other films, explains how certain themes appear over again in these movies causing audiences to follow and empathize with the main characters and see movie tropes of it’s time. This book is where the concept of the final girl arises from.
But within a very short few years, the slasher genre ended and the movie Scream commented on various horror tropes that made this book outdated and audiences familiar with the movies cliques and film language that this book analyzes. I mean did we need a whole chapter to explain to us that whether one is male or female that rape is bad?
The book is also written very academic so listeners might get bored, especially with the monotone British lady narrating this book. If you enjoyed your college academic texts then you’ll know if you will like this book
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- Marie A.
- 09-20-22
Deeply Misogynistic
I had to return this book unfinished. It didn't even matter that i got it on sale. I would need to be paid to keep this book in my library. The author's deeply misogynistic takes on women were just too disgusting to even try to grapple with. Basically, women who are "feminine" die while women who survive become "masculine" because being intelligent, assertive, proactive, and skilled turn a woman into a boy. That backward and regressive interpretation of womanhood really needs to be left in the 1950s. I hope a more modern and feminist analysis can be made on this topic.
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