Nothing Like the Sun is a magnificent, bawdy telling of Shakespeare's love life. Starting with the young Will, the novel is a romp that follows Will's maturation into sex and writing. It is at the same time a serious look at the forces that midwife art, the effects of time and place, and the ordinariness that is found side by side with extraordinariness of genius.

Inside Mr. Enderby introduced to a captivated audience Burgess's dyspeptic poet, whose uniquely idiosyncratic, scatological brand of verse even won the genuine approval of T. S. Eliot. In his first clash with the outside world, Enderby is extracted from his lavatorial sanctuary by the professional widow Vesta Bainbridge in a most peculiar romance.

A Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover, and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen, and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon.

The murderee is Nicola Six, a "black hole" of sex and self-loathing who is intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts; or the rich, honorable, and dimly romantic Guy Clinch. As Nicola leads her suitors towards the precipice, London--and, indeed, the whole world--seems to shamble after them in a corrosively funny novel of complexity and morality.

The story of Flem Snopes' ruthless struggle to take over the town of Jefferson, Mississippi, this is the second volume of Faulkner's trilogy about the Snopes family, his symbol for the grasping, destructive element in the post-bellum South.

Relocated to New York for The Clockwork Testament, or, Enderby's End, Enderby has to defend himself and his first film scenario, which he based on a poem by Gerald Manley Hopkins but - shades of Burgess's A Clockwork Orange - was transmogrified into an X-rated movie.

F.X. Enderby travels to Indiana in order to impress the Hoosiers with his musical script on the career of Shakespeare and falls in love with a nightclub singer.

Returning in Enderby Outside, Enderby must deal with incongruous plagiarism from the pop star Yod Crewsley and a visit from an apparent personification of his Muse.