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Lovers at the Chameleon Club, Paris 1932
- A Novel
- Narrated by: Edoardo Ballerini, Rosalind Ashford, Geoffrey Cantor, Nicola Barber, Suzanne Toren, Maggi-Meg Reed
- Length: 18 hrs and 12 mins
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Publisher's summary
A richly imagined and stunningly inventive literary masterpiece of love, art, and betrayal, exploring the genesis of evil, the unforeseen consequences of love, and the ultimate unreliability of storytelling itself.
Paris in the 1920s: It is a city of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol, and the caustic American writer Lionel Maine.
As the years pass, their fortunes - and the world itself - evolve. Lou falls in love and finds success as a race car driver. Gabor builds his reputation with vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant '20s give way to darker times, Lou experiences another metamorphosis that will warp her earnest desire for love and approval into something far more sinister: Collaboration with the Nazis.
Told in a kaleidoscope of voices, Lovers at the Chameleon Club, Paris 1932 evokes this incandescent city with brio, humor, and intimacy. A brilliant work of fiction and a mesmerizing listen, it is Francine Prose's finest novel yet.
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Candid, insightful, and powerful, Daring: My Passages is the story of the unconventional life of a writer who dared - to walk New York City streets with hookers and pimps to expose violent prostitution; to march with civil rights protesters in Northern Ireland as British paratroopers opened fire; to seek out Egypt's president Anwar Sadat when he was targeted for death after making peace with Israel.
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Enjoyed unexpectedly
- By Corinne O'Rourke on 09-06-23
By: Gail Sheehy
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Humboldt's Gift
- By: Saul Bellow
- Narrated by: Christopher Hurt
- Length: 18 hrs and 5 mins
- Unabridged
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For years, they were the best of friends: the grand, erratic Humboldt and the ambitious young Charlie. But now Humboldt has died a failure, and Charlie's success-ridden life has taken various turns for the worse. Then Humboldt acts from the grave to change Charlie's life: he has left Charlie something in his will.
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Great Book, Great Reader
- By Scott on 05-10-08
By: Saul Bellow
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The Ground Beneath Her Feet
- By: Salman Rushdie
- Narrated by: Steven Crossley
- Length: 27 hrs and 18 mins
- Unabridged
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Salman Rushdie is widely considered one of a handful of truly great living writers. The internationally acclaimed, Booker Prize-winning author's storytelling shines in this epic love story, a modern retelling of the myth of Orpheus.
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Okay, Salmon, We get that you're a genious already
- By Julie A Quinn on 04-23-09
By: Salman Rushdie
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Fury
- By: Salman Rushdie
- Narrated by: Salman Rushdie
- Length: 9 hrs and 5 mins
- Unabridged
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The world renowned author of The Satanic Verses and The Ground Beneath Her Feet, Salman Rushdie is a Whitbread Award winner and recipient of the Booker Prize. His first truly American novel, Fury is a metaphorically rich black comedy that reflects the pressure-cooker of modern life. Malik Solanka, irascible doll-maker and retired historian of ideas, suffers the pain of wanting without knowing exactly what it is he wants.
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surprisingly good
- By David on 11-21-07
By: Salman Rushdie
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The Patriots
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- By: Sana Krasikov
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- Length: 22 hrs and 58 mins
- Unabridged
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Florence Fein grows up in Brooklyn in the 1930s, in a family that is gaining a foothold in the middle class. At City College she becomes engaged politically with the left-leaning student groups, and eventually, in the midst of the Depression, she takes a job with a trade organization that has a position for her in Moscow. There, she falls in love with another expatriate American and has a son. Soon after, Florence is sent to a work camp and her son to an orphanage.
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Point of View of characters, past and present collide
- By Angela Adams on 01-29-19
By: Sana Krasikov
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Irish Gold
- A Nuala Anne McGrail Novel
- By: Andrew M. Greeley
- Narrated by: David Dukes
- Length: 2 hrs and 57 mins
- Abridged
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Dermot Michael Coyne of Chicago goes to Ireland to uncover the true story of his grandparents, who left Ireland under a veil of mystery in the 1920s. There, Coyne meets Nuala Anne McGreal, a college student who helps him translate his grandmother's diaries. His grandparents, the O'Riadas, and the bloody history of Ireland from 1919 to 1923 are mysteriously linked to present-day peace talks between the Irish and English.
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great book
- By Sierra on 11-11-18
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The Night Ocean
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- Narrated by: Elisabeth Rodgers
- Length: 13 hrs and 23 mins
- Unabridged
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Marina Willett, MD, has a problem. Her husband, Charlie, has become obsessed with H. P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends - or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears.
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Frustratingly Uneven Due to Clumsy Plot Structure
- By Adam on 06-15-17
By: Paul La Farge
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Serpentine
- By: Thomas Thompson
- Narrated by: Mike Chamberlain
- Length: 24 hrs and 12 mins
- Unabridged
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There was no pattern to the murders, no common thread other than the fact that the victims were all vacationers, robbed of their possessions, and slain in seemingly random crimes. Authorities across three continents and a dozen nations had no idea they were all looking for the same man: Charles Sobhraj, aka "The Serpent". A handsome Frenchman of Vietnamese and Indian origin, Sobhraj targeted backpackers on the "hippie trail" between Europe and South Asia. A master of deception, he used his powerful intellect and considerable sex appeal to lure naive travelers into a life of crime.
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Good Story / Weak Narration
- By Chandelle on 10-09-18
By: Thomas Thompson
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Dancing with the Enemy
- My Family's Holocaust Secret
- By: Paul Glaser
- Narrated by: James Anderson Foster, Christa Lewis
- Length: 7 hrs and 47 mins
- Unabridged
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The gripping story of the author's aunt, a Jewish dance instructor who was betrayed to the Nazis by the two men she loved, yet managed to survive WWII by teaching dance lessons to the SS at Auschwitz. Her epic life becomes a window into the author's own past and the key to discovering his Jewish roots.
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Amazing Unique
- By Nordic Artisan on 05-11-19
By: Paul Glaser
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A Fraction of the Whole
- By: Steve Toltz
- Narrated by: Colin McPhillamy, Craig Baldwin
- Length: 25 hrs and 11 mins
- Unabridged
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Stewing in an Australian prison, Jasper Dean reflects on his relationship with his dead father and recounts the many zany adventures they shared together.
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A Funny and Thought-provoking Tale of Human Nature
- By Asha Ember on 01-27-10
By: Steve Toltz
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The Postcard
- By: Leah Fleming
- Narrated by: Elaine Claxton
- Length: 13 hrs and 18 mins
- Unabridged
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2002, Australia. When Melissa discovers a postcard addressed to 'Desmond' among her recently deceased father's effects, she is determined to discover this person's identity and his relationship to her father. She soon embarks on a journey that will take her across oceans and into the past...
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Meh
- By Summer Layne on 03-06-15
By: Leah Fleming
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Distant Star
- By: Roberto Bolano
- Narrated by: Walter Krochmal
- Length: 4 hrs and 43 mins
- Unabridged
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A chilling novel about the nightmare of a corrupt and brutal dictatorship. The star of Roberto Bolano's hair-raising novel Distant Star is Alberto Ruiz-Tagle, an air force pilot who exploits the 1973 coup to launch his own version of the New Chilean Poetry, a multimedia enterprise involving sky-writing, poetry, torture, and photo exhibitions. For our unnamed narrator, who first encounters this "star" in a college poetry workshop, Ruiz-Tagle becomes the silent hand behind every evil act in the darkness of Pinochet's regime.
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Omg
- By Sierra on 08-03-16
By: Roberto Bolano
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Palace of Tears
- By: Julian Leatherdale
- Narrated by: Ming-Zhu Hii
- Length: 15 hrs and 40 mins
- Unabridged
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The dazzling story of family, passion, secrets and vengeance, woven through the hardships of both World Wars and revealing the intriguing history of the Palace, the opulent Blue Mountains hotel famed for its luxury and mysterious owner. A sweltering summer's day, January 1914: the charismatic and ruthless Adam Fox throws a lavish birthday party for his son and heir at his elegant clifftop hotel in the Blue Mountains. Everyone is invited except Angie, the girl from the cottage next door.
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Distractingly bad acting by narrator!
- By Bunny on 01-30-16
What listeners say about Lovers at the Chameleon Club, Paris 1932
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- B. B. Keay
- 10-27-17
A Masterpiece
Francine Prose weaves an elaborate tapestry of time and history to patch together the quiltwork of her characters' intersecting lives in this brilliantly penned novel. Her truly first-rate storytelling is matched by an equally skilled cast of narrators who bring such life to the characters of Prose's tale.
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- Howard Taylor
- 06-15-14
Beautifully Written, Wonderfully Performed
What made the experience of listening to Lovers at the Chameleon Club, Paris 1932 the most enjoyable?
I don't like first-person narration, and I don't like books that change point of view in each chapter. This book had both, and I loved it! The weaving of the different perspectives built the story in a totally engrossing way.
What does the narrators bring to the story that you wouldn’t experience if you just read the book?
Having different readers for the different voices worked really well. It was almost like a radio play.
Any additional comments?
What really makes this book, above all, is the lucid, playful and articulate writing. It is a pleasure to listen to.
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7 people found this helpful
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- Patricia S. Hohl
- 07-26-14
What I wouldn't give to be sitting at a banquette
What I wouldn't give to be sitting at one of the banquettes at The Chameleon Club!
The dancing! The orchestra! The girls? It is all brought so vividly rendered, I could smell the cigarettes and taste the watered-down gin. Prose's exploration of the nature of evil is smart and compelling canted against a terrific narrative.
This tour de force by Francine Prose is rooted in the 1932 Brassai photograph “Lesbian Couple at Le Monocle.” Lovers at the Chameleon Club, Paris 1932 is a fictionalized account of the life of one of the subjects of that photograph, Violette Morris - an Olympic hopeful, professional race car driver, and Nazi collaborator. In the book, she is Lou Villars, a French cross dressing lesbian whose choice of increasingly toxic lovers contributes to her fragile sense of self, smoldering resentment, and dangerous unhappiness. Yet the sources of her disappointment are many from her parents to her own country. Prose uses this tangle of complicated emotions to explore the more intellectual questions that surround the nature of evil. All while taking the reader through the nocturnal streets of Brassai’s pre-war Paris, the egos of writers and artists, the heady days lived by lovers and scoundrels flung towards another world war. What does disappointment and adversity churn into? Are some people bound to become evil or good? Prose doesn’t rely on black and white answers; she revels in the shades of gray. She keeps the narrative lively and compelling, torqued between what the characters can control and what they cannot - another fascinating place for a reader to be, that gray, in-between place. Readers may take issue with the fact that Lou’s story is told in everyone else’s voice but her own. I think Prose found just the right pitch to tell Lou’s story. A central character who ultimately takes some sense of pleasure in evil can become too heavy and the lines of inquiry that run from such a character, too clichéd. Not here. Having Lou’s life filled in by such a diverse cast lights the narrative on fire; it feels kaleidoscopic. Finally, I can’t remember the last time I so thoroughly enjoyed an ending. Ironic, and odd, and deeply satisfying.
The only negative part of the experience was the fake, French accents. Listening to the baroness made me cringe.
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2 people found this helpful
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- Connie
- 07-18-15
OMG but I loved it
Truth is certainly stranger than fiction. I was 6 hours in before I said to myself, my God! This is too effed-up not to be a true story. So I googled Lou Villars and it turned out that it's mostly true. The character Lou Villars is based on real-life character Violette Morris, the cross-dressing lesbian, once-celebrated French athlete and race car driver who turned into turned into a spy and torturer for the Nazis. The story was so bizarre that, once I figured out it was true, I couldn't put it down. Also, it has a great cast of readers who do such credit to their characters. This just makes it harder to put the book away at night!
This book is not for prudes or intolerant people. Although the sex is not that explicit (well,sometimes it's pretty rowdy), there are cross-dressers, homosexuals, and very sensual cabaret acts at The Chameleon Club.
This is undoubtedly Francine Prose's best novel yet, and is beautifully written. You'll have to decide for yourself how much is true - I decided to believe it was almost all true.
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2 people found this helpful
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- Tatyana
- 01-31-15
Great story by great narrators
What made the experience of listening to Lovers at the Chameleon Club, Paris 1932 the most enjoyable?
Great story by great narrators
Who was your favorite character and why?
all of characters are great
Have you listened to any of the narrators’s other performances before? How does this one compare?
not sure
If you could rename Lovers at the Chameleon Club, Paris 1932, what would you call it?
I wouldn't rename it.
Any additional comments?
One of the best historical books and the best narration! Multiple accounts and different accents making the story absolutely real. Bravo!!!
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1 person found this helpful
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- RueRue
- 03-30-15
Interesting Historical Fiction
An interesting but over-long narrative, told by multiple characters, set in Paris between the World Wars. This is not "lite" listening, but it is ultimately rewarding.
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- Hayworth
- 05-01-14
An unmitigated disaster
What made the experience of listening to Lovers at the Chameleon Club, Paris 1932 the most enjoyable?
Absolutely nothing. I stopped listening after the third "'er 'usband in Paree". Why on earth choose such a pot pourri of lousy accents? Gabor doesn't even attempt an accent, while the women mostly sound like bad imitations of Yvonne Arnaud on an off night (look her up).
What was one of the most memorable moments of Lovers at the Chameleon Club, Paris 1932?
When I stopped listening
Who would you have cast as narrator instead of the narrators?
Juliet Stevenson
If you were to make a film of this book, what would the tag line be?
"This film can't be any worse than the audio version"
Any additional comments?
Francine prose is a magnificent writer, and she has come up with an intriguing subject. She deserves better than this. I'm off to buy the hard cover. My ratings for "overall" and "story" are based on what I hope the book will be.
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10 people found this helpful
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- Eileen
- 05-04-14
EVOCATIVE STORYTELLING AT ITS BEST!
Any additional comments?
The audiobook format is particularly suited to story lines with multiple points of view. We know immediately whose perspective we're hearing, and, in the case of multi-narrator presentations like this one, we get a full sense of different characters' personalities without the confusion that reading written text sometimes creates. This audiobook delivers on so many fronts: a terrific story that is multi-layered and fascinating, and narration that evokes all the smoky, sexy ambiance of Paris plus the tension of pre- to post-war Europe. Accents were spot on, especially the women's, and we needed them to flesh out these diverse and complex characters. Terrific writing from an acclaimed author who doesn't disappoint, and terrific narration and storytelling by an accomplished cast of voice actors.
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12 people found this helpful
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- Linda
- 01-02-22
Disappointed
I kept listening, waiting for the different narrators to pick up the pace and nit make it such a documentary. Then to have that bizarre ending, really just made me feel I wasted 18 hours of my December. Very disappointing!
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- Sarah
- 06-04-14
Superb!
Any additional comments?
It has been a very long time since I read such a well-written, and well-narrated [or performed] book. I found it riveting from the beginning. The story is a fictionalized retelling, through the voices of several contemporaries, of the life of an extraordinary woman. Google "Violette Morris" if you want to know more]. The technique of giving each person a different narrator, each with a voice sufficiently distinctive that you can easily tell them apart, is used to excellent effect here [I wish someone would arrange for Susan Howatch's "historical" novels to be redone this way]. The main protagonist herself, called Lou Villar in the book, does not give her own viewpoint, but we see her through the eyes of those who are close to her, although, in the end, she remains something of a mystery. Some of the characters are composites ["Lionel Main" seems based on Henry Miller with a touch, maybe, of Hemingway] and others are basically only renamed [check out the photos of Brassai on Google], and yet others are probably fictional. The title is a paraphrasing of the title of a real photograph.Some of the history covered was familiar to me, but most was not. Some commenters think the book is a bit prolix and long; I do not, because describing how a woman like Lou Villar [or, if you will, Morris] became what she became is not something one can do briefly. Francine Prose should be very happy with this audio rendition, which really brings her wonderful book to life. If I have any criticism, I would have liked a note at the end informing listeners who performed which characters.
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10 people found this helpful