Thirteen-year-old Stanley Mitchel Jr. spends most of his time helping his family run the town's drive-in movie theater, reading ten-cent comics, and playing with his dog Nub. Life in East Texas circa 1958 is not very exciting until Stanley discovers a stash of crumbling old love letters in a pile of burnt rubble behind the drive-in. As Stanley reads through the letters, he finds himself in the middle of a town mystery and discovering the secrets of his sleepy town.

May Lynn was once a pretty girl who dreamed of becoming a Hollywood star. Now she's dead, her body dredged up from the Sabine River.

Sue Ellen, May Lynn's strong-willed teenage friend, sets out to dig up May Lynn's body, burn it to ash, and take those ashes to Hollywood to spread around. If May Lynn can't become a star, then at least her ashes will end up in the land of her dreams.

When Bill and his friends accidentally witness a homicide by two hitmen known only as Fat Boy and Cobra Man, everyone but Bill is slaughtered. After escaping by the skin of his teeth, Bill runs to his Uncle Hank, who reluctantly gets involved, and together, they begin a clandestine takedown of Fat Boy and Cobra Man that leads them to something much darker, much more unspeakable than simple murder or revenge. Waltz of Shadows, a novel not for the feint of heart, is Lansdale at his darkest.

Peculiar weather settles over a bustling Texas sea port, a city made prosperous off the cotton trade and thick with racial inequality. The sky above Galveston, Texas, darkens to the sickly green of a healing bruise, the sea turns black, and the inhabitants of the city have no idea the force of the hammer about to drop on them. On September 8, 1900, a hurricane ripped apart Galveston, Texas, killing nearly 8,000 people and nearly obliterating the town. Lansdale's story brings dimension to many who lost their lives that day, and a few who survived.

It begins with an explosion: Sunset Jones kills her husband with a bullet to the brain. Never mind that he was raping her. Pete Jones was constable of the small sawmill town of Camp Rapture ("Camp Rupture" to the local blacks), where no woman, least of all Pete's, refuses her husband what he wants.

It's 1933 in East Texas and the Depression lingers in the air like a slow-moving storm. When a young Harry Collins and his little sister stumble across the body of a black woman who has been savagely mutilated and left to die in the bottoms of the Sabine River, their small town is instantly charged with tension. When a second body turns up, this time of a white woman, there is little Harry can do from stopping his Klan neighbors from lynching an innocent black man.

One death is only the beginning for Tom and his wife Kelly who witness a fast-driving car killing their innocent neighbor in the street. Tom describes the driver to the police, but there is something he didn't anticipate: The driver belongs to a powerful criminal gang in East Texas.

A comet, red and smiling with jagged teeth, flashes across the sky. People try to leave but find they are trapped by some acidic goo surrounding the entire drive-in. They grow hungry, homicidal, and suicidal. Then along comes the Popcorn King, a jiving, rhyming creature formed by blue-white lightning, with four arms and a popcorn bucket on its head.

In the field of country noir—the dark side of rural and small-town America—Lansdale staked his claim to East Texas with The Nightrunners. A '66 Chevy bears down on the countryside, with a carful of vicious teenagers and evil of Biblical proportions, in this terrifying morality tale of sex and violence.

Part of a secret government organization designed to protect civilians, Elvis Presley and a handful of hardcore warriors set out to save the world from an invasion of hive-minded, shape-shifting vampire-like creatures from a dark dimension who have taken up residence in a New Orleans junkyard.

Jane has lost her job at the laundry due to a ketchup package she forgot to remove from an expensive item, and her prospects look dim. To top off matters, her younger sister, who lives up north, and who Jane has problems with, is getting married and has mailed her an invitation that Jane believes was sent due to her sister not expecting her to be able to come.

Charlie Garner has a bad feeling. His ex-wife, Meg, has been missing for over a week and one quick peek into her home shows all her possessions packed up in boxes. Neighbors claim she’s running from bill collectors, but Charlie suspects something more sinister is afoot. Meg was last seen working at the local donut shop, a business run by a shadow group most refer to as ‘The Saucer People’; a space-age, evangelist cult who believe their compound to be the site of an extraterrestrial Second Coming.

The endlessly inventive mind of Joe R. Lansdale whips up yet another batch of stories to amaze, surprise, and entertain you. His new offering covers a lot of territory, producing what may be his best short story collection yet. It's the usual wild and crowd-pleasing display of what has become a subgenre of modern literature as only Joe R. Lansdale can present it.

Jack Parker knows all too well how treacherous turn-of-the-century East Texas can be. His parents did not survive a smallpox epidemic. His grandfather was murdered. Now his sister Lula has been kidnapped by a criminal who may believe wearing a dead man's clothes protects them both from death. With bounty hunter Shorty, a charismatic and cunning dwarf, and Eustace, a gravedigging son of an ex-slave, the heartbroken young Jack sets off on an epic quest to rescue his sister from the corrupt men who control much of the new territory.

From the dusty Great Depression to the far future to the Wild West to the era of big-fin automobiles, soda shops, and double features, as well as dark journey on an icy ocean full of ravenous sharks and a fantastic shipwreck that leads its survivors into a nightmarish Lovecraftian world of monsters and mystery, Joe R. Lansdale returns with a pack of stories for your consumption and enjoyment.

Bleeding Shadows is Joe R. Lansdale's largest, most varied collection to date. These stories, poems, and novellas--supplemented by the author's introduction and by an invaluable set of story notes--move effortlessly from horror, adventure, and suspense to literary pastiche. It is, by any measure, a major addition to an already impressive body of work.

In the field of country noir—the dark side of rural and small-town America—Lansdale staked his claim to East Texas with The Nightrunners. A '66 Chevy bears down on the countryside, with a carful of vicious teenagers and evil of Biblical proportions, in this terrifying morality tale of sex and violence.

When Bill and his friends accidentally witness a homicide by two hitmen known only as Fat Boy and Cobra Man, everyone but Bill is slaughtered. After escaping by the skin of his teeth, Bill runs to his Uncle Hank, who reluctantly gets involved, and together, they begin a clandestine takedown of Fat Boy and Cobra Man that leads them to something much darker, much more unspeakable than simple murder or revenge. Waltz of Shadows, a novel not for the feint of heart, is Lansdale at his darkest.

Part of a secret government organization designed to protect civilians, Elvis Presley and a handful of hardcore warriors set out to save the world from an invasion of hive-minded, shape-shifting vampire-like creatures from a dark dimension who have taken up residence in a New Orleans junkyard.

The endlessly inventive mind of Joe R. Lansdale whips up yet another batch of stories to amaze, surprise, and entertain you. His new offering covers a lot of territory, producing what may be his best short story collection yet. It's the usual wild and crowd-pleasing display of what has become a subgenre of modern literature as only Joe R. Lansdale can present it.

It's 1933 in East Texas and the Depression lingers in the air like a slow-moving storm. When a young Harry Collins and his little sister stumble across the body of a black woman who has been savagely mutilated and left to die in the bottoms of the Sabine River, their small town is instantly charged with tension. When a second body turns up, this time of a white woman, there is little Harry can do from stopping his Klan neighbors from lynching an innocent black man.

This collection of 26 stories contains some of Joe R Lansdale's favourite and most violent dark horror tales. 'God of the Razor' introduces the dark god behind serial killers. A martial arts fight to the death between a reluctant champion and a sadistic alpha male, is featured in 'Master of Misery'. Human sacrifice, to ensure prosperity or as a coming-of-age ritual, are themes of 'On a Dark October' and 'Duck Hunt'. In 'The Fat Man', young boys learn the hard way that some mysteries should not be investigated. Many of the tales are truly weird, such as 'Chompers', the story of the false teeth with an appetite.

Richard Dane has killed a man. He cannot unhear the firing of the gun or unsee the blood on his living room wall. But everybody in the small town of LaBorde, Texas, knows Dane acted in self-defense. Everybody except Ben Russel, the ex-con father of the small-time criminal who invaded Dane's home. When Russel comes looking for revenge against Dane's family, the two are unexpectedly drawn into a conspiracy that conceals the vilest of crimes.

Sunset Jones has just killed her husband. Never mind that he was raping her. Pete Jones was constable of a small sawmill settlement called Camp Rapture where no woman refuses her husband. So everyone is angrily surprised when Sunset becomes the new constable and investigates murders in which her late husband might be implicated. Yet, no one is more surprised than Sunset when the murders lead her, not only to the conclusion of the case, but to a well of inner strength she never knew she had.

A rollicking novel about Nat Love, an African-American cowboy with a famous nickname: Deadwood Dick. Young Willie is on the run, having fled his small Texas farm when an infamous local landowner murdered his father. A man named Loving takes him in and trains him in the fine arts of shooting, riding, reading, and gardening. When Loving dies, Willie re-christens himself Nat Love, in tribute to his mentor, and heads west.