
Loitering with Intent
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Narrado por:
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Nadia May
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De:
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Muriel Spark
But when its pompous director, Sir Quentin, steals the manuscript of Fleur's new novel, fiction begins to appropriate life. The association's members begin to act out scenes exactly as Fleur herself had already written them in her missing manuscript. And as they meet darkly funny, pre-visioned fates, where does art start or reality end?
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Reseñas de la Crítica
"I read this book in a delirium of delight. In Loitering with Intent, Miss Spark returns to the early flawless form of Memento Mori and The Comforters....Robust and full-bodied, a wise and mature work, and a brilliantly mischievous one." (The New York Times Book Review)
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Spark's novel brims with eccentric characters, including Sir Oliver, Fleur's coworkers, and her various lovers--one of whom is the husband of a co-worker who has not only Fleur on the side but also a gay poet named Gray Mauser. The best of the bunch is Sir Oliver's elderly mother, Edwina, who uses her supposed senility and incontinence as weapons and who helps Fleur to get the best of everyone.
I read and loved Spark's A Far Cry from Kensington earlier this month and was eager to read more by her. Through Fleur, she's a keen observer of human nature and the foibles of polite society. Loitering with Intent is delightful, witty, urbane, and even at times downright hilarious. Spark is now right up there with Barbara Pym in my estimation--and may even surpass her.
As Good As Pym--Maybe Better!
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Delicious!
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One of the best
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Loitering with intent
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classic Spark!
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But the book is rather odd, even for Muriel Spark, who usually has more than a touch of the odd in her stories and characters. Right through to the end, I could not be certain about the nature of Fleur Talbot, the narrator and protagonist. She is, of course, a novelist, a professional liar, so we should be suspicious of her from the start. But I could never quite decide if she's just a little self-aggrandizing or completely unreliable in giving us the connections between her novel, Warrender Chase, and the novel (or, within the fictive universe, memoir) she is recounting.
It's possible, I suppose, that (SPOILER ALERT) Sir Quentin is just crazy enough to pattern his fate after that of Talbot's Chase, but only a slight adjustment of the dates (and the book was not published until some months after Sir Quentin's odd death) would be required for the novel to have been patterned after, or revised into the pattern of, the events of Talbot's life.
And, of course, we have no information other than what Fleur gives us, and that includes a good deal aout how everyone (or nearly everyone) around her is lying and manipulating the facts to make themselves look good, or make Fleur look bad.
It is, as the bard says, a puzzlement. But it is also great fun, as Spak always is, and well worth the listen.
A strange outing for Muriel Spark
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Nadia May’s pitch-perfect timing and delivery make as perfect an audiobook as could possibly be.
The story is delicious and triumphant.
Listening with Intense Interest
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Loved it
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Another Reason to Love Muriel Spark
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Unsatisfying
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