From beyond the grave came a cry for help she could not ignore. Reminiscent in style to Harper Lee's To Kill a Mockingbird and to Betty Smith's A Tree Grows in Brooklyn, Veronica's Grave is the story of a young girl whose mother vanishes one night. No one tells her that her mother has died. She is left a confused child whose father is intent upon erasing any memory of the mother.

On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? In this brilliantly conceived tour de force, Stephen King - who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer - takes listeners on an incredible journey into the past and the possibility of altering it.

In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry-blonde classmate with a gift for acting. The passion that furtively develops between them - along with Callie's failure to develop physically - leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all.

Margaret Simon, almost 12, has just moved from New York City to the suburbs, and she’s anxious to fit in with her new friends. When she’s asked to join a secret club, she jumps at the chance. But when the girls start talking about boys, bras, and getting their first periods, Margaret starts to wonder if she’s normal. There are some things about growing up that are hard for her to talk about, even with her friends. Lucky for Margaret, she’s got someone else to confide in...someone who always listens.

Welcome to the hilarious, strange, elegiac, outrageous world of David Sedaris. In Naked, Sedaris turns the current mania for the memoir on its proverbial ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview, a sensibility at once take-no-prisoners sharp and deeply charitable.

Addie Baum is "The Boston Girl", born in 1900 to immigrant parents who were unprepared for and suspicious of America and its effect on their three daughters. Growing up in the North End, then a teeming multicultural neighborhood, Addie's intelligence and curiosity take her to a world her parents can’t imagine - a world of short skirts, movies, celebrity culture and new opportunities for women.

Meet Dolores Price. She's 13, wise-mouthed but wounded, having bid her childhood goodbye. Beached like a whale in front of her bedroom TV, she spends the next few years nourishing herself with the Mallomars, potato chips, and Pepsi her anxious mother supplies. When she finally rolls into young womanhood at 257 pounds, Dolores is no stronger and life is no kinder. But this time she's determined to rise to the occasion and give herself one more chance before really going belly-up.

Shoebag likes his life as a cockroach. Like the others in his "tribe", he was named for the place of his birth - in his case, a white summer sandal. He enjoys living in a Boston apartment building with his parents, Drainboard and Under The Toaster, although they've lost countless relatives to jumping spiders, water bugs, beetles, and the deadly fumes of the dreaded exterminator. So when Shoebag discovers that he's been transformed into a person, he's horrified.

Eleven-year-old Delphine and her younger sisters Vonetta and Fern travel to Oakland to meet their mother, Cecil, who abandoned their family years earlier. But even when Cecil gets them to her house, she shows no interest and seems to view them as nothing but a nuisance.

This heartwarming fictionalized autobiography tells the story of what it is like for a little girl to be growing up in an unfamiliar place. While other girls her age were enjoying childhood in America, Jean Fritz was in China in the midst of political unrest. During this time, foreigners were becoming more and more unpopular, and evacuation at a moment’s notice was imminent. Although Jean appreciated the beauty of China - the mountains, the countryside, the sea - she knew she belonged in America and longed to make her home there.

Welcome to the childhood of Catherine McClure Gildiner. It is the middle of the 1950s in Lewiston, New York, a small and sleepy American town very near Niagara Falls. No one is divorced. Mothers wear high heels to the beauty salon and children pop Pez candy and swing from vines over a local gorge. But at the tender age of four, it becomes clear to her Cathy's parents that their rambunctious daughter is no ordinary child and they soon put her "to work" at her father's pharmacy.

In the spring of 1926, the Soderbjerg brothers, Ray and Roy, plunge into radio by founding Station WLT (With Lettuce and Tomato) in order to rescue their failing restaurant and become the Sandwich Kings of South Minneapolis. For the next 25 years, the "Friendly Neighbor" station produces a dazzling array of shows and stars: Dad Benson, Wingo Beals, Slim Graves and his Blue Movers, chain-smoking child star Little Becky, and household-tips maven Lucille Larson (who repeatedly broadcasts in her underwear).

Fourteen-year-old Gary, a self-described "tree toad" (lover of a perfect lawn, the soft-porn masterpiece of Carnal Cuties, his Underwood typewriter, and, above all, his rebellious cousin Kate), lives through one amazing Lake Wobegon summer. Gary preoccupies himself by spinning fantastic yarns about boogers, talking dogs, conversations between God and Jesus, and especially melodramas featuring himself as hero and Kate as distresseddamsel.

When Vivi and Siddalee Walker, an unforgettable mother-daughter team, get into a savage fight over a New York Times article that refers to Vivi as a "tap-dancing child abuser", the fallout is felt from Louisiana to New York to Seattle. Siddalee, a successful theater director with a huge hit on her hands, panics and postpones her upcoming wedding to her lover and friend, Connor McGill. Vivi's intrepid gang of lifelong girlfriends, the Ya-Yas, sashay in and conspire to bring everyone back together.

J.R. Moehringer grew up captivated by a voice. It was the voice of his father, a New York City disc jockey who vanished before J.R. spoke his first word. Sitting on the stoop, pressing an ear to the radio, J.R. would strain to hear in that plummy baritone the secrets of masculinity and identity. Though J.R.'s mother was his world, his rock, he craved something more, something faintly and hauntingly audible only in The Voice.