Told with humour and heart, Herc gives voice to the silenced characters, in this feminist, queer (and sometimes shocking) retelling of classic Hercules myth.

Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god's love is a violent one.

When Jezebel learns she can't be a king like her father simply because she’s a girl, she vows never to become someone’s decorative wife, nameless and lost to history. At fifteen she’s married off, despite her protests, to Prince Ahab of Israel. There, she does what she must to gain power and remake the dry and distant kingdom in the image of her beloved, prosperous seaside homeland of Tyre, beginning by building temples to the gods she grew up worshipping. As her initiatives usher in an era of prosperity for Israel, her new subjects love her, and her name rings through the land.

Oddny and Gunnhild meet as children in tenth century Norway, and they could not be more different: Oddny hopes for a quiet life, while Gunnhild burns for power and longs to escape her cruel mother. But after a visiting wisewoman makes an ominous prophecy that involves Oddny, her sister Signy, and Gunnhild, the three girls take a blood oath to help one another always. When Oddny’s farm is destroyed and Signy is kidnapped by Viking raiders, Oddny is set adrift from the life she imagined—but she's determined to save her sister no matter the cost.

Connecticut, 1666. An ancient spirit awakens in a dark wood. The wildfolk call him Father, slayer, protector. The colonists call him Slewfoot, demon, devil. To Abitha, a recently widowed outcast, alone and vulnerable in her pious village, he is the only one she can turn to for help. Together, they ignite a battle between pagan and Puritan - one that threatens to destroy the entire village, leaving nothing but ashes and bloodshed in their wake.

Psyche, princess of Myce­nae, was born with a prophecy that she will one day conquer a great monster. Rejecting her royal duties, Psyche spends her youth mastering blade and bow, preparing for her destiny. Tales of her beauty and rebellious nature reach even the goddess Aphrodite, who decides to teach Psyche a lesson. Aphro­dite commands Eros, the god of desire, to deliver a cruel love curse. After eons watching humanity misuse his gifts, the last thing Eros wants is to become involved in the chaos of the mortal world.

Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

Troy: city of gold, gatekeeper of the east, haven of the god-born and the lucky, a city destined to last a thousand years. But the Fates have other plans—the Fates, and a woman named Helen. In the shadow of Troy's gates, all must be reborn in the greatest war of the ancient world: slaves and queens, heroes and cowards, seers and kings . . . and these are their stories.

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing. Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it.

Here are the thrills, grandeur, and unabashed fun of the Greek myths, stylishly retold by Stephen Fry. The legendary writer, actor, and comedian breathes life into ancient tales, from Pandora's box to Prometheus's fire, and transforms the adventures of Zeus and the Olympians into emotionally resonant and deeply funny stories, without losing any of their original wonder. Learned notes from the author offer rich cultural context. This volume is a doorway into a captivating world.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.

Seventeen years ago, King Odysseus sailed to war with Troy, taking with him every man of fighting age from the island of Ithaca. None of them has returned, and the women of Ithaca have been left behind to run the kingdom. Penelope was barely into womanhood when she wed Odysseus. While he lived, her position was secure. But now, years on, speculation is mounting that her husband is dead, and suitors are beginning to knock at her door. No one man is strong enough to claim Odysseus' empty throne—not yet.

Andromache is cast as the doting wife of Prince Hector, yet her Amazon warrior name means “battler of men.” The only one with the cunning to outwit the invading Greeks, she must gather a band of outcasts and become the military commander she was born to be before the life she and Hector have built is reduced to ashes. Rhea is a war refugee and a horse whisperer who finally earns a place and sense of belonging in Hector’s stables. To save her new home, she must become an unlikely spy and face down a forbidden love that will test all her loyalties.

Ariadne, Princess of Crete, grows up greeting the dawn from her beautiful dancing floor and listening to her nursemaid’s stories of gods and heroes. But beneath her golden palace echo the ever-present hoofbeats of her brother, the Minotaur, a monster who demands blood sacrifice. When Theseus, Prince of Athens, arrives to vanquish the beast, Ariadne sees in his green eyes not a threat but an escape. Defying the gods, betraying her family and country, and risking everything for love, Ariadne helps Theseus kill the Minotaur.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Two astronomers have detected a strange, pulsing signal from deep space. Within hours, the US government goes into lockdown, restricting airspace and scrubbing scientific data. Was the signal an intercepted communication revealing alarming plans for an enemy’s military strike? Or has humanity at long last found proof of extraterrestrial life?

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Lilith is the mythological seductress that has been repressed since Biblical times. She is the representative of the essentially motherless form of the feminine self that arose as an embodiment of the neglected and rejected aspects of the great goddess. Written by a Jungian analyst, this material can help modern men and women come to terms with this aspect of the feminine within.

When Jezebel learns she can't be a king like her father simply because she’s a girl, she vows never to become someone’s decorative wife, nameless and lost to history. At fifteen she’s married off, despite her protests, to Prince Ahab of Israel. There, she does what she must to gain power and remake the dry and distant kingdom in the image of her beloved, prosperous seaside homeland of Tyre, beginning by building temples to the gods she grew up worshipping. As her initiatives usher in an era of prosperity for Israel, her new subjects love her, and her name rings through the land.

Among the women of Greek mythology, the witch Medea may be the most despised. Known for the brutal act of killing her own children to exact vengeance on her deceitful husband, Jason, the leader of the Argonauts, Medea has carved out a singularly infamous niche in our histories.

You are born to a king, but marry a tyrant. You stand helplessly as he sacrifices your child to placate the gods. You watch him wage war on a foreign shore and you comfort yourself with violent thoughts of your own. You play the part, fooling enemies who deny you justice. And slowly, you plot. But when your husband returns in triumph, what then? Acceptance or vengeance—death follows both. So you bide your time and force the gods' hands in a wretched game of vengeance.

Even before they were transformed into Gorgons, Medusa, Stheno, and Euryale were unique among their immortal family. Curious about mortals and their lives, Medusa and her sisters entered the human world in search of a place to belong, yet quickly found themselves at the perilous center of a dangerous Olympian rivalry and learned—too late—that a god's love is a violent one.

The only mortal in a family of gods, Medusa is the youngest of the Gorgon sisters. Unlike her siblings, Medusa grows older, experiences change, feels weakness. Her mortal lifespan gives her an urgency that her family will never know.

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing. Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it.