
Lila
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Narrated by:
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Maggie Hoffman
About this listen
A new American classic from the Pulitzer Prize-winning author of Gilead and Housekeeping. Marilynne Robinson, one of the greatest novelists of our time, returns to the town of Gilead in an unforgettable story of a girlhood lived on the fringes of society in fear, awe, and wonder.
Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church - the only available shelter from the rain - and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the life that preceded her newfound security.
Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood. Together they crafted a life on the run, living hand to mouth with nothing but their sisterly bond and a ragged blade to protect them. Despite bouts of petty violence and moments of desperation, their shared life was laced with moments of joy and love. When Lila arrives in Gilead, she struggles to reconcile the life of her makeshift family and their days of hardship with the gentle Christian worldview of her husband which paradoxically judges those she loves.
Revisiting the beloved characters and setting of Robinson’s Pulitzer Prize-winning Gilead and Home, a National Book Award finalist, Lila is a moving expression of the mysteries of existence that is destined to become an American classic.
©2014 Marilynne Robinson (P)2014 Macmillan AudioListeners also enjoyed...
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Critic reviews
2015, Folio Prize Nominee
2014, Christian Science Monitor Best Books of the Year
2014, National Book Awards - Finalist
2015, Man Booker Award - Nominee
2014, NPR Best Book of the Year
2014, Washington Post Best Books of the Year
2014, Seattle Times Best Books of the Year
2014, New York Times Book Review Notable Books of the Year
2014, National Book Critics Circle Award - Nominee
2014, Los Angeles Times Holiday Books Guide
“Lila is a book whose grandeur is found in its humility. That's what makes Gilead among the most memorable settings in American fiction . . . Gilead [is] a kind of mythic everyplace, a quintessential national setting where our country's complicated union with faith, in all its degrees of constancy and skepticism, is enacted.” —Sam Sacks, The Wall Street Journal
“Literary lioness Robinson--she's won a Pulitzer Prize for fiction, a Hemingway Foundation/PEN Award, and a National Book Critics Circle Award, among other laurels--continues the soaring run of novels with loosely connected story lines and deep religious currents that she launched a decade ago, almost a quarter century after her acclaimed fiction debut, Housekeeping . . . Lila's journey--its darker passages illuminated by Robinson's ability to write about love and the natural world with grit and graceful reverence--will mesmerize both longtime Robinson devotees and those coming to her work for the first time.” —Elle
“Ever since the publication of Robinson's thrilling first novel, Housekeeping, reviewers have been pointing out that, for an analyst of modern alienation, she is an unusual specimen: a devout Protestant, reared in Idaho. She now lives in Iowa City, where she teaches at the Iowa Writers' Workshop and where, for years, she has been accustomed to interrupting her career as a novelist to produce essays on such matters as the truth of John Calvin's writings. But Robinson's Low Church allegiance has hugely benefited her fiction . . . This is an unflinching book.” —Joan Acocella, The New Yorker
“Radiant . . . As in Gilead and Home, Robinson steps away from the conventions of the realistic novel to deal with metaphysical abstractions, signaling by the formality of her language her adoption of another convention, by which characters inhabiting an almost Norman Rockwell-ish world . . . live and think on a spiritual plane . . . [Lila is] a mediation on morality and psychology, compelling in its frankness about its truly shocking subject: the damage to the human personality done by poverty, neglect and abandonment.” —Diane Johnson, The New York Times Book Review
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Auf dem Sterbebett schreibt John Ames einen Brief an seinen siebenjährigen Sohn. Dem Kind will er alles erklären: Die Einsicht, mit der man das eigene Leben auf einen Schlag begreift, den Trost, der in einer einzelnen Berührung liegen kann, und den Ort, der sein Ende beschließt: Gilead, die kleine Stadt unter dem unermesslichen Himmel des Westens, leicht wie Staub und so schwer wie die Welt.
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Story
A modern classic, Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, their eccentric and remote aunt. The family house is in the small Far West town of Fingerbone, set on a glacial lake, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death.
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errancy, abandonment, and madness
- By Emily on 07-19-11
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Reading Genesis
- By: Marilynne Robinson
- Narrated by: Suzanne Toren
- Length: 12 hrs and 41 mins
- Unabridged
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For generations, the book of Genesis has been treated by scholars as a collection of documents by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true.
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I couldn't finish it
- By Customer on 04-17-24
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Gilead
- By: Marilynne Robinson
- Narrated by: Otto Mellies
- Length: 9 hrs and 51 mins
- Unabridged
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Auf dem Sterbebett schreibt John Ames einen Brief an seinen siebenjährigen Sohn. Dem Kind will er alles erklären: Die Einsicht, mit der man das eigene Leben auf einen Schlag begreift, den Trost, der in einer einzelnen Berührung liegen kann, und den Ort, der sein Ende beschließt: Gilead, die kleine Stadt unter dem unermesslichen Himmel des Westens, leicht wie Staub und so schwer wie die Welt.
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Olive Kitteridge
- Fiction
- By: Elizabeth Strout
- Narrated by: Kimberly Farr
- Length: 12 hrs and 2 mins
- Unabridged
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At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
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Depressing! Watse of a credit!
- By Amazon Customer on 10-28-19
By: Elizabeth Strout
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Let Us Descend
- A Novel
- By: Jesmyn Ward
- Narrated by: Jesmyn Ward
- Length: 8 hrs and 12 mins
- Unabridged
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Let Us Descend describes a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation. A journey that is as beautifully rendered as it is heart wrenching, the novel is “[t]he literary equivalent of an open wound from which poetry pours” (NPR). Annis, sold south by the white enslaver who fathered her, is the listener’s guide. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother.
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Usually I enjoy an author reading…
- By Patio on 11-04-23
By: Jesmyn Ward
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My Name Is Lucy Barton
- A Novel
- By: Elizabeth Strout
- Narrated by: Kimberly Farr
- Length: 4 hrs and 11 mins
- Unabridged
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Lucy Barton is recovering slowly from what should have been a simple operation. Her mother, to whom she hasn’t spoken for many years, comes to see her. Gentle gossip about people from Lucy’s childhood in Amgash, Illinois, seems to reconnect them, but just below the surface lie the tension and longing that have informed every aspect of Lucy’s life: her escape from her troubled family, her desire to become a writer, her marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself.
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Because we all love imperfectly.
- By Bonny on 01-15-16
By: Elizabeth Strout
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Wild
- From Lost to Found on the Pacific Crest Trail
- By: Cheryl Strayed
- Narrated by: Bernadette Dunne
- Length: 13 hrs and 2 mins
- Unabridged
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At 22, Cheryl Strayed thought she had lost everything. In the wake of her mother's death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life: to hike the Pacific Crest Trail from the Mojave Desert through California and Oregon to Washington State - and to do it alone. She had no experience as a long-distance hiker, and the trail was little more than “an idea, vague and outlandish and full of promise.” But it was a promise of piecing back together a life that had come undone.
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Glad I Took the Trip
- By FanB14 on 04-08-13
By: Cheryl Strayed
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Familiaris
- By: David Wroblewski
- Narrated by: Richard Poe
- Length: 37 hrs and 12 mins
- Unabridged
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It is spring 1919, and John Sawtelle’s imagination has gotten him into trouble … again. Now John and his newlywed wife, Mary, along with their two best friends and their three dogs, are setting off for Wisconsin’s northwoods, where they hope to make a fresh start—and, with a little luck, discover what it takes to live a life of meaning, purpose and adventure. But the place they are headed for is far stranger and more perilous than they realize, and it will take all their ingenuity, along with a few new friends—human, animal, and otherworldly—to realize their dreams.
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A great story!
- By gypsietraveler on 10-25-24
By: David Wroblewski
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All the Light We Cannot See
- A Novel
- By: Anthony Doerr
- Narrated by: Zach Appelman
- Length: 16 hrs and 2 mins
- Unabridged
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Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is 12, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
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Afraid to Write a "Less-Than-Positive" Review
- By Elizabeth on 08-06-14
By: Anthony Doerr
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Hello Beautiful
- A Novel
- By: Ann Napolitano
- Narrated by: Maura Tierney
- Length: 15 hrs and 6 mins
- Unabridged
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William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it’s as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family’s dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all.
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Book was great, performance terrible
- By Amazon Customer on 03-17-23
By: Ann Napolitano
What listeners say about Lila
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- Maria
- 04-18-17
Great read
Beautiful story. Very insightful author. Well performed but a little more dramatic than necessary at moments.
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- Sandra
- 01-13-16
Marvelous writer of a wonderful story
Rounds out the stories told in Gilead and Home beautifully. Plus, her writing is gorgeous.
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- sr
- 02-15-16
Lila
A bit slow in the first 3-4 chapters. The author does an excellent job with character development. Her writing style is colorful and descriptive, which is delightful.
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- Saeed S.
- 12-26-22
Disapointed
I really struggled to finish the book. The story was not at all what I expected.
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- Greg
- 09-05-23
Hard to follow
It was difficult for me to tell when Lila was in her head and when life was actually happening. The book never quite reached a climax. I kept expecting something exciting to happen but it never did. This book was just ok for me.
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- Joe Kraus
- 10-07-15
As Good As It Gets
What about Maggie Hoffman’s performance did you like?
It's hard to pinpoint, but hard to forget. She has a gentle voice and a slight Southern lilt that accents the entire story.
Any additional comments?
Having loved and admired Gilead and Home, I was a little nervous about Lila, wondering whether Robinson could possibly live up to the high standards she’d set for herself in the Gilead novels. The first several pages had me disappointed – Lila in a setting very different from the Gilead I’d come to feel I knew very well – and then the lights switched on: it became clear to me that the point of Lila is that she has no history. At best, she has snatches of memory, but they’re deeply personal, without names that have consequence. (The name she takes is a mistake, an accidental appropriation of the first name of the woman who kidnaps her as a child, and at least one later person thinks she is Norwegian because of it.) She is, in other words, a blank book.
That’s an intriguing premise on its own, and Robinson does some striking things with it. Lila has so little sense of who she is or where she’s been that she has to discover, almost in literal fashion (as she learns its name only late in childhood) the United States of America. She is a latecomer who is also a native, someone unmistakably of the nation and yet needing to learn bit by bit what that means. And she does that learning through her early travels and through her later conversations with Ames over the Bible. She is, again almost literally, a child of God, someone profoundly innocent and yet perpetually threatened by the world.
I’d call that a success on its own terms if that all this were. Put it in conversation with Gilead, though, and it’s mind-blowing. To my eyes at least, Gilead is the story of a man trying to negotiate a too-thick history surrounding him. He has to try to live up to the legacy of his abolitionist grandfather, a man who has almost certainly committed murder in the name of freeing the slaves, and the simultaneous legacy of his pacifist father who rejected that violence. Ames has lived too long in his town, outlived all that originally defined him with the sole exception of Boughton, his life-long friend and fellow minister. They have had a deep and rich friendship (and that friendship is one of the great literary inventions I’ve come across in at least the last decade) but it has always been framed through text, through their shared and diverging senses of what scripture tells them to do in this odd post-World War II world.
Anyway, Ames is a man steeped in history, a man so aware of it – and simultaneously so aware of his imminent departure from it through death – that he creates a manuscript to record it for his son who is as yet too young to learn it firsthand. He cannot escape text, even as he understands himself to be slowly dying; he writes of his life for his son, a life so steeped in history that he can’t frame it through the experience of his own personal history.
When you put those two into conversation – Gilead and Lila – it becomes the same story told with entirely different premises, one so dependent on history it can’t understand itself without it and the other so empty of history that it cannot initially find its bearings. Throw in the terrific ethical complications of Home, where we learn that Ames, while still deeply intent on being a good man, has not always managed to be the decent person his full faith calls him to be. (I’m giving Home short shrift; it’s as beautiful as the others, and it negotiates history more at the level of the family and the community rather than in the generational scope of Gilead or the narrowly personal of Lila.)
As if all that weren’t enough, Ames is such a staggering decent and ethical presence that he finds a way to enter into conversation with Lila in a way that is not condescending. In an America of Biblical literalists who claim direct access to the divine – and who have more or less successfully hijacked the mantle of the great mainline Protestant traditions that built so much of the American ethic – Ames comes across as almost too good to be true: a man whose deep self-doubt is only barely conquered by his even deeper religious faith.
He discovers a belated chance at happiness in his meeting with Lila, and he makes the most of it, redeeming her from the mystery of her childhood and the ignorance of history. He does so only slowly and imperfectly, and only through his inspiring patience and love. In all, he comes across as a latter day Protestant saint, one of those quiet and pious people unsullied by sanctimony, who, always rare, would be nearly unrecognizable in an America that treats religion as a checklist of socio-political positions or, worse, a badge of unassailable license to judge others.
There’s a greatness in Ames, and it rubs off on all who enter his orbit. He isn’t perfect, but the beauty of his faith is that he recognizes that sooner and more deeply than anyone else. I find Gilead and Lila together echoing one of my favorite novels of all time, Anthony Trollope’s The Warden, for the way it makes a good man’s faith something palpable in a world that can barely recognize it.
Bottom line, Robinson has really done it. If she isn’t the greatest American writer of the moment, then I don’t know who is. (Maybe, still, the very different Jonathan Lethem?)
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5 people found this helpful
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- MaryAnn
- 02-26-18
I like good literature which often means feeling sad but
In this almost painfully beautiful novel, there is enough good, and enough love to make up for all of the pain and ugliness Lili experiences.
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- ellen spencer montei
- 03-28-18
Great Story - Weak Performance
Would you say that listening to this book was time well-spent? Why or why not?
Yes. It was time well spent because the story itself is so rich and compelling.
What was one of the most memorable moments of Lila: A Novel?
Hmmm - So many...can't pick one. The dialectic tension between tones of tragedy and tenderness was breathtaking. Brought me to tears more than once.
How could the performance have been better?
The vocal and tonal portrayal of John Ames seemed contrived and inauthentic. A bit contrived/fawning in much of the dialogue; and too magisterial and inaccessible when quoting scripture or talking about "spiritual" things. Ames may be old but his character is not weak, but rather wise and strong for the sweetness of pain, joy, humility and wisdom accumulated over the years. A more conversational tone is needed without any hint of cloying or contrivance. His should be a most gracious voice, reflecting both strength and tenderness which would surely be a challenge to any narrator.
Do you think Lila: A Novel needs a follow-up book? Why or why not?
No. This trilogy stands alone for the strength and depth of it's exploration of grace, forgiveness, and fallen humanity in relationships that are both vertical and horizontal. I own first edition signed copies of each book. I also own three paperback copies so I can highlight and make margin notes so I could consider the questions behind the prose along with the sheer beauty of it at every subsequent reading. The depths to be plumbed in this series are hard to measure. Lila is the only one I listened to on Audible and found the vocal performance of John Ames to be most disappointing.
Any additional comments?
I will come back to this series of books to consider the questions that Marilynne Robinson is pondering until the end of my days. Lila is perhaps my favorite but then again, perhaps Gilead. Can't decide.
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- MURRAY
- 09-15-15
"Salvation by grace"
Calvinism in reference to "predestination" was cited in the first two books ("Gilead" and "Home") including a a passage in "HOME" describing Lila's piqued interest of the subject during a porch interpretation setting the stage for this book. Lila" is a book that will stay with you long after the last read or listened to word: melancholy, heartbreaking, still with elements of hope and hard driven faith and yes...predestination/predetermination or "fate". The narrator captured all the characters nuances. I am hoping for one more "Gilead" book.
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2 people found this helpful
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- William
- 10-18-21
One of Robinson’s best
I’d read all of Ms. Robinson’s novels prior to “Jack” other than “Lila” and thought I would listen to this simply to re-engage in the world of Gilead before picking up her newest book. What a revelation! “Lila” is her best since “Housekeeping” and may exceed that masterpiece. It is thoughtful, compassionate, spiritual without preaching and such a warm and hopeful book. Highly recommended!
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