Italo Calvino's beloved cosmicomics cross planets and traverse galaxies, speed up time or slow it down to the particles of an instant. Through the eyes of an ageless guide named Qfwfq, Calvino explores natural phenomena and tells the story of the origins of the universe. Poignant, fantastical, and wise, these 34 dazzling stories - collected here in one definitive anthology - relate complex scientific and mathematical concepts to our everyday world.

Vampires, ghosts, and other horrors abound in this collection of 19th-century fantastic literature, selected and edited by Italo Calvino, a 20th-century master of the speculative.

In this fantastically macabre tale, the separate halves of a nobleman split in two by a cannonball go on to pursue their own independent adventures. In a battle against the Turks, Viscount Medardo of Terralba is bissected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. The two halves become rivals for the love of the same woman, fight a bloody duel, and achieve a miraculous resolution.

An extraordinary collection of essays, forewords, articles, and interviews, The Written World and the Unwritten World displays the remarkable intelligence and razor-sharp wit of prolific Italian writer Italo Calvino as he explores the meaning of literature in a rapidly changing world.

Italo Calvino was not only a prolific master of fiction, he was also an uncanny reader of literature, a keen critic of astonishing range. Why Read the Classics? is the most comprehensive collection of Calvino's literary criticism available in English, accounting for the enduring importance to our lives of crucial writers of the Western canon. Here - spanning more than two millennia, from antiquity to postmodernism - are 36 immediately relevant, accessible ruminations on the writers, poets, and scientists who meant most to Calvino at different stages of his life.

At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued and which he believed would define literature in the century to come. Here, in Six Memos for the Next Millennium, are the five lectures he completed, forming not only a stirring defense of literature but also an indispensable guide to the writings of Calvino himself. He devotes one "memo" each to the concepts of lightness, quickness, exactitude, visibility, and multiplicity.

Italo Calvino's unbounded curiosity and masterly imagination are displayed in peak form in Collection of Sand, the last of his works published during his lifetime. Here he applies his graceful intellect to the delights of the visual world in essays on subjects ranging from cuneiform and antique maps to Mexican temples and Japanese gardens.

Marcovaldo is an unskilled worker in a drab industrial city in northern Italy. He is an irrepressible dreamer and an inveterate schemer. Much to the puzzlement of his wife, his children, his boss, and his neighbors, he chases his dreams - but the results are never the expected ones.

In Difficult Loves, Italy's master storyteller weaves tales in which cherished deceptions and illusions of love-including self-love-are swept away in magical instants of recognition. A soldier is reduced to quivering fear by the presence of a full-figured woman in his train compartment; a young clerk leaves a lady's bed at dawn; a young woman is isolated from bathers on a beach by the loss of her bikini bottom. Each of them discovers hidden truths beneath the surface of everyday life.

A group of travellers chance to meet, first in a castle, then a tavern. Their powers of speech are magically taken from them and instead they have only tarot cards with which to tell their stories. What follows is an exquisite interlinking of narratives, and a fantastic, surreal, and chaotic history of all human consciousness.

When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel", "Hansel and Gretel", and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style.

A collection of 98 enthralling and pulse-quickening stories, spanning five decades, venerates the remarkable imagination of J. G. Ballard. With a body of work unparalleled in twentieth-century literature, J. G. Ballard is recognized as one of the greatest and most prophetic writers in the world. With the much-hailed release of The Complete Stories of J. G. Ballard, readers now have a means to celebrate the unmatched range and mesmerizing cadences of a literary genius.

Ancient, rich, and strange, this collection of eerie tales from across Britain and Ireland have influenced our culture and the folklore that followed.

Arthur Ransome (1884-1967) wrote Old Peter's Russian Tales while he was in Russia during the First World War, prior to becoming a war correspondent for The Manchester Guardian. There are 22 stories in all and are told by Old Peter at the behest of his grandchildren, Ivan and Maroosia, in a cozy log cabin in the middle of the forest. These are delightful re-tellings in Ransome's own words of Russian folk tales, and include stories such as "The Little Snow Girl", "Baba Yaga", "Frost", and "Salt".

The Decameron is one of the greatest literary works of the Middle Ages. Ten young people have fled the terrible effects of the Black Death in Florence and, in an idyllic setting, tell a series of brilliant stories, by turns humorous, bawdy, tragic and provocative. This celebration of physical and sexual vitality is Boccaccio's answer to the sublime other-worldliness of Dante's Divine Comedy.

The Brothers Grimm Fairy Tales by Wilhelm and Jacob Grimm, first published in 1812, is a collection of 62 classic folk stories including "Rumplestiltskin", "Little Red Riding Hood", "Hansel and Gretel", "Snow White and Rose Red", "Iron Hans", "The Golden Goose", "Clever Hans", "The Frog Prince", and many more. These classic tales will keep you entertained for hours to come!

When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel", "Hansel and Gretel", and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style.

Trolls haunt the snowy forests, and terrifying monsters roam the open sea. A young woman journeys to the end of the world, and a boy proves he knows no fear. This collection of 16 traditional tales transports readers to the enchanting world of Nordic folklore. Translated and transcribed by folklorists in the 19th century, and presented here unabridged, the stories are by turns magical, hilarious, cozy, and chilling. They offer a fascinating view into Nordic culture and a comforting wintertime listen.

Since their first publication in 1812, Grimm's Fairy Tales have proven to be an enduring feature of Western literature. The stories have been translated into over 100 languages worldwide, and their influence has cast its spell on many film makers, as well. The stories were collected from traditional storytellers from around Germany, usually women, and the motivation to collect them grew out of the wave of romantic nationalism of the early 19th century.

Arthur Ransome (1884-1967) wrote Old Peter's Russian Tales while he was in Russia during the First World War, prior to becoming a war correspondent for The Manchester Guardian. There are 22 stories in all and are told by Old Peter at the behest of his grandchildren, Ivan and Maroosia, in a cozy log cabin in the middle of the forest. These are delightful re-tellings in Ransome's own words of Russian folk tales, and include stories such as "The Little Snow Girl", "Baba Yaga", "Frost", and "Salt".

The vengeful King Schahriar agrees to stave off the execution of Queen Scheherazade until she finishes a particularly compelling story. Her plan? Bleed one tale into another. Through fanciful histories, romances, tragedies, comedies, poems, riddles, and songs, Scheherazade prolongs her life by holding the king’s rapt attention. With origins in Persian and Eastern Indian folklore, the stories of The Arabian Nights have been reworked, reshaped, revised, collected, and supplemented throughout the centuries by various authors and scholars.

Twelve tales, 12 dangerous tales of mystery, magic, and rebellious hearts. Each twists like a spindle to reveal truths full of warning and triumph, truths that free hearts long kept tame, truths that explore life...and death.

African folktales come in many different types. Some are myths explaining the origins of things, while others are tales of heroes with supernatural abilities. Animal stories are many and varied, and they usually involve some kind of trickster who uses his wiles to get out of sticky situations and sometimes into them. There are also cautionary tales explaining why it is important to behave well and treat others with respect, while other stories have a style and shape similar to that of a fairy tale.

Many well-loved modern stories have roots in the imaginations of the brothers Grimm, but do you know Rapunzel's real predicament, or Hansel and Gretel's gruesome revenge after eating an old woman out of house and home, or the lengths Cinderella's stepsisters would go to achieve the perfect fit? With these original tales, you'll discover the darker side of once upon a time.

These 4 stories are infused with the wit and imagination, the humor and wisdom, that characterizes all of Isaac Bashevis Singer's work. Theodore Bikel reads these wise and funny tales in classic Yiddish storyteller cadence, injecting special warmth and resonance. The tales include "Gimpel the Fool," "Esther Kreindel the Second," "The Spinoza of Market Street," and "The Black Wedding."

Uniting universal themes with a wonderfully personal vision of the world, Hans Christian Andersen found magic in the landscape of childhood. His talking animals and living toys shine a sparkling light on the strange wisdom of innocence and the deceptive nature of adulthood. These stories have now been adapted into countless classic films (including The Little Mermaid, The Red Shoes, and Frozen - which was based on “The Snow Queen”) and have become part of our everyday speech, such as when we talk about “ugly ducklings” and “the emperor’s new clothes.”

In 1290, her 14th year, Catherine begins a diary that quickly fills with the irrepressible joys and frustrations of her days. Always looking for ways to avoid drudging hours of embroidery, Birdy fills her time with pranks, celebrations of feast days, and local gossip. Wriggling out of her father's plans to find a prosperous husband for her proves to be Birdy's greatest challenge.

The kingdom of Cornucopia was once the happiest in the world. It had plenty of gold, a king with the finest moustache you could possibly imagine, and butchers, bakers, and cheesemongers whose exquisite foods made a person dance with delight when they ate them. Everything was perfect - except for the misty Marshlands to the north, which, according to legend, were home to the monstrous Ickabog. Anyone sensible knew that the Ickabog was just a myth to scare children into behaving. But the funny thing about myths is that sometimes they take on a life of their own.

Hans Christian Andersen's fairy tales, which have been translated into more than 125 languages, have become culturally embedded in the West's collective consciousness. Readily accessible by children, they present lessons of virtue and resilience in the face of adversity that appeal to mature listeners as well. This collection of 18 tales includes "The Emperor's New Clothes", "The Princess and the Pea", and "The Snow Queen".

Journey into the Hinterland, a brutal and beautiful world where a young woman spends a night with Death, brides are wed to a mysterious house in the trees, and an enchantress is killed twice - and still lives.

Italo Calvino's beloved cosmicomics cross planets and traverse galaxies, speed up time or slow it down to the particles of an instant. Through the eyes of an ageless guide named Qfwfq, Calvino explores natural phenomena and tells the story of the origins of the universe. Poignant, fantastical, and wise, these 34 dazzling stories - collected here in one definitive anthology - relate complex scientific and mathematical concepts to our everyday world.

In this fantastically macabre tale, the separate halves of a nobleman split in two by a cannonball go on to pursue their own independent adventures. In a battle against the Turks, Viscount Medardo of Terralba is bissected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. The two halves become rivals for the love of the same woman, fight a bloody duel, and achieve a miraculous resolution.

In Difficult Loves, Italy's master storyteller weaves tales in which cherished deceptions and illusions of love-including self-love-are swept away in magical instants of recognition. A soldier is reduced to quivering fear by the presence of a full-figured woman in his train compartment; a young clerk leaves a lady's bed at dawn; a young woman is isolated from bathers on a beach by the loss of her bikini bottom. Each of them discovers hidden truths beneath the surface of everyday life.

Italo Calvino imagines a novel capable of endless mutations in this intricately crafted story about writing and readers. If on a Winter's Night a Traveler turns out to be not one novel but 10, each with a different plot, style, ambience, and author, and each interrupted at a moment of suspense. Together they form a labyrinth of literatures, known and unknown, alive and extinct, through which two readers, a male and a female, pursue both the story lines that intrigue them and one another.

At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued and which he believed would define literature in the century to come. Here, in Six Memos for the Next Millennium, are the five lectures he completed, forming not only a stirring defense of literature but also an indispensable guide to the writings of Calvino himself. He devotes one "memo" each to the concepts of lightness, quickness, exactitude, visibility, and multiplicity.

Italo Calvino was not only a prolific master of fiction, he was also an uncanny reader of literature, a keen critic of astonishing range. Why Read the Classics? is the most comprehensive collection of Calvino's literary criticism available in English, accounting for the enduring importance to our lives of crucial writers of the Western canon. Here - spanning more than two millennia, from antiquity to postmodernism - are 36 immediately relevant, accessible ruminations on the writers, poets, and scientists who meant most to Calvino at different stages of his life.

Vampires, ghosts, and other horrors abound in this collection of 19th-century fantastic literature, selected and edited by Italo Calvino, a 20th-century master of the speculative.

Mr. Palomar, whose name purposely evokes that of the famous telescope, is a seeker after knowledge, a visionary in a world sublime and ridiculous. Whether contemplating a cheese, a woman's breasts, or a gorilla's behavior, he brings us a vision of a world familiar by consensus, fragmented by the burden of individual perception.

A group of travellers chance to meet, first in a castle, then a tavern. Their powers of speech are magically taken from them and instead they have only tarot cards with which to tell their stories. What follows is an exquisite interlinking of narratives, and a fantastic, surreal, and chaotic history of all human consciousness.

In a garden sit the aged Kublai Khan and the young Marco Polo—Mongol emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts his host with stories of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. As Marco Polo unspools his tales, the emperor detects these fantastic places are more than they appear.

Marcovaldo is an unskilled worker in a drab industrial city in northern Italy. He is an irrepressible dreamer and an inveterate schemer. Much to the puzzlement of his wife, his children, his boss, and his neighbors, he chases his dreams - but the results are never the expected ones.

Italo Calvino was only 23 when he first published this bold and imaginative novel. It tells the story of Pin, a cobbler's apprentice in a town on the Ligurian coast during World War II. He lives with his sister, a prostitute, and spends as much time as he can at a seedy bar where he amuses the adult patrons. After a mishap with a Nazi soldier, Pin becomes involved with a band of partisans. Calvino's portrayal of these characters, seen through the eyes of a child, is not only a revealing commentary on the Italian resistance but an insightful coming-of-age story.

A collection of German fairy tales first published in 1812 by Jacob and Wilhelm Grimm, the famous Brothers Grimm. Their most famous tales are instantly recognizeable: "Rumpelstiltskin", "Snow White", "Rapunzel", "Cinderella", "Hansel and Gretel", and "The Frog Prince." The collection is often known today as "Grimms' Fairy Tales".

These three stories, set during the summer of 1940, draw on Italo Calvino's memories of his own adolescence during the Second World War, too young to be forced to fight in Mussolini's army but old enough to be conscripted into the Italian youth brigades. The callow narrator of these tales observes the mounting unease of a city girding itself for war, the looting of an occupied French town, and nighttime revels during a blackout. Appearing here in its first English translation, Into the War is one of Calvino's only works of autobiographical fiction.

Magic and myth inhabit these chapters in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. These stories, set in Norway's majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe.