Iron Gold
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Narrated by:
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Tim Gerard Reynolds
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John Curless
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Julian Elfer
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Aedin Moloney
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By:
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Pierce Brown
About this listen
Honor and betrayal fuel a caste-shattering revolution in the action-packed new novel from the number one New York Times best-selling author of the Red Rising Trilogy.
Ten years after the events of Morning Star, Darrow and the Rising are battling the remaining Gold loyalist forces and are closer than ever to abolishing the color-coded caste system of Society for good. But new foes will emerge from the shadows to threaten the imperfect victory Darrow and his friends have earned. Pierce Brown expands the size and scope of his impressive Red Rising universe with new characters, enemies, and conflicts among the stars.
©2017 Pierce Brown (P)2017 Recorded BooksListeners also enjoyed...
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Time is running out for the two nations that once made up the former USA. Weakened by their division, both the Islamic republic and the Bible Belt are threatened by the expansionist dreams of the Atzlan Empire to the south, and their own intellectual decay engendered by their fundamentalist beliefs. The only solution is to reunite the two nations and regain its former glory, and there's only one way to do it, and only one man, Rakkim Epps, who can.
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Utterly engaging and enjoyable
- By Tommy on 12-29-09
By: Robert Ferrigno
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Vampire Empire - The Greyfriar
- By: Clay Griffith, Susan Griffith
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1870. A time known as The Great Killing. The vampire clans arose and slaughtered humanity with unprecedented carnage in the northern parts of the world. Millions perished; millions were turned into herd animals. The great industrialized civilizations of the world were left in ruin. A remnant fled south to the safety of the ever present heat which was intolerable to vampires. There, blending with the local peoples, they rebuilt their societies founded on human ingenuity, steam and iron.
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The Greyfriar Rocks!
- By Diana on 04-12-12
By: Clay Griffith, and others
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The Spirit Thief
- The Legend of Eli Monpress, Book 1
- By: Rachel Aaron
- Narrated by: Luke Daniels
- Length: 8 hrs and 19 mins
- Unabridged
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He's not just any thief. He’s the greatest thief of the age - and he’s also a wizard. And with the help of his partners - a swordsman with the most powerful magic sword in the world but no magical ability of his own, and a demonseed who can step through shadows and punch through walls - he’s going to put his plan into effect. The first step is to increase the size of the bounty on his head, so he’ll need to steal some big things. But he’ll start with somethingsmall. Something like a king....
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Entertaining light fantasy
- By Kindle Customer on 02-16-12
By: Rachel Aaron
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The Grim Company
- By: Luke Scull
- Narrated by: Gerard Doyle
- Length: 15 hrs and 39 mins
- Unabridged
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The Gods are dead. The Magelord Salazar and his magically enhanced troops, the Augmentors, crush any dissent they find in the minds of the populace. On the other side of the Broken Sea, the White Lady plots the liberation of Dorminia, with her spymistresses, the Pale Women. Demons and abominations plague the Highlands. The world is desperately in need of heroes. But what they get instead are a ragtag band of old warriors, a crippled Halfmage, two orphans and an oddly capable manservant: the Grim Company.
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Pretty bad, but not actively terrible
- By Travis Lamkin on 09-13-15
By: Luke Scull
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Ink and Bone
- The Great Library
- By: Rachel Caine
- Narrated by: Julian Elfer
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Ruthless and supremely powerful, the Great Library is now a presence in every major city, governing the flow of knowledge to the masses. Alchemy allows the library to deliver the content of the greatest works of history instantly - but the personal ownership of books is expressly forbidden. Jess Brightwell believes in the value of the library, but the majority of his knowledge comes from illegal books obtained by his family, who are involved in the thriving black market.
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don't give up too soon.
- By Janel on 09-11-15
By: Rachel Caine
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Royal Bastards
- By: Andrew Shvarts
- Narrated by: Brittany Pressley
- Length: 10 hrs and 26 mins
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Being a bastard blows. Tilla would know. Her father, Lord Kent of the Western Province, loved her as a child but cast her aside as soon as he had trueborn children. At 16 Tilla spends her days exploring long-forgotten tunnels beneath the castle with her stablehand half brother, Jax, and her nights drinking with the servants, passing out on Jax's floor while her castle bedroom collects dust. Tilla secretly longs to sit by her father's side, enjoying feasts with the rest of the family.
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Reading is not the same as the physical copy
- By Annelle Powell on 07-09-18
By: Andrew Shvarts
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Control Point
- Shadow Ops
- By: Myke Cole
- Narrated by: Corey Jackson
- Length: 15 hrs and 4 mins
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Myke Cole is an expert at ratcheting up suspense and delivering pulse-pounding adventure that leaves audiences breathless. In Shadow Ops: Control Point, the world has seemingly gone mad. People are waking up with magical powers, such as the ability to raise the dead or call forth storms. The only thing staving off a plunge into chaos is the Supernatural Operations Corps, headed by Oscar Britton. But when Oscar exhibits a power of his own, the hunter becomes the hunted.
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get on with it
- By Eugene on 05-15-12
By: Myke Cole
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StarCraft: I, Mengsk
- By: Graham McNeill
- Narrated by: Neil Kaplan
- Length: 12 hrs and 3 mins
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Sixty-thousand light-years from Earth, the corrupt Terran Confederacy holds the Koprulu sector tightly in its tyrannical grip, controlling every aspect of its citizens' lives. One man dares to stand up to this faceless empire and vows to bring it to its knees: Arcturus Mengsk - genius propagandist, tactician, and freedom fighter. A monstrous act of bloody violence sows the seeds of rebellion in Arcturus, but he is not the first Mengsk to rail against such oppression. Before Arcturus grew to manhood, his father, Angus Mengsk, also defied the Confederacy and sought to end its reign.
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great listening & listening, need more starcraft!!
- By Anonymous User on 12-04-18
By: Graham McNeill
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Web of Eyes
- By: Rhett C. Bruno, Jaime Castle
- Narrated by: Luke Daniels
- Length: 11 hrs and 37 mins
- Unabridged
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When a piece of the crown prince's soul is stolen by a traitorous warlock, disgraced knight Torsten Unger makes it his sworn duty to get it back and save the last hope for the kingdom. But he can't do it alone. Self-proclaimed "World's Greatest Thief" Whitney Fierstown sits in the castle dungeon, destined for the gallows until Torsten offers this choice: rot and die in a dank cell or join him on a dangerous expedition to put his skills to good use and earn his freedom.
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A Fantasy Version of 48 Hours
- By John Kang on 12-24-18
By: Rhett C. Bruno, and others
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The Red Wolf Conspiracy
- By: Robert V. S. Redick
- Narrated by: Michael Page
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The Imperial Merchant Ship Chathrand is the last of her kind. Six hundred years old, the secrets of her construction long forgotten, the massive vessel dwarfs every other sailing craft in the world. It is a palace with sails, a floating outpost of the Empire of Arqual. And it is on its most vital mission yet: to deliver a young woman whose marriage will seal the peace between Arqual and its mortal enemy, the secretive Mzithrin Empire.
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Not Bad, not great.
- By Aerindel on 10-15-09
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Cry Havoc
- Jack Frey, Book 1
- By: Mike Morris
- Narrated by: Simon Vance
- Length: 9 hrs and 56 mins
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They say when the demons come, you either fight or you die.The Black Dogs know this all too well. For three hundred years, the warrior priests have sacrificed their lives to keep the island nation of Abios safe from the flesh-eating Nostros, while the rest of the world fell under the demons' savagery. However, an armada now stands poised to invade mankind's last bastion.
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truly evil enemies
- By VJG on 02-01-18
By: Mike Morris
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On a mountainside at the edge of the Kaigenese Empire live the most powerful warriors in the world, superhumans capable of raising the sea and wielding blades of ice. For hundreds of years, the fighters of the Kusanagi Peninsula have held the Empire's enemies at bay, earning their frozen spit of land the name "The Sword of Kaigen". Born into Kusanagi's legendary Matsuda family, f14-year-old Mamoru has always known his purpose: To master his family's fighting techniques and defend his homeland.
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England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.
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What listeners say about Iron Gold
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- WiremanReads
- 01-23-18
War Eats the Victors Last
Pierce laid the foundations for an epic in "Red Rising." He built the conflict to a crescendo in "Morning Star." In "Iron Gold," he surrenders everything to the chaos of a post-governmental collapse and the reader must watch as old characters and new try to survive the unforgiving conditions of all-out war.
Pierce continues to hone his craft and it shines in his prose. He is proficient at both maintaining momentum during action sequences and slowing things down for somber reflection. Scenes are charged with emotional energy and the 4 different character perspectives maintain their own unique tones and themes. The narrators are perfectly suited for each perspective. The female narrator, Moloney, especially did a phenomenal job bringing the new red character to life. Her narration was raw and agonized and unrestrained.
This is no story where an uprising is followed by peace. This is a story about how people scoured for faults in the aftermath of Darrow's government upheaval, and how those people exploited the population to stoke longstanding conflicts of color and class. This is a story about how the protagonist may actually be the villain despite the purest of intentions. This is a story about how--in the absence of a lifetime of oppressive authority--classes face civil war as several factions struggle for a position of power in their newfound freedom. This is a story about how war is a bloated, gluttonous monster that does not discriminate between the good guys and the bad.
One of my absolute favorite things to do as a reader is to join an author in the navigation of a highly controversial and deeply human topic. This experience becomes exponentially richer when an author does this with a cast of characters that the reader is already attached to. "Iron Gold" is unforgiving in its honest exploration of humanity's darkest tendencies. The trajectory of the series after the final pages of this book is unclear and Pierce has crafted a reality of limitless potential. I cannot wait to discover what lies in the pages of "Dark Age."
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- Michael G Kurilla
- 01-25-18
10 years later and nerves are wearing thin
Iron Gold is Pierce Brown's latest installment in the Red Rising universe. The story takes place ten years after the conclusion of the original trilogy. In that time, the rim has been quiet, while Darrow and company have been battling with the gold holdouts on the inner worlds. Darrow is looking for more war resources, while Dancer is leading an effort to broker a peace. Threatened with arrest, Darrow goes rogue in a last ditch effort to destroy the Ashlord. At the same time, Cassius and Lysander get caught up out in the rim which hasn't lost its appetite for vengeance. Finally, a grey turned professional thief and a red girl formerly from the mines of Mars get caught up in a plot to bring down the Republic. Multiple cliffhangers are left unresolved.
The sci-fi elements are consistent with earlier installments with a bit of novelty thrown in such as a supermax prison at the bottom of Earth's oceans and a description o teh Venusian terraforming. Several new characters are introduced, including children of the next generation. Darrow is extremely introspective, constantly questioning his actions, while torn between acting the god-figure and simply being a father and husband. A major theme is the gradual realization by many characters that their daily rationalizations don't work anymore and need readjusting. Brown is meticulous in bringing each character to their own epiphany.
The decision of using four different narrators for the four main characters from whom perspective is offered was brilliant. Each narrator brings a sense of the unique point of view for each. The various accents are handled deftly, while pacing and mood are well aligned with the flow of the story. There's a definite maturation in sophistication and nuance, while increasing the complexity of the psychological aspects of the society as a whole.
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- Steen Pedersen
- 06-28-18
Good continuation of the story line
I must join so many other reviewers and lament the use of multiple narrators. Iron Gold should have been read only by Tim Gerard Reynolds, who did such a splendid job narrating the first 3 books in the series. The other narrators are mostly ok, but they certainly didn't add anything to the overall performance, that Reynolds couldn't have delivered better.
As for the story, I enjoyed it! A nice continuation of the first 3 books in the series. The book leaves us with cliffhangers on almost every level. Clearly Pierce Brown has more books in the series in the works...
If you liked the first 3 books in the Red Rising series, definitely listen to this one too.
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- Dan
- 03-27-19
narrator
if this lady is used in the next book I will not be buying it
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- Mike
- 04-04-18
The saga continues
Similar to the first book Red Rising, starts slow but ends strong, dedinitely looking forward to the next 2 books. Voice acting could have been better though. Personally not a fan of all the different narrators especially Lyrias...actually made me stop listening to the audio version occasionally and turn to reading the story instead.
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- Elemblue
- 03-01-18
Old Information Gone Missing
Any additional comments?
Fine but really important Information is gone. That is my peeve of this book. I could criticize here or talk about what I prefer there but its actually a really good book, fine points aside.. except THIS. I sense a warping of the previous world and one of the thing I loved about the other books was consistent and traceable world building. If your one of those people that don't care about inconsistencies then you wont even notice, if you are then I am sorry. Its still good enough to deserve your listen its just frustrating. For example: On mars book three it was implied the reds would be given freedom from the mines, but would not be forced to the surface with the mining jobs eliminated. This is addressed when Darrow is in the mines and acknowledges that some might not want to be displaced and he would just give them the option to leave.Yet one of the characters sais things like "He gave us a hug and then brought out of the mine to here" and "There are no hell-divers anymore". Inconsistencies with last book aside, because maybe some people chose to be displayed from their homes, did the need for rocket fuel suddenly evaporate? Because that played a HUGE part in the last story and if people want spaceships then your jobs are the most important their are. The free market should have benefited you the most, considering you make the most important thing THERE IS. Your jobs should all still exist. At the very least, an open black market should have made the mines slightly nicer than they were for you considering what you have to sell and how you could have been happy without almost literally nothing more than no famine. The only thing I can believe is that your mine was taken over and you were tricked into leaving. I get the feeling you were teleported out of the mines and Darrow's memory of his feelings towards freedom policies were erased all to create a "woe-is-me" story-line. Which I still want to say is well written, but its origins just make me not care.There are a few other things like that. Small, but changed to make the story move. I cant discuss them because they would be spoilers. This first one is not because its the first chapter she owns. That, in my opinion, is bad story writing and something I really liked these books for not doing. But... honestly, besides that its really good story writing, and well worth your time. Assuming you can stand very slight warping of the world, its great.I guess also for some of the narration there's no way people have accents that thick they would never be able to communicate fast enough. There's a difference between a deliberately slowed statement or thought, and an accent so thick it eats precious half hours of your time as you are trying to communicate that gunmen are running at you. No way your talking like that.
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- R
- 04-06-21
Abrupt narrator change, but worth it
Like many reviewers, I was very thrown off by the narrator change after 3 books of Tim Gerard Reynolds. Iron Gold adds a few new characters who have chapters told from their own perspectives, and they have their own narrators. Like many reviewers, I could not stand the change from Darrow to Lyria's narrator the first time it happened, and stopped listening to the book for months. I actually relistened to the whole series before giving it another shot, and I'm glad I did. You get used to the other narrators as the book goes on, and they are replaced by even better narrators in Dark Age. Stick it out, it's worth it.
Iron Gold sets up a trilogy in the post-Morningstar world with the powerful characters still left on the board after the original trilogy. If you thought Morningstar wrapped up too neatly, you will like this book. The new society is not some magically fixed happy ending of a world. You also see some different perspectives of Darrow and the Rising which makes the world feel more real.
If you enjoyed the original trilogy, stick with it through the narrator change. Its a good book and Dark Age gets wild.
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- R. D.
- 09-11-18
I love the original books. I was pleased
Tim Gerard does a great job reading. However, the others lacked execution. The reader for lysanda never paused between people. Seemed like he was just rambling
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- Vojislav Dimitrijevic
- 10-22-18
Excellent sequel, mixed performance.
I have really enjoyed the continuation of this amazing saga, however, unlike original trilogy, now we see things from the perspective of 4 different characters and 4 different narrators were used. This is where the problem lies for me.
Narration of Lyria is by far some of the worst I have heard. Overdramatic with emotional focus only of what is going on in the current sentence, performance really diminishes from the characters depth that was originally written, which is a shame.
Lysander narration is the second weak point, not as bad as Lyria, however narrator is simply reading the text with complete disconnect from what the character is going through. Sure, Lysander is emotionally disconnected to a point, but here we have the opportunity to see into the mind of this crucial character, and yet, diction is such that it constantly makes me feel like the narrator has something much more urgent and important to attend to after the recording and he is trying to go through it as quickly as he possibly can. No room is left to live through what is going on, no pauses, no difference in intonation, just a line that is way too flat and way too straight.
Edition is saved by the performances of the remaining two narrators, who are a joy to listen to.
One other problem is the mastering done. Dynamic sensitivity is way too high, so much so that at times it's barely listenable in the car.
However, despite these issues I have enjoyed this story as well, but not nearly as much as the original trilogy, mainly because of problematic performances of those two narrators.
I recommend the listen though, it's worth it :)
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- JPDW55
- 07-23-18
Great book and narration
I loved this book, especially narration of Aedin Maloney. Anxious for the series to continue.
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