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Impro
Improvisation and the Theatre
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Narrated by:
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William Reay
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By:
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Keith Johnstone
About this listen
Impro is the most dynamic, funny, wise, practical, and provocative book on theatre craft that I have ever read. (James Roose-Evans, British theatre director, priest, and writer)
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later, he was associate artistic director, working as a playreader and director, in particular helping to run the writers' group. The improvisatory techniques and exercises that evolved there, fostering spontaneity and narrative skills, were developed further in the actors' studio and, then, in demonstrations to schools and colleges. This ultimately resulted in the founding of a company of performers called The Theatre Machine.
Divided into four sections—Status, Spontaneity, Narrative Skills, and Masks and Trance—and arranged more or less in the order a group might approach them, the audiobook sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an audiobook of ideas and a fascinating exploration of the nature of spontaneous creativity. This audio edition of Impro is skillfully narrated by William Reay and includes as a second appendix a previously unpublished essay The Full Mask, which Johnstone wrote 50 years after the original publication of the book.
Produced and published by Echo Point Books & Media, an independent bookseller in Brattleboro, Vermont.
©1979, 1981 Keith Johnstone, Irving Wardle (P)2020 Echo Point Books & Media, LLCListeners also enjoyed...
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After a betrayal at work costs Song Kuan her job, she retreats to her friend Lucy’s idyllic family cabin on a lake in Minnesota to lick her wounds. She devotes herself to recording Ice Cold Cases, a true-crime podcast that she and Lucy cohost with the gleeful energy of obsessed fans—until an anonymous tip about a missing-person case disrupts their equilibrium. Then Lucy disappears, leaving Song alone in an unfriendly and unfamiliar town where locals don’t take kindly to strangers asking questions.
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Asians in MN! I loved it. The vivid sounds of Northern Minnesota totally took me there, and I was hooked into the mystery.
- By Sheila Morris on 04-26-22
By: Jessica Huang
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Petty: The Biography
- By: Warren Zanes
- Narrated by: Warren Zanes
- Length: 13 hrs and 57 mins
- Unabridged
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No one other than Warren Zanes, rocker and writer and friend, could author a book about Tom Petty that is as honest and evocative of Petty's music and the remarkable rock and roll history he and his band helped to write. Born in Gainesville, Florida, with more than a little hillbilly in his blood, Tom Petty was a Southern shit kicker, a kid without a whole lot of promise. Rock and roll made it otherwise.
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Tom Petty gets some bio love
- By tru britty on 12-15-15
By: Warren Zanes
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A Streetcar Named Desire
- By: Tennessee Williams
- Narrated by: Carla Gugino, Audra McDonald
- Length: 2 hrs and 52 mins
- Original Recording
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Story
With Emmy, Grammy, and six-time Tony Award winner Audra McDonald as Blanche DuBois alongside Carla Gugino as Stella, O’Hara takes a fresh and visceral look at the emotionally charged relationship between these two iconic sisters. Haunted by her past, Blanche seeks refuge with Stella and Stanley (Ariel Shafir) in New Orleans, where she wrestles with the nature of her sister’s husband, her sister’s denial, and her own unraveling mind.
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Classic With Fresh Insight
- By Talia Shafir on 12-04-20
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The Sign in Sidney Brustein's Window
- By: Lorraine Hansberry
- Narrated by: Oscar Isaac, Rachel Brosnahan, Gus Birney, and others
- Length: 2 hrs and 7 mins
- Original Recording
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Story
Fresh off the success of her groundbreaking first play, A Raisin in the Sun, Lorraine Hansberry's The Sign in Sidney Brustein's Window tells the tragicomic story of a young bohemian couple in New York's Greenwich Village, struggling to do what's right in a world that rewards everything that's wrong. Sidney is a dreamer who wants his own Walden Pond; Iris is a budding actress whose own backstory is a performance. They're caught in a moment where, "the world is about to crack right down the middle," as the play tackles racism, sexism, antisemitism, homophobia, liberal complacency, and more.
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Excellent performance of Hansberry play
- By Betsy Fowler on 11-30-24
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The Godfather: A Film We Can't Refuse
- By: Paramount Pictures
- Narrated by: Rebecca Keegan
- Length: 8 hrs and 27 mins
- Original Recording
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With exclusive insights from the legendary cast, including Al Pacino, Robert Duvall, Robert De Niro, and Talia Shire, and commentary from a diverse array of film experts and ardent aficionados, we dissect the film’s magnetic allure and its pervasive influence across our culture. Journey alongside Rebecca Keegan, acclaimed senior film editor at The Hollywood Reporter, as she explores the heart of this cinematic masterpiece through a new lens.
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Deep dive into The Godfather
- By C.F. on 08-28-24
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Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.
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The New Comedy Bible is a step-by-step, no excuses manual for writing, performing, and launching your career as a stand-up comic. Written by Judy Carter, the author of The Comedy Bible (2001), which was called by The Washington Post and Forbes as a “Comedy Essential”. This new book, penned in classic Carter’s style - part career coach and part comedy dominatrix - has 100 percent new content.
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PDF workbook
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The Great Acting Teachers and Their Methods
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With clarity and insight, Richard Brestoff introduces the great acting teachers, explaining their techniques and how they are applied today. Beginning with Quintilian and Delsarte, he guides us to the present with an inside look at what is currently being taught in the major acting schools and private acting studios; The Actors Studio, Yale University, NYU, Juilliard and many more are visited. The Great Acting Teachers and Their Methods will help you understand the most important ideas about acting, where they originated and how they are used in training programs today.
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Eh just a history class mostly
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By: Richard Brestoff
What listeners say about Impro
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- beesbane
- 06-08-23
Very creative
Its much more creative than this comment. But i loved it and want it to have these five stars. With so few reviews… it really is a wonderful book. I may even buy a hard copy.
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1 person found this helpful
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- rander
- 06-17-23
The most important concept of my life.
This book is extremely valuable to me both as a writer and a game master. No writing crafts books can match this timeless masterpiece.
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- Max Strand
- 02-23-23
Best book on creativity
Best book on creativity I’ve read. I also recommend Catching the Big Fish by David Lynch.
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2 people found this helpful
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- Robert Mann
- 03-11-21
Excellent Resource for improvisational theater
whoever wrote the previous review for this book obviously was confused. I thoroughly enjoyed this book. Especially the section about status. I read the book years ago and it’s a joy to listen to this wonderful narration!
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4 people found this helpful
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- Dan Collins
- 06-29-24
The Power of Suggestion
It is my understanding that this book is mandatory reading for new hires at Palantir. I've also read "Stealing Fire". This book convinces me that the degenerates in the tech industry need to re-baseline. The fact that this book is a must read for any company is not a positive for that company. And it certainly does not justify the investment you or I might make to listen to it and see what the buzz is about.
There is no "there", there, dear listener. This is shallow and un-insightful. You can ignore it if you know who you are. If you have no idea who you are, this book might be useful.
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- Swiissjoker
- 01-24-21
1 hour in and....WHAT?
I seen this lady on YouTube recommend this book so I figured I'd pick it up and give it a try. 1 hour in and I don't get the angle nor the understanding of where the author is coming from. I thought we was going to get straight into the improv learning but it's a lot of quotes and reenactment of plays going on and I'm not understanding. Overall, this book does not get straight to the point.
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1 person found this helpful