Written against the backdrop of contemporary Argentina, and with a resounding tenderness toward those in pain, in fear, and in limbo, The Dangers of Smoking in Bed is Mariana Enriquez at her most sophisticated, and most chilling.

Columnist Anna Appleby has left her love life behind after a painful divorce. Who needs a man when she has two kids, a cat, and uncontested control of the TV remote? Besides, she’d rather be single than subject herself to the hell of online dating. But her office rival is vying for her column, and no column means no stable source of income. In a desperate attempt to keep her job, Anna finds herself pitching a unique angle: seven dates, all found offline, chosen by her children.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico's little sister.

After nearly losing the election to a geriatric donkey, newly installed Mayor Delizia Miccuci can’t help but feel like the sun has finally set on the rural Italian village of Lazzarini Boscarino. Tourists only stop by to ask for directions, Nonna Amara’s cherished ristorante is long shuttered, and the town hall is disgustingly overrun with glis glis poo—even Postman Duccio has been disgraced.

Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house and who is as awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us.

Jane has high hopes her life is about to turn around. After years of living precariously, she, her painter husband, Lenny, and their two kids have landed a stint as house sitters in a friend’s luxurious home high in the hills above Los Angeles, a gig that coincides magically with Jane’s sabbatical. If she can just finish her latest novel, Nusu Nusu, the centuries-spanning epic Lenny refers to as her “mulatto War and Peace,” she’ll have tenure and some semblance of stability and success within her grasp. But things don’t work out quite as hoped.

In a sleepy seaside town in Maine, recently widowed Eveleth "Evvie" Drake rarely leaves her large, painfully empty house nearly a year after her husband’s death in a car crash. Everyone in town, even her best friend, Andy, thinks grief keeps her locked inside, and Evvie doesn’t correct them. Meanwhile, in New York City, Dean Tenney, former Major League pitcher and Andy’s childhood best friend, is wrestling with what miserable athletes living out their worst nightmares call the "yips": he can’t throw straight anymore, and, even worse, he can’t figure out why.

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Amelia Rose, known as Rae Rose to her adoring fans, is burned-out from years of maintaining her “princess of pop” image. Inspired by her favorite Audrey Hepburn film, Roman Holiday, she drives off in the middle of the night for a break in Rome . . . Rome, Kentucky, that is. When Noah Walker finds Amelia on his front lawn in her broken-down car, he makes it clear he doesn’t have the time or patience for celebrity problems. He’s too busy running the pie shop his grandmother left him and reminding his nosy but lovable neighbors to mind their own damn business.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

It’s Valentine’s Day weekend, and Charlotte and Seth are not looking for romance. Armed with emotional-support bear spray, Charlotte is in self-imposed isolation and on guard from men. Having a stalker can do that to a person’s nerves. Just across the hall and giving off woodsy vibes is Seth, a recently divorced arborist. As in today recently. Heights, he’s fine with. Trust? Not so much.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.

As the child of a Hooters waitress and an ex-pro wrestler, Margo Millet's always known she’d have to make it on her own. So she enrolls at her local junior college, even though she can’t imagine how she’ll ever make a living. She’s still figuring things out and never planned to have an affair with her English professor—and while the affair is brief, it isn’t brief enough to keep her from getting pregnant. Despite everyone’s advice, she decides to keep the baby, mostly out of naiveté and a yearning for something bigger.

Hallie Piper is turning over a new leaf. After belly-crawling out of a hotel room (hello, rock bottom), she decides it’s time to become a full-on adult. She gets a new apartment, a new haircut, and a new wardrobe, but when she logs onto the dating app that she has determined will find her new love, she sees none other than Jack, the guy whose room she snuck out of.

A hugely enjoyable, must-listen murder mystery sure to appeal to fans of Elly Griffiths, Anthony Horowitz, and Agatha Christie, with one of the best and most satisfying conclusions you'll ever hear. A classic in Japan, available in English for the first time.

The author of the number one New York Times best seller What Kind of Woman returns with a collection of erasure poems created from notes she received from followers, supporters, and detractors — an artform that reclaims the vitriol from online trolls and inspires listeners to transform what is ugly or painful in their own lives into something beautiful.

Three months after George Saunders gave a graduation address at Syracuse University, a transcript of that speech was posted on the website of The New York Times, where its simple, uplifting message struck a deep chord. Within days, it had been shared more than one million times. Why? Because Saunders’ words tap in to a desire in all of us to lead kinder, more fulfilling lives. Powerful, funny, and wise, Congratulations, by the Way is an inspiring message from one of today’s most influential and original writers.

As the child of a Hooters waitress and an ex-pro wrestler, Margo Millet's always known she’d have to make it on her own. So she enrolls at her local junior college, even though she can’t imagine how she’ll ever make a living. She’s still figuring things out and never planned to have an affair with her English professor—and while the affair is brief, it isn’t brief enough to keep her from getting pregnant. Despite everyone’s advice, she decides to keep the baby, mostly out of naiveté and a yearning for something bigger.

Sadie Wen is perfect on paper: school captain, valedictorian, and a "pleasure to have in class." It's not easy, but she has a trick to keep her model-student smile plastered on her face at all times: she channels all her frustrations into her email drafts. She'd never send them of course—she'd rather die than hurt anyone's feelings—but it's a relief to let loose on her power-hungry English teacher or a freeloading classmate taking credit for Sadie's work. All her most vehemently worded emails are directed at her infuriating cocaptain, Julius Gong.

After years of physical and verbal abuse from her mother, fourteen-year-old Coi moved in with her father, and together they created a peaceful life. But now, four years later, that peace is shattered when her mother dies. While Coi struggles to find kindness in her heart for the woman who did nothing but hurt her, her mother’s passing does help reopen the door to her mother’s side of the family. It’s only through reconnecting with her estranged family members, especially her younger half-sister Kayla, that Coi’s long-held views about her mother are challenged.

Willis Wu doesn’t perceive himself as a protagonist even in his own life: He’s merely Generic Asian man. Sometimes he gets to be Background Oriental Making a Weird Face or even Disgraced Son, but he is always relegated to a prop. Yet every day he leaves his tiny room in a Chinatown SRO and enters the Golden Palace restaurant, where Black and White, a procedural cop show, is in perpetual production. He’s a bit player here, too, but he dreams of being Kung Fu Guy - the most respected role that anyone who looks like him can attain. At least that’s what he has been told.

Meet Libby Weeks, author of the mega-bestselling fantasy series the Falling Children—written as “F. T. Goldhero” to maintain her privacy. With the final manuscript months overdue to her publisher and rabid fans around the world growing impatient, Libby is diagnosed with early-onset Alzheimer’s. Already suffering from crippling anxiety, Libby’s symptoms quickly accelerate. After she forgets her dog at the park one day—then almost discloses her identity to the journalist who finds him—Libby has to admit it: she needs help finishing the last book.

Millie, 30, just can't pull it together. Misanthropic and morose, she spends her days killing time at a thankless temp job until she can return home to her empty apartment, where she oscillates between self-recrimination and mild delusion, fixating on all the little ways she might change her life. Then she watches TV until she drops off to sleep, and the cycle begins again. When the possibility of a full-time job offer arises, it seems to bring the better life she's envisioning within reach. But with it also comes the paralyzing realization of just how hollow that vision has become.

It’s been a year since his ex-boyfriend dumped him and moved from Auckland to Buenos Aires, and Valdin is doing fine. He has a good flat with his sister Greta, a good career where his colleagues only occasionally remind him that he is the sole Maaori person in the office, and a good friend who he only sleeps with when he’s sad. But when work sends him to Argentina and he’s thrown back in his former lover’s orbit, Valdin is forced to confront the feelings he’s been trying to ignore—and the future he wants.

Equal parts funny and tender, What Will People Think? is a heart-bursting exploration of what it means to discover and embrace the hidden parts of yourself, and how love in all forms can make you whole.

Reclusive Sally Diamond is thrust into the media spotlight when she tries to incinerate her dead father, causing widespread outrage. Now she’s the center of attention, not only from hungry reporters and police detectives, but also a sinister voice from a past she does not remember. As she begins to discover the repressed memories of her horrific early childhood, Sally steps into the world for the first time, making new friends, big decisions, and learning that people don’t always mean what they say.

Hannah Kent and Oliver Jennings pledged their hearts to each other as children. Now, years later, Hannah is thrilled to receive an invitation to spend the summer at Oliver’s family’s country estate. The path to wedded bliss is clear - so long as Oliver’s highbrow older brother, Damon, has ceased his juvenile antics, Hannah’s future looks bright indeed. But from the moment Hannah arrives at Summerhaven, nothing is as she expected. Oliver seems disinterested in renewing their acquaintance, and Damon is not the brutish boy she remembers but a man intent on avoiding marriage.

Andy loves Jen. Jen loved Andy. And he can't work out why she stopped. Now he is. . . Without a home Waiting for his stand-up career to take off Wondering why everyone else around him seems to have grown up while he wasn't looking. Set adrift on the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. But Andy still has a lot to learn, not least his ex-girlfriend's side of the story…

Meghna Raman’s parents wanted her to be an engineer, but instead she’s followed her passion, becoming a theater teacher and aspiring playwright. But when she discovers that her beloved writing partner, best friend, and secret crush, Seth, is suddenly engaged—and not to her—she realizes he’s about to become the one-that-got-away. Even worse, he’s asked her to be his best man. And worse than that, she’s agreed. Determined to try and move on and relieve a bit of the pressure she feels, Meghna agrees to let her parents introduce her to a potential match.