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How to Suppress Women's Writing
- Narrated by: Robin Miles
- Length: 6 hrs and 37 mins
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Publisher's summary
Are women able to achieve anything they set their minds to? In How to Suppress Women’s Writing, award-winning novelist and scholar Joanna Russ lays bare the subtle - and not so subtle - strategies that society uses to ignore, condemn, or belittle women who produce literature. As relevant today as when it was first published in 1983, this book has motivated generations of readers with its powerful feminist critique.
"What is it going to take to break apart these rigidities? Russ’s book is a formidable attempt. It is angry without being self-righteous, it is thorough without being exhausting, and it is serious without being devoid of a sense of humor. But it was published over thirty years ago, in 1983, and there’s not an enormous difference between the world she describes and the world we inhabit." (Jessa Crispin, from the foreword)
"A book of the most profound and original clarity. Like all clear-sighted people who look and see what has been much mystified and much lied about, Russ is quite excitingly subversive. The study of literature should never be the same again." (Marge Piercy)
"Joanna Russ is a brilliant writer, a writer of real moral passion and high wit." (Adrienne Rich)
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Story
Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.
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Informative and Inspiring
- By Mo on 11-27-21
By: Milan Kundera, and others
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Diderot and the Art of Thinking Freely
- By: Andrew S. Curran
- Narrated by: Paul Boehmer
- Length: 13 hrs and 18 mins
- Unabridged
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Denis Diderot is often associated with the decades-long battle to bring the world's first comprehensive Encyclopedie into existence. But his most daring writing took place in the shadows. Thrown into prison for his atheism in 1749, Diderot decided to reserve his best books for posterity - for us, in fact. In the astonishing cache of unpublished writings left behind after his death, Diderot challenged virtually all of his century's accepted truths, from the sanctity of monarchy, to the racial justification of the slave trade, to the norms of human sexuality.
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lifelong coverage of his life.
- By Michael Daly on 03-22-21
By: Andrew S. Curran
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The New Negro
- The Life of Alain Locke
- By: Jeffrey C. Stewart
- Narrated by: Bill Andrew Quinn
- Length: 45 hrs and 34 mins
- Unabridged
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In The New Negro: The Life of Alain Locke, Jeffrey C. Stewart offers the definitive biography of the father of the Harlem Renaissance, based on the extant primary sources of his life and on interviews with those who knew him personally. He narrates the education of Locke, including his becoming the first African American Rhodes Scholar, earning a PhD in philosophy at Harvard University, and his long career as a professor at Howard University. And yet he became most closely associated with the flowering of Black culture in Jazz Age America.
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Let me guess? Locke was a gay black man?
- By Porter on 01-21-20
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Looking for Lorraine
- The Radiant and Radical Life of Lorraine Hansberry
- By: Imani Perry
- Narrated by: LisaGay Hamilton
- Length: 8 hrs and 27 mins
- Unabridged
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Lorraine Hansberry, who died at thirty-four, was by all accounts a force of nature. Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work—until now.
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Radiant
- By Rose Brookins on 03-20-19
By: Imani Perry
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On Freedom
- Four Songs of Care and Constraint
- By: Maggie Nelson
- Narrated by: Gabra Zackman
- Length: 10 hrs and 5 mins
- Unabridged
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So often deployed as a jingoistic, even menacing rallying cry, or limited by a focus on passing moments of liberation, the rhetoric of freedom both rouses and repels. Does it remain key to our autonomy, justice, and well-being, or is freedom's long star turn coming to a close? Does a continued obsession with the term enliven and emancipate, or reflect a deepening nihilism (or both)? On Freedom examines such questions by tracing the concept's complexities in four distinct realms: art, sex, drugs, and climate.
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Just great
- By Kristi Strong on 12-14-21
By: Maggie Nelson
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Jewish Comedy
- A Serious History
- By: Jeremy Dauber
- Narrated by: Jeremy Dauber
- Length: 10 hrs and 49 mins
- Unabridged
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In a major work of scholarship both erudite and very funny, Jeremy Dauber traces the origins of Jewish comedy and its development from Biblical times to the age of Twitter. Organizing his book thematically into what he calls the seven strands of Jewish comedy - including the satirical, the witty, and the vulgar - Dauber explores the ways Jewish comedy has dealt with persecution, assimilation, and diaspora through the ages. He explains the rise and fall of popular comic archetypes such as the Jewish mother, the JAP, and the schlemiel and schlimazel.
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Not funny
- By supermantwo on 08-31-20
By: Jeremy Dauber
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Talking About Detective Fiction
- By: P. D. James
- Narrated by: Diana Bishop
- Length: 4 hrs and 18 mins
- Unabridged
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To judge by the worldwide success of Arthur Conan Doyle's Sherlock Holmes and Agatha Christie's Poirot, it is not only the Anglo-Saxons who have an appetite for mystery and mayhem. Talking about the craft of detective writing and sharing her personal thoughts and observations on one of the most popular and enduring forms of literature, P. D. James examines the challenges, achievements and potential of a genre which has fascinated her as a novelist for nearly 50 years.
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Fascinating and Informative
- By Nancy J on 03-17-13
By: P. D. James
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Gods of the Upper Air
- How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century
- By: Charles King
- Narrated by: January LaVoy
- Length: 13 hrs and 32 mins
- Unabridged
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A century ago, everyone knew that people were fated by their race, sex, and nationality to be more or less intelligent, nurturing, or warlike. But Columbia University professor Franz Boas looked at the data and decided everyone was wrong. Racial categories, he insisted, were biological fictions. Cultures did not come in neat packages labeled "primitive" or "advanced". What counted as a family, a good meal, or even common sense was a product of history and circumstance, not of nature.
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Great Book, Much Needed despite poor performance
- By J. Kahn on 08-21-19
By: Charles King
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Parfit
- A Philosopher and His Mission to Save Morality
- By: David Edmonds
- Narrated by: Zeb Soanes
- Length: 13 hrs and 14 mins
- Unabridged
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Derek Parfit (1942–2017) is the most famous philosopher most people have never heard of. Widely regarded as one of the greatest moral thinkers of the past hundred years, Parfit was anything but a public intellectual. Yet his ideas have shaped the way philosophers think about things that affect us all: equality, altruism, what we owe to future generations, and even what it means to be a person. In Parfit, David Edmonds presents the first biography of an intriguing, obsessive, and eccentric genius.
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Loved it
- By Anna Karenina on 07-05-23
By: David Edmonds
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A Wicked Company
- The Forgotten Radicalism of the European Enlightenment
- By: Philipp Blom
- Narrated by: James Patrick Cronin
- Length: 14 hrs and 32 mins
- Unabridged
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The flourishing of radical philosophy in Baron Thierry Holbach’s Paris salon from the 1750s to the 1770s stands as a seminal event in Western history. Holbach’s house was an international epicenter of revolutionary ideas and intellectual daring, bringing together such original minds as Denis Diderot, Laurence Sterne, David Hume, Adam Smith, Ferdinando Galiani, Horace Walpole, Benjamin Franklin, Guillaume Raynal, and Jean-Jacques Rousseau. In A Wicked Company, acclaimed historian Philipp Blom retraces the fortunes of this exceptional group of friends.
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Excellent Book on Radical Enlightenment
- By EJJ on 02-15-15
By: Philipp Blom
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The Creation of Anne Boleyn
- A New Look at England’s Most Notorious Queen
- By: Susan Bordo
- Narrated by: Barbara Rosenblat
- Length: 12 hrs
- Unabridged
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Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne’s life and an illuminating look at her afterlife in the popular imagination. Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first-century portrayals? (Answer: Neither.) And perhaps the most provocative questions concern Anne’s death more than her life.
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Most Enjoyable Biography--Win!
- By Roswatheist on 03-29-14
By: Susan Bordo
What listeners say about How to Suppress Women's Writing
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Anonymous User
- 11-26-20
Really odd delivery
I had to check whether the book was being read by a text to speech AI. Pauses and beats in very odd places.
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- Jun
- 09-01-21
Review
As plainly as the title suggests, Joanna Russ wrote to explain where to look for sources of suppression of women's writing. I strongly resonate with her observation of the double standards towards works of marginalized groups, especially, for example, the attack on their "promiscuity." I've also observed that, as she explained, women's writing are isolated and excluded from the history and tradition of literature. Importantly, I read this book as neither merely about women nor merely about writing. As Jessa Crispin said in the forward, of Joanna Russ:
"She understands how a fragile Self will need to define itself against an Other, and she is wise enough to see this is not an issue of misogyny per se but something that has the potential to infect us all. That need for the Other to be a specific something, so that in reflection the Self can be something better, creates a lens that makes it impossible to see the Other clearly without risking the Self. We can only see and judge art through this lens, unless we stubbornly refuse to."
This is not just a personal interpretation, as Joanna Russ clearly wrote in the last chapter:
"One side of the nightmare is that the privileged group will not recognize that "other" art, will not be able to judge it, that the superiority of taste and training possessed by the privileged critic and the privileged artist will suddenly vanish.
"The other side of the nightmare is not that what is found in the "other" art will be incomprehensible, but that it will be all too familiar. That is:
"Women's lives are the buried truth about men's lives.
"The lives of people of color are the buried truth about white lives.
"The buried truth about the rich is who they take their money from and how.
"The buried truth about "normal" sexuality is how one kind of sexual expression has been made privileged, and what kinds of unearned virtue and terrors about identity this distinction serves."
The fear of these nightmares are, as she pointed out, "bad faith":
"To slide into decisions without allowing oneself to realize that one's making any, to feel dimly that one is enjoying advantages without trying to become clearly aware of what these advantages are (and who hasn't got them), to accept mystifications because they're customary and comfortable, cooking one's mental books to congratulate oneself on traditional behavior as if it were actively moral behavior, to know that one doesn't know, to prefer not to know, to defend one's status as already knowing with half-sincere, half-selfish passion as "objectivity" -- this great, fuzzy area of human ingenuity is what Jean-Paul Sartre calls bad faith."
These are, I think, among her the most important messages.
The book is relatively systematic and comprehensive, and full of clear demonstrations from (maybe a bit too many) examples and citations, although the subpoints within each chapter require some careful reading to sort out. Many of the points she raised in the book, such as her objection to what's considered "universal" and what's "regional," a criticism of the "objectivity" or the "normality" of certain standards, have become more or less widely known.
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