If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

Over the course of his 60 years, Christopher Hitchens has been a citizen of both the United States and the United Kingdom. He has been both a socialist opposed to the war in Vietnam and a supporter of the U.S. war against Islamic extremism in Iraq. He has been both a foreign correspondent in some of the world's most dangerous places and a legendary bon vivant with an unquenchable thirst for alcohol and literature.

Paris, 1933: Three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to them about a new conceptual framework from Berlin called phenomenology. "You see," he says, "if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!"

Why did Agatha Christie spend her career pretending that she was "just" an ordinary housewife, when clearly she wasn't? Lucy Worsley's biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to rarely seen personal letters and papers, Lucy Worsley's biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was—truly a woman who wrote the twentieth century.

From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, and brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine.

Hardy's work challenged sexual and religious conventions in a way that few other authors of the time dared. Though his modesty and kindness allowed some to underestimate him, or even to pity him, they did not prevent him from taking on the central themes of human experience: time, memory, loss, love, fear, grief, anger, death. This engrossing biography identifies the inner demons and the outer mores that drove Hardy and presents a complex portrait of one of the greatest figures in English literature.

This first novel in The Deptford Trilogy introduces Ramsay, a man who returns from World War I decorated with the Victoria Cross but who is destined to be caught in a no man's land where memory, history, and myth collide. As we hear Ramsey tell his story, we begin to realize that, from childhood, he has influenced those around him in a perhaps mystical, perhaps pernicious way.

The definitive biography of Edward Gorey, the eccentric master of macabre nonsense. From The Gashlycrumb Tinies to The Doubtful Guest, Edward Gorey's wickedly funny and deliciously sinister little books have influenced our culture in innumerable ways, from the works of Tim Burton and Neil Gaiman to Lemony Snicket. Some even call him the Grandfather of Goth. An eccentric, a gregarious recluse, an enigmatic auteur of whimsically morbid masterpieces, yes - but who was the real Edward Gorey behind the Oscar Wildean pose?

In The Voice Is All, Joyce Johnson - coauthor of the classic memoir Door Wide Open, about her relationship with Jack Kerouac - brilliantly peels away layers of the Kerouac legend to show how, caught between two cultures and two languages, he forged a voice to contain his dualities. Looking more deeply than previous biographers into how Kerouac's French Canadian background enriched his prose and gave him a unique outsider's vision of America, she tracks his development from boyhood through the phenomenal breakthroughs of 1951 that resulted in the composition of On the Road.

Split into five sections - Reading, Being, Seeing, Feeling, and Remembering - Changing My Mind finds Zadie Smith casting an acute eye over material both personal and cultural. This engaging collection of essays, some published here for the first time, reveals Smith as a passionate and precise essayist, equally at home in the world of great books and bad movies, family and philosophy, British comedians, and Italian divas. Changing My Mind is journalism at its most expansive, intelligent, and funny - a gift to readers and writers both.

Joy Davidman is known, if she is known at all, as the wife of C. S. Lewis. Their marriage was immortalized in the film Shadowlands and Lewis' memoir, A Grief Observed. Now, through extraordinary new documents as well as years of research and interviews, Abigail Santamaria brings Joy Davidman Gresham Lewis to your ears in the fullness and depth she deserves. A poet and radical, Davidman was a frequent contributor to the communist vehicle New Masses and an active member of New York literary circles in the 1930s and '40s.

The product of 30 years of friendship and conversation, Jay Parini's Empire of Self probes behind the glittering surface of Gore Vidal's colorful life to reveal the complex emotional and sexual truth underlying his celebrity-strewn life. But there is plenty of glittering surface as well - a virtual who's who of the American Century, from Eleanor Roosevelt and Amelia Earhart through the Kennedys, Princess Margaret, and the creme de la creme of Hollywood.

E. E. Cummings' radical experimentation with form, punctuation, spelling, and syntax resulted in his creation of a new, idiosyncratic means of poetic expression. And while there was critical disagreement about his work (Edmund Wilson called it "hideous", while Malcolm Cowley called him "unsurpassed in his field"), at the time of his death in 1962, at age 67, he was, after Robert Frost, the most widely read poet in the United States. Now, in this new biography, Susan Cheever traces the development of the poet and his work.

Considered to be the world’s foremost post-Jungian thinker, James Hillman is known as the founder of archetypal psychology and the author of more than 20 books, including the bestselling title The Soul’s Code. In The Making of a Psychologist, we follow Hillman from his youth in the heyday of Atlantic City, through post-war Paris and Dublin, travels in Africa and Kashmir, and onward to Zurich and the Jung Institute, which appointed him its first director of studies in 1960.

It has been one hundred years since Agatha Christie wrote her first novel and created the formidable Hercule Poirot. A brilliant and award-winning biographer, Laura Thompson now turns her sharp eye to Agatha Christie. Arguably the greatest crime writer in the world, Christie’s books still sell over four million copies each year - more than thirty years after her death - and it shows no signs of slowing.