Heart of Darkness
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Narrated by:
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Toby Stephens
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By:
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Joseph Conrad
About this listen
Joseph Conrad's Heart of Darkness is an exploration of the nature of evil and how far a man can go towards it when released from the constraints of what can be called civilisation.
Before beginning his life as a writer at the age of 36, Conrad spent 16 years as a merchant seaman. In 1889 he became captain of a steamboat in the Congo Free State, and the atrocities he witnessed there, perpetrated by the representatives of the Belgian colonial powers, led him to write what he called his Congo Diary.
The repulsion Conrad felt for his time in the Congo was compounded by his infection whilst there with malaria, which left him with a malarial gout in the wrist of his writing hand, the pain of which would stay with him for the rest of his life.
When Heart of Darkness was published in 1899, it echoed much of Conrad's horrific experience. The journey up the infested Congo River taken by his character Marlow is much like Conrad's own, but the ultimate antihero, Kurtz, with his compulsively magnetic madness, tinkering with the edges of pure evil, is a phenomenal literary creation, one which has excited imitations ever since, most famously in Francis Ford Coppola’s 1979 film Apocalypse Now.
It is a terrifying and exhilarating journey, with Conrad taking you to the very depths of human nature and, in Marlow’s case, leaving him there.
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Has always been a great story.
- By Sian on 06-08-14
By: M. M. Kaye
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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The Four Feathers
- By: A. E. W. Mason
- Narrated by: Ralph Cosham
- Length: 9 hrs and 59 mins
- Unabridged
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Just before his regiment sails off to war in the Sudan, British officer Harry Feversham quits the military. He is immediately given four white feathers as symbols of cowardice, one by each of his three best friends and one by his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives. Having proven his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée.
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Deep Realistic Story Masterfully Read
- By Kappavpi on 07-05-04
By: A. E. W. Mason
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A Hero of Our Time
- By: Mikhail Lermontov
- Narrated by: Nicholas Boulton
- Length: 6 hrs and 9 mins
- Unabridged
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Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of Our Time takes on a variety of forms to interrogate Pechorin's cryptic character and his unusual philosophy, providing breathtaking descriptions of the Caucasus along the way.
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Sarcastic Title
- By SmartShopper on 04-23-24
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Two Horror Classics: Frankenstein and Dracula
- By: Mary Shelley, Bram Stoker
- Narrated by: Gildart Jackson
- Length: 28 hrs and 6 mins
- Unabridged
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In Frankenstein, a classic tale of bio-engineering gone horribly wrong, Victor Frankenstein uses body parts of the dead to bring a creature to life. When Frankenstein abandons his experiment in horror, the Monster embarks on a quest that results in the ultimate revenge. In Dracula, a timeless gothic vampire romance, young solicitor Jonathan Harker must shield his fiancé, Mina, from the predations of the insatiable Count Dracula. Mysteriously drawn to the Count, Mina, however, struggles to break free from the psychic grip of the mysterious dark stranger from Transylvania.
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Wonderful rendition of two Gothic Horror classics!
- By Teela'Na on 10-03-19
By: Mary Shelley, and others
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The Most Dangerous Game
- By: Richard Connell
- Narrated by: B.J. Harrison
- Length: 58 mins
- Unabridged
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A mysterious island, shrouded in fear, evil, and darkness. Here the amoral General Zaroff hunts. And what, you ask, is the most dangerous game? It is the manner and substance of his nightly killings.
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A TRUE COSMOPOLITE
- By Jim "The Impatient" on 08-02-16
By: Richard Connell
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The Narrow Corner
- By: W. Somerset Maugham
- Narrated by: David Thorpe
- Length: 8 hrs and 10 mins
- Unabridged
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On his way home from a remote Pacific island, Dr Saunders travels with two strangers: the treacherous Captain Nichols, and Fred, a handsome Australian with a shadowy past. Driven to shelter from a storm on the island of Banda, the trio meets good-natured Erik Christessen and his fiancée, the cool and beautiful Louise. A tense, exotic tale of love, jealousy, murder and suicide, which evolved from a passage in Maugham's earlier masterpiece, The Moon and Sixpence.
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Stunningly Great
- By SouthwestDude on 09-08-19
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Edgar Allan Poe - The Complete Short Stories
- By: Edgar Allan Poe
- Narrated by: Bob Thomley
- Length: 16 hrs and 34 mins
- Unabridged
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All of Edgar Allan Poe’s great short stories in one 16-hour collection.
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NEVERMORE
- By Jim "The Impatient" on 11-23-15
By: Edgar Allan Poe
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The Best Ghost Stories Ever Told
- Best Stories Ever Told
- By: Stephen Brennan - editor
- Narrated by: J. M. Badger, Imelda Pot
- Length: 24 hrs and 58 mins
- Unabridged
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A big, brilliant, spooky collection of classic and contemporary ghost stories that will make you hesitate before turning off that light.
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A very mixed review
- By Michael Mayer on 08-05-15
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Treasure Island
- By: Robert Louis Stevenson
- Narrated by: Charlton Griffin
- Length: 6 hrs and 57 mins
- Unabridged
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Millions of people have thrilled to the adventure of young Jim Hawkins and Long John Silver since the publication of Treasure Island in 1883. It has been dramatized countless times since its appearance. Treasure maps marked with an X, schooners, the Black Spot, tropical islands, and peglegged sailors with parrots on their shoulders: All these stereotypes of the buccaneer tale were the invention of R. L. Stevenson. But make no mistake about it...this novel is a masterpiece of plot development, character study, and sheer writing skill.
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Excellent
- By Liatris on 12-30-14
What listeners say about Heart of Darkness
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Chris Taylor
- 10-20-16
Best narrator for this book
As in the subject, the narrator is most suitable for heart of darkness. Very dark read.
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2 people found this helpful
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- Erin Riggs
- 07-20-18
Worthy read
Listen to this book. The Imagery Conrad evokes with his rich descriptions are vivid. Excellent tale
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- Tad Davis
- 08-02-20
Great reading of troublesome story
Toby Stephens gives an outstanding reading of this troublesome story, my first real exposure to Joseph Conrad. I've seen Stephens in various performances over the years, and I didn't think he had it in him. But he does. My only cavil is that the Russian accent he employs for one of the characters sometimes slips. But his command of the emotional depths of the story never does.
First an observation about the story, and then I'll turn to the “troublesome” aspect. I'd gotten so used to thinking of the story in terms of the film Apocalypse Now that the bedridden Kurtz of the story was a bit of a shock. The evil that constitutes the Darkness is only hinted at; the closest we come to actually seeing it is the fence of severed heads surrounding the trading station. Kurtz himself is sick unto death and in fact does not survive long after he has been taken on board the steamer that came to find him. Yet he makes an impression that is out of all proportion to his brief appearance.
I say it's a “troublesome” story for several reasons. One is the historical context. Speculating about an author’s intentions is always risky, but I think it's fair to say that Conrad was at pains to show that context. The backdrop — the ivory trade in the Belgian Congo — is one of the worst episodes in the dark history of European colonialism, a corrupt and genocidal enterprise. And Conrad is very much aware of and explicit about this aspect of his story. The narrator, Marlow, is enmeshed in a world of racists and racism, a world where indigenous Blacks are used up and left to die.
But it's troublesome in another respect as well. Where is Marlow, really, in all of this? He's no shining light of moral purity himself; he is repulsed by the exploitation of the Congolese natives, but he shares the general sense of their cultural and intellectual inferiority. He regards them as superstitious, cannibalistic, savage, and cowardly. And his employment requires his tacit approval of the oppression he claims to despise.
So the book is steeped in racism. Is it a racist book? The language certainly is. And that raises one issue that counts against another otherwise outstanding recording of the story in Audible’s catalogue: the reading by Kenneth Branagh. The producers of that version chose to soften Conrad’s language, replacing his frequent use of a common racial epithet with inoffensive alternatives. I can understand the desire to reduce the offensiveness of the material, but it creates a false impression of what Conrad actually wrote. This SilkSounds recording is a more honest presentation.
Is it racist? I still don't know. I found it to be a compelling and deeply moving tale, and it's easy to see what drew Francis Ford Coppola to adapt the story to the background of Vietnam. But there is no question that it's filled with racist and stereotypical imagery. Black political and cultural leaders that I respect have called Conrad’s story racist, noting that the tribes that existed in that time and place were nothing like the ignorant, brutal savages Conrad describes.
A counter-argument could be that his African natives are not intended to be realistic depictions but are called into being, so to speak, by the aesthetic requirements of the story. The real evil, the real darkness in the story belongs to Kurtz: the “horror” that he recoils from with his last breath is his own soul.
I’m still debating this with myself. I suspect I'll be debating this with myself for a long time. Meanwhile, if you want to experience this story in its purest and most emotionally resonant form, Toby Stephens will take you there.
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3 people found this helpful
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- Laura Ball
- 09-11-16
Capt Flint growls through the reading
Not a great reading. But certainly very interesting to hear the original inspiration for Apocalypse Now.
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