Despite the dismal Broadway season, Gunplay continues to draw crowds. A gangland spectacle, it's packed to the gills with action, explosions, and gunfire. In fact, Gunplay is so loud that no one notices the killing of Monte Field. In a sold-out theater, Field is found dead partway through the second act, surrounded by empty seats. The police hold the crowd and call for the one man who can untangle this daring murder: Inspector Richard Queen.

It's 1943, the war is raging, and sleuthing scribe Ellery Queen wants to do his bit. After a tortuous cross-country drive, he takes a job writing scripts for a Hollywood propaganda house - twelve hours a day of hack work that quickly turns his mind to jelly. After a few weeks, he is so worn down that he can type nothing but gibberish, and he decides to drive home. The trouble starts as soon as he reaches the desert.

You are invited to a murder. That was how the invitations should have read when aged millionaire Hendrik Brass sent out his messages to six oddly assorted men and women who knew neither him nor each other. All arrived at the isolated Brass mansion, lured by the tantalizing promise of fabulous wealth. But from the moment the shining brass doors of the grotesquely constructed house swung shut behind them, they began to realize they had been enticed into playing parts in a monstrous joke - the joke of a twisted, brilliant mind…

Who killed Cox, the robber? Was it Ruth Tully, who visited Crandall Cox on the night of his death and who might have decided to quench a torrid past with a spray of bullets? What about Sandra Jean, the knock-'em-dead beauty who knew more than she was telling about the sudden demise of blackmailer Cox? Or had some past scandal driven lawyer Ollie Hurst and his wife, Norma, to claim the blackmailer's life? Dave Tully didn't know who the killer was, but if he didn't find out fast, the price of failure could be death....

Queen's Bureau of Investigation is now open for business - and in each department of this new enterprise Ellery finds ample opportunity to exercise the brilliant, ingenious, and at times startling talents of his crime-lab mind. For to the bureau come some of the most plaguey cases in Queen's career.

Gloria Guild is the singing "glory" of the thirties and the millionairess wife of Count Carlos Armando, renowned only for his succession of wealthy wives. When she is murdered, her husband is the obvious suspect, but he has a perfect alibi. So who could he have got to do it for him? The only clue is the word "face," penned in her dying scrawl. But whose face? And why? Ellery Queen pursues the glory riddle from the Bowery to a way-out wedding - and a surprise climax that will jolt you into cold shock. Anyone whonails this killer before Queen is either a genius or a cheat.

The nine-word clue was one of nine cryptic notes that had been sent to taunt Inspector Queen and his son Ellery nine days after the murder. Nino Importuna had been obsessed with the number. He had lived by it. Now the killer who brought a trio of gory deaths to Nino's ninth-floor penthouse at Number 99 East was camouflaging his identity in a jungle of nines - and daring Ellery to find him. The case was destined to be a dazzling contest of wits - to the ninth degree!

Madman or murderer? That was the question, and it was Police Inspector Omar Collins who had come up with the answer. All he had to go on was: the victim - Earl Genneman, wealthy president of Genneman Labs; the scene - right in the middle of a busy state park; the murder weapon - a shotgun that was still missing; the witnesses - Myron Retwig, Red Kershaw, Bob Vega, and Buck James, all friends or employees of the deceased; the motive - unknown; the suspects - everyone!

How could a man have been murdered when he was found alone in his study, a gun in his hand, and the door locked from the inside? It had to be suicide, the police figured. Although there was no suicide note, there was a letter proving conclusively that Roland Nelson, over the last several months, was being blackmailed. But to his daughter, Ann, whom he had seen only spasmodically since he had left her mother when Ann was a baby, there were unanswered questions.

In New York City in the early 1930s, a man is poisoned on a crowded streetcar during rush hour. Everyone sees Longstreet die - but no one sees the killer. Inspector Thumm's few clues all lead up a blind alley. He finally seeks the aid of Drury Lane - retired Shakespearean actor, master of disguise, and amateur sleuth. Seated amid the splendor of the vast medieval halls of his castle on the Hudson, Drury Lane hears the story from the inspector.

When someone makes a present of a fer-de-lance - the dreaded snake - to Nero Wolfe, Archie Goodwin knows he's close to solving two apparently unrelated murders. As for Wolfe, he's playing snake charmer in a case more deadly than a cobra and whistling a seductive tune he hopes will catch a killer with poison in his heart.

Amos Decker's life changed forever - twice. The first time was on the gridiron. A big, towering athlete, he was the only person from his hometown of Burlington ever to go pro. But his career ended before it had a chance to begin. On his very first play, a violent helmet-to-helmet collision knocked him off the field for good and left him with an improbable side effect - he can never forget anything.

Married Eva Griffin has been caught with a prominent congressman, and is ready to pay the editor of a sleazy tabloid hush money to protect the politician. But first Perry Mason tracks down the publisher of the blackmailing tabloid and discovers a shocking secret, which eventually leads to Mason being accused of murder. This is the first Perry Mason mystery and our introduction to secretary Della Street, detective Paul Drake, and the great lawyer himself.

The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels.

Renée Ballard works the night shift in Hollywood, beginning many investigations but finishing none, as each morning she turns her cases over to day shift detectives. A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting. Ballard is determined not to give up at dawn.

Married Eva Griffin has been caught with a prominent congressman, and is ready to pay the editor of a sleazy tabloid hush money to protect the politician. But first Perry Mason tracks down the publisher of the blackmailing tabloid and discovers a shocking secret, which eventually leads to Mason being accused of murder. This is the first Perry Mason mystery and our introduction to secretary Della Street, detective Paul Drake, and the great lawyer himself.

The fiction world of today needs a “Saint” more than it ever did. For years now that scene has been dominated by the “anti-heroes"—those grim gray operators in a sunless sub-culture where global issues are worked out with totally unemotional pragmatism, those hapless uninspired puppets manipulated and expended by ruthlessly dedicated little brothers of Big Brother. It made morbidly fascinating narrative, but it never gave anyone a lift until it climaxed in the hyper-gadgeted parodies of 007 extravaganzas.

Into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an ax in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry".

Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett’s tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Hammett invented the noir crime novel.

From the brilliant pen of Agatha Christie comes two novels featuring the beloved sleuthing duo: In the The Secret Adversary, Tommy and Tuppence decide to embark on a daring business scheme: Young Adventurers Ltd. But they get more than they bargained for when their first assignment for the sinister Mr. Whittington draws them into a diabolical conspiracy. Set during the dark days of World War II, Agatha Christie’s N or M? puts two most unlikely espionage agents, Tommy and Tuppence Beresford, on the trail of a pair of Nazi spies who have murdered Britain’s top agent.

When Sam Spade gets drawn into the Maltese Falcon case, we know what to expect: straight talk, hard questions, no favors, and no way for anyone to get underneath the protective shell he wears like a second skin. We know that his late partner, Miles Archer, was a son of a bitch; that Spade is sleeping with Archer's wife, Iva; that his tomboyish secretary, Effie Perine, is the only innocent in his life. What we don't know is how Spade became who he is. Spade & Archer completes the picture.

London, 1882. Alec Lonsdale, a young reporter on the Pall Mall Gazette, is working on a story about a fatal house fire. But the postmortem on the victim produces shocking results: Patrick Donovan's death was no accident. But why would someone murder a humble shop assistant and steal part of his brain? When a second body is discovered, its throat cut, and then a third, Lonsdale and his spirited female colleague, Hulda Friederichs, begin to uncover evidence of a conspiracy that reaches to the highest echelons of Victorian society.

In the cold Toronto winter of 1895, the naked body of a servant girl is found frozen in a deserted laneway. The young victim was pregnant when she died. Detective William Murdoch soon discovers that many of those connected with the girl's life have secrets to hide. Was her death on attempt to cover up a scandal in one of the city's influential families?

A peaceful Minnesota town, where crime is something that just doesn’t happen, is about to face its worst nightmare. A young boy disappears. There are no witnesses, no clues — only a note, cleverly taunting, casually cruel. Has a cold-blooded kidnapper struck? Or is this the reawakening of a long-quiet serial killer?

At Annie Laurance's Death on Demand bookstore on Broward's Rock Island, South Carolina, murder suddenly isn't confined to the well-stocked shelves. Author Elliot Morgan's abrupt demise during a weekly gathering of famous mystery writers called the Sunday Night Regulars is proof positive that a bloody sword is sometimes mightier than a brilliant pen. With Annie in the unenviable position of primary police suspect, the pretty young mystery maven and her wealthy paramour, Max Darling, embark on an investigation into a classic locked-room mystery with high stakes.

The year is 1924. Only a few years removed from the trenches of Flanders, Lieutenant Eric Peterkin has just been granted membership in the most prestigious soldiers-only club in London: the Britannia. But when a gentleman's wager ends with a member stabbed to death, the victim's last words echo in the lieutenant's head: that he would "Soon right a great wrong from the past". Eric is certain one of his fellow members is the murderer. But who?

In a charming cozy mystery series debut, Leslie Nagel's irrepressible small-town heroine finds that her fellow book club members may be taking their Agatha Christie a bit too literally - and murder a bit too lightly.

They mustn't harm a human being, they must obey human orders, and they must protect their own existence...but only so long as that doesn't violate rules one and two. With these Three Laws of Robotics, humanity embarked on a bold new era of evolution that would open up enormous possibilities, and unforeseen risks.

From the tip of his black Homburg to the crease in his cheviot trousers, Drew Farthering is the epitome of a stylish 1930s English gentleman. His only problem? The body he just discovered. With the help of beautiful and whip-smart Madeline Parker, a guest from America, Drew proposes to use the lessons he’s learned reading his mysteries to solve the crime. Trying hard to remain one step ahead of the killer - and trying harder to impress Madeline - Drew must decide how far to take this dangerous game.

St Benjamin's Medical School is the greatest of its kind, any death occurring within its walls would have created ripples within the academic world, but the death of Nikki Exner is far from being ordinary. Raped, and then grotesquely executed, her theatrical murder horrifies everyone. John Eisenmenger, a former forensic pathologist, finds himself dragged unwillingly into the case. Teaming up with solicitor Helena Flemming, Eisenmenger sets out to discover what really did happen to Nikki Exner.