When her family is lost in a terrible disaster, 15-year-old Green is haunted by loss and by the past. Struggling to survive physically and emotionally in a place where nothing seems to grow and ashes are everywhere, Green retreats into the ruined realm of her garden.

Isabel Gibson has all but perfected the art of forgetting. She’s a New Yorker now, with nothing left to tie her to Brinkley’s Island, Maine. Her parents are gone, the family bookstore is all but bankrupt, and her sister, Sophie, will probably never speak to her again. But when a mysterious letter arrives in her mailbox, Isabel feels herself drawn to the past. After years of fighting for her independence, she dreads the thought of going back to the island.

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community—an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her?

In this haunting short story of loyalty and betrayal, a young woman in early 1900s Massachusetts discovers that in navigating her treacherous coming-of-age, she must find her voice first. For fatefully observant Adeline, growing up carries an ominous warning from her adulterous mother: don’t say a word. Adeline vows to never speak again. But that’s not her only secret. After her mother takes a housekeeping job at a lighthouse off the tip of Cape Ann, a local woman vanishes. The key to the mystery lies with Adeline, the silent witness.

Mary Fawcett refines the healing recipes she’s inherited from generations of women before her—an uncanny and moral calling to empathize with the sick. When witchfinder Matthew Hopkins arrives in her small village, stoking the fires of hate, he sees not healing but the devil at work. Mary’s benevolent skills have now cast her and her young brother under suspicion of witchery. Soon, the husband of one of Mary’s patients is found murdered, his body carved with strange symbols.

When her family is lost in a terrible disaster, 15-year-old Green is haunted by loss and by the past. Struggling to survive physically and emotionally in a place where nothing seems to grow and ashes are everywhere, Green retreats into the ruined realm of her garden.

When her family is lost in a terrible disaster, 15-year-old Green is haunted by loss and the past. Struggling to survive in a place where nothing seems to grow and ashes are everywhere, Green retreats into the ruined realm of her garden. But in destroying her feelings, she also begins to destroy herself. It is only through a series of mysterious encounters that Green relearns the lessons of love and begins to heal as she tells her own story.

Growing up on idyllic St. Thomas in the early 1800s, Rachel dreams of life in faraway Paris. Rachel's mother, a pillar of their small refugee community of Jews who escaped the Inquisition, has never forgiven her daughter for being a difficult girl who refuses to live by the rules. Growing up, Rachel's salvation is their maid Adelle's belief in her strengths and her deep, lifelong friendship with Jestine, Adelle's daughter. But Rachel's life is not her own.

Nora Silk doesn't really fit in on Hemlock Street, where every house looks the same. She's divorced. She wears a charm bracelet and high heels and red toreador pants. And the way she raises her kids is a scandal. But as time passes, the neighbors start having second thoughts about Nora. The women's apprehension evolves into admiration. The men's lust evolves into awe. The children are drawn to her in ways they can't explain.

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. The Scarlet Letter was written almost two hundred years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community—an oppressive cult in western Massachusetts where contact with the outside world is forbidden. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her?