One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

When Sally Samuelson was eight years old, her golden boy brother Ellis went missing the summer he graduated high school. Ellis finally turned up at the bucolic Bug Hollow, a last gasp of the beautiful Northern California counterculture in the seventies. He had found joy in the communal life there, but died in a freak accident weeks later. From that point, the world of the Samuelsons never spins on the same axis, especially after Julia, Ellis’s girlfriend from Bug Hollow, shows up pregnant on their doorstep.

A singular, extraordinary debut about Zoe and Jack, Harvard students who find themselves propelled into the intoxicating biotech startup world when they announce they’ve discovered the cure for aging. A different kind of love story where the thirst for achievement consumes and the stakes are forever.

Sylvie is happy only when she’s in therapy. This is because Sylvie is in love with her therapist; she thinks about her every second they’re not together (roughly 167 hours and 10 minutes per week). In that room, Sylvie is able to talk about everything: the false hope promised by eighties music; what a dog’s inner life is really like and how sad, she, Sylvie is, outside that room. She’s aware she has an obsession, but whether it’s some flavor of erotic transference or a lost person’s need to connect, Sylvie isn’t sure.

Hannah and her husband appear to live a good life. No one knows the emotional nightmare Hannah endures behind closed doors. A blessed freedom is in the jewelry she crafts in the shed behind her house. But what will Hannah do when her husband threatens to take away even the smallest things that bring her joy? Hannah has a plan. Now it’s just a matter of pulling it off without leaving a single trace behind.

Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world.

Equal parts funny and tender, What Will People Think? is a heart-bursting exploration of what it means to discover and embrace the hidden parts of yourself, and how love in all forms can make you whole.

Bobbing and weaving across the ever-shifting canvas of a changing country, The Slip is an audacious, daring look at sex and race in America that builds to an unforgettable collision in the center of the ring.

Stubborn, plain-spoken and from an unimpressive family, Lydia Polk never expected to be accepted into the Royal Academy of Witches. Now, with Hitler’s army rampaging across Europe, the witches of Britain have joined the war effort, and Lydia is key to the cause: she must use her magic to track down magical relics before Hitler and his sycophants can. Then a Nazi witch infiltrates the Academy with heart-breaking consequences, leaving the coven shaken, exposed and divided.

Lottie Jones thought her crimes were behind her. Decades earlier, she changed her identity and tucked herself away in a small town. Her most exciting nights are the weekly bingo games at the local church and gossiping with her friends. When investigative journalist Plum Dixon shows up on her doorstep asking questions about Lottie’s past and specifically her involvement with numerous unsolved cases, well, Lottie just can’t have that. But getting away with murder is hard enough when you’re young.

It is hard for Veena Dinavahi to live while her classmates keep dying. The high-achieving daughter of loving Indian immigrants, Veena lives in a typical white American suburb—except for its unusually high suicide rate. For years, she tries to manage her mental health in all the right ways, but nothing seems to work. Until, on a late-night Google search, Veena’s mom discovers Bob Lyon—a sixty-year-old white man in the backwoods of Georgia who claims he can make her want to live again. He calls himself “The True Happiness Company” and, as their relationship progresses, “Daddy.”

Perfect strangers Lucy and Greta have agreed to a house swap—and boy, are they going to regret it. Lucy’s hometown of Dallas has gone from home sweet home to vicious snake pit in the blink of an eye after her son makes a mistake he can’t undo. And Greta’s beloved flat in Berlin is suddenly up for grabs when her husband Otto takes a dream job in Texas without even telling her. In their rush to leave town, Lucy and Greta make a deal, pack their bags, and—thanks to martinis, desperation, and some very rusty German—have absolutely no idea what they’re getting themselves into.

When thirty-four-year-old Cath loses her mostly absentee mother, she is ambivalent. With days of quiet, unassuming routine in Buffalo, New York, Cath consciously avoids the impulsive, thrill-seeking lifestyle that her mother once led. But when she’s forced to go through her mother’s things one afternoon, Cath is perplexed to find tickets for an upcoming “murder week” in England’s Peak District: a whole town has come together to stage a fake murder mystery to attract tourism to their quaint hamlet.

From a dazzling new talent, the story of a newly divorced young mother forced to reckon with the secrets of her own childhood when she brings her daughters back to the big house where she was raised.