Dubliners
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Narrated by:
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T. P. McKenna
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By:
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James Joyce
About this listen
James Augustine Aloysius Joyce was born in 1882 in Dublin but spent most of his life living with Nora Barnacle in various parts of Europe. Apart from a collection of verse, Dubliners was his first published work in 1914. In Dubliners, Joyce portrays quite brilliantly human relationships in Ireland at the turn of the century. His characters are so vital and exciting and the stories so fresh, evocative, and entertaining that they could well have been written today.
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Story
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Hilarious and Suprebly Read
- By Virginia Waldron on 10-15-08
By: George Grossmith, and others
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Death in Venice
- By: Thomas Mann
- Narrated by: Peter Batchelor
- Length: 3 hrs and 6 mins
- Unabridged
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A stunningly beautiful youth and the city of Venice set the stage for Thomas Mann’s introspective examination of erotic love and philosophical wisdom.
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A problem with the narration
- By Erez on 03-19-12
By: Thomas Mann
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Tender Is the Night
- By: F. Scott Fitzgerald
- Narrated by: Therese Plummer
- Length: 12 hrs and 36 mins
- Unabridged
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Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character - lyrical, expansive, and hauntingly evocative.
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Subtle yet grand
- By jb on 10-12-15
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Tempest-tost
- The Salterton Trilogy, Book 1
- By: Robertson Davies
- Narrated by: Frederick Davidson
- Length: 9 hrs and 36 mins
- Unabridged
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An amateur production of The Tempest provides a colorful backdrop for a hilarious look at unrequited love. Mathematics teacher Hector Mackilwraith, stirred and troubled by Shakespeare's play, falls in love with the beautiful Griselda Webster. When Griselda shows she has plans of her own, Hector despairs on the play's opening night.
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First of the first (and shows it)
- By Mary on 12-22-09
By: Robertson Davies
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Lucy Gayheart
- By: Willa Cather
- Narrated by: Kirsten Potter
- Length: 5 hrs and 8 mins
- Unabridged
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At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.
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Beautifully written and narrated!
- By melany levenson on 05-27-24
By: Willa Cather
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The Mill on the Floss
- By: George Eliot
- Narrated by: Laura Paton
- Length: 20 hrs and 37 mins
- Unabridged
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Maggie Tulliver has two lovers: Philip Wakem, son of her father’s enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie’s struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy
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Great compassion
- By nina lalumia on 12-26-16
By: George Eliot
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Shirley
- By: Charlotte Brontë
- Narrated by: Anna Bentinck
- Length: 25 hrs and 58 mins
- Unabridged
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Set in the industrialising England of the Napoleonic wars, a period of bad harvests, Luddite riots, and economic unrest, Shirley is the story of two contrasting heroines and the men they love. One is the shy Caroline Helstone, trapped in the oppressive atmosphere of a Yorkshire rectory, whose life represents the plight of single women in the 19th century. The other is the vivacious Shirley Keeldar, who inherits a local estate and whose wealth liberates her from convention.
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"As Romantic As Monday Morning"
- By Joseph R on 09-15-09
By: Charlotte Brontë
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The Age of Innocence
- By: Edith Wharton
- Narrated by: David Horovitch
- Length: 12 hrs and 5 mins
- Unabridged
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Countess Ellen Olenska, separated from her European husband, returns to old New York society. She bears with her an independence and an awareness of life which stirs the educated sensitivity of the charming Newland Archer, engaged to be married to her cousin, May Welland. Though he accepts the society's standards and rules he is acutely aware of their limitations. He knows May will assure him a conventional future but Ellen, scandalously separated from her husband, forces Archer to question his values and beliefs.
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Narrated to Perfection
- By Ilana on 09-18-12
By: Edith Wharton
What listeners say about Dubliners
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Donald
- 09-23-09
Why are the chapters scrambled?
This is a fine recording except that the tracks are all messed up, so it's like listening to a novel using "shuffle tracks"! It is a collection of short stories, but they are carefully sequenced, so it messes everything up to listen to them out of order. I found it so annoying that I cut the whole thing into individual tracks and renamed and renumbered them so I could listen to them in order. That was pretty time consuming, but at least I now have a set of .mp3 files -- one for each chapter and three for the long last chapter.
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Overall
- Rebecca Lindroos
- 11-11-07
not the right order
I very much appreciated everything about this version of Dubliners except for one thing - the stories are not in the correct order. Joyce detailed the order for the stories in his letters and every version I have seen uses that order - it has a significance in terms of coming of age. But this version uses some other method - and it's not order of composition -although it may be the order of magazine publication - I don't know. I'd be curious to know why CSA (or whomever) did this. Other than that I was delighted with McKenna's rendition and if this ordering doesn't bother you, I recommend it.
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9 people found this helpful
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Overall
- Ryan G Benhard
- 12-03-08
Best Reading, Format Cumbersome
I agree mostly with what has been written so far. This is the best reading, but does not preserve the intended order. Also frustrating, is that the titles of the stories come at the end of the preceding chapters, rather than at the top of the actual chapters, so navigating to the correct order is even more difficult. I assembled this list for myself, and so thought I would share it:
(1) 5 The Sisters,
(2) 9 An Encounter,
(3) 3 Araby,
(4) 8 Eveline,
(5) 6 After the Race,
(6) 10 Two Gallants,
(7) 4 The Boarding House,
(8) 11 A Little Cloud,
(9) 14 Counterparts,
(10) 15 Clay.
(11) 1 A Painful Case,
(12) 12 Ivy Day in the Committee Room,
(13) 13 A Mother,
(14) 2 Grace,
(15) 7 The Dead,
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7 people found this helpful
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Overall
- Tad Davis
- 08-17-08
Great reading, bizarre order
As someone else noted here, the order of the stories in this recording is not the original order; and so a large part of Joyce's design is lost. "Dubliners" works not so much because of the individual stories as because of the many connections between them. It's like one of those photo mosaics, where each square is a separate picture, but you have to stand back from it and look at it whole to "get" it. It's a shame, because McKenna's reading is otherwise the best, in my opinion, of the many readings available here. It would be nice if someone would take the trouble to rearrange them (and, in the process, add a 5-second delay between each story to let the "effect" sink in).
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4 people found this helpful
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Overall
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Performance
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Story
- Gregytect
- 05-21-12
Not too schmaltzy, not too dry, just right....
What made the experience of listening to Dubliners the most enjoyable?
Listening to a performance of the Dubliners gave life to the Joyce's written words.
Who was your favorite character and why?
For me, "After the Race" and "A Mother" are my favorite short stories in the Dubliners. James Joyce's writing is so subtly masterful and vivid at the same time.
What about T. P. McKenna’s performance did you like?
T P McKenna's performance, for me, was just right: Not too schmaltzy like some other narrators who really overdo the Irish accent and inflection; not too dead or lifeless like some of the drier readings which were further handicapped by fuzzy recordings; and, just like Goldilocks and the Three Bears, McKenna's readings had just the right amount of drama for me (I hear the words and visualize the actions and scenes) without off-putting, overly-melodramatic histrionics.
Was this a book you wanted to listen to all in one sitting?
One sitting or fifteen (that's the number of short stories in the Dubliners), I enjoy this audiobook.
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