They stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play.

Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio.

Molly Jong-Fast is the only child of a famous woman, writer Erica Jong, whose sensational book Fear of Flying launched her into second-wave feminist stardom. She grew up yearning for a connection with her dreamy, glamorous, just out of reach mother, who always seemed to be heading somewhere that wasn’t with Molly. When, in 2023, Erica was diagnosed with dementia just as Molly’s husband discovered he had a rare cancer, Jong-Fast was catapulted into a transformative year.

Desi Arnaz’s incredible life story - in his own words. Desi Arnaz’s memoir tells the story of how a kid from Cuba hit the big time in the United States. It’s all here - the good, the bad, the beautiful, the ugly, the lucky breaks, and the heartbreaking failures.

In 1928, a young social worker and hobby pilot named Amelia Earhart arrived in the office of George Putnam, heir to the Putnam & Sons throne and hitmaker, on the hunt for the right woman for a secret flying mission across the Atlantic. A partnership—professional and soon otherwise—was born.

Writing in his own singular voice, Barry Diller delivers both an astute and entertaining business memoir and a surprisingly frank coming-of-age story. After starting his career in the mailroom of the William Morris Agency, Diller went on to have one of the most extraordinary ascents in show business history, inventing the TV Movie of the Week for ABC at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four.

When Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated.

We Might Just Make It After All brings us on the rollercoaster of adventures (and misadventures) that the best friends embarked on, from transferring colleges on a whim, to falling in and out of love with suitors, cramming into roach-infested Hell’s Kitchen apartments, and eventually designing the chic, simple bag that would launch the pair to global fame. Through it all, Katy and Elyce’s friendship remained unshakeable.

Love, Lucy is the valentine Lucille Ball left for her fans—a warm, wise, and witty memoir written by Lucy herself. The legendary star of the classic sitcom I Love Lucy was at the pinnacle of her success when she sat down to record the story of her life. No comedienne had made America laugh so hard, no television actress had made the leap from radio and B movies to become one of the world’s best-loved performers. This is her story—in her own words.

The “Wild West” gunfighter is such a stock figure in our popular culture that some dismiss it all as a corny myth, more a product of dime novels and B movies than a genuinely important American history. In fact, as Bryan Burrough shows us in his dazzling and fast-paced new book, there’s much more below the surface. For three decades at the end of the 1800s, a big swath of the American West was a crucible of change, with the highest murder rate per capita in American history. The reasons behind this boil down to one word: Texas.

How to be a Man? That question—and all the anxiety, anger, and resentment it stirs up—is the starting point for a crisis in masculinity that today manifests as misogyny, nativism, and corporate greed; gives rise to incels and mass shooters; and leads to panic over the rights of women and minorities. According to Jessa Crispin, it is the most important question of our time, and the answer to it might be found in an unlikely place: the films of Michael Douglas.

One of art's purest challenges is to translate a human being into words. The New Yorker magazine has met this challenge more often and more successfully than any other modern American journal. Starting with its light fantastic evocations of the glamorous and the idiosyncratic in the '20s and continuing to the present, with complex pictures of such contemporaries as Marlon Brando and Richard Pryor, The New Yorker's Profiles have presented readers with a vast and brilliant portrait gallery.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

Majestic in its sweep, rich in ideas and argument, and packed with news and revelations, Buckley vividly captures its subject in all his facets and phases—founding editor of National Review, the 20th century’s most influential political journal; syndicated columnist and TV debater; ally of Joseph McCarthy and Barry Goldwater; mentor to Ronald Reagan; wisecracking candidate for mayor of New York; and bestselling novelist and memoirist.

From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included “any inference” of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood’s censorship regime, lambasting many midcentury films as the bigoted products of a “celluloid closet.”

Desi Arnaz’s incredible life story - in his own words. Desi Arnaz’s memoir tells the story of how a kid from Cuba hit the big time in the United States. It’s all here - the good, the bad, the beautiful, the ugly, the lucky breaks, and the heartbreaking failures.

This expanded edition of A Book features additions from Desi Arnaz’s uncompleted, never published second memoir, a new closing chapter picking up his life story where A Book leaves off following his divorce from Lucille Ball, a new Epilogue by Lucie Arnaz, and new photos throughout. Desi’s original work and the additions come together to paint a comprehensive portrait of a man beloved and admired by family and people he worked with despite admitted personal failings, and to whom Lucy herself gave credit for the success of I Love Lucy and pioneering television production in its infancy.

They stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play.

After Lucille Ball’s death in 1989, dozens of private letters between Lucy and Desi Arnaz were discovered. Now, for the first time, daughter Lucie Arnaz shares the complete collection in this remarkable volume that reveals the romance of one of the most famous couples in history more intimately than anything that has ever been written about them. At turns the letters disclose longing, ambition, jealousy, humor, and, above all, a passionate love affair that has claimed the world’s interest for more than half a century.

Writing in his own singular voice, Barry Diller delivers both an astute and entertaining business memoir and a surprisingly frank coming-of-age story. After starting his career in the mailroom of the William Morris Agency, Diller went on to have one of the most extraordinary ascents in show business history, inventing the TV Movie of the Week for ABC at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four.

From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included “any inference” of the lives of homosexuals. In a landmark 1981 book, gay activist Vito Russo famously condemned Hollywood’s censorship regime, lambasting many midcentury films as the bigoted products of a “celluloid closet.”

Joan Crawford burst out of her poverty-stricken youth to become a bright young movie star in the 1920’s, drawing the admiration of F. Scott Fitzgerald and the attention of audiences worldwide. She flourished for decades, working for multiple studios in every genre from romance to westerns (Mildred Pierce, Johnny Guitar), musicals to noir (Torch Song, A Woman’s Face), and being directed by a young Steven Spielberg in one of her last appearances. Along the way she accumulated four husbands, an Academy Award for Best Actress, and the undeniable status of a legend.

In August 2017, over a thousand neo-Nazis, fascists, Klan members, and neo-Confederates descended on a small southern city to protest the pending removal of a statue of Robert E. Lee. Within an hour of their arrival, the city’s historic downtown was a scene of bedlam as armored far-right cadres battled activists in the streets. Before the weekend was over, a neo-Nazi had driven a car into a throng of counterprotesters, killing a young woman and injuring dozens.

What began as a utopian environment, where mice had sumptuous accommodations, had all the food and water they could want, and were free from disease and predators, turned into a mouse hell. Science writer and animal behaviorist Lee Alan Dugatkin introduces listeners to the work of rodent researcher John Bumpass Calhoun. Dugatkin shows how an ecologist-turned-psychologist-turned-futurist became a science rock star embedded in the culture of the 1960s and 1970s.

Jess Oppenheimer, "the brains" behind I Love Lucy, weaves this wonderfully entertaining tale of how his life experiences led him to create the iconic sitcom. Packed with humorous behind-the-scenes stories of stars like Lucille Ball, Desi Arnaz, William Frawley, Jack Benny, Douglas Fairbanks, and Fred Astaire.

Love, Lucy is the valentine Lucille Ball left for her fans—a warm, wise, and witty memoir written by Lucy herself. The legendary star of the classic sitcom I Love Lucy was at the pinnacle of her success when she sat down to record the story of her life. No comedienne had made America laugh so hard, no television actress had made the leap from radio and B movies to become one of the world’s best-loved performers. This is her story—in her own words.

In 20 years of show business, Lucille Ball had only modest and sporadic success. Her TV program, I Love Lucy, was her last chance to fulfill the ambition that had sustained her through the frustrations of her professional life and the anguish of a failing marriage. The role of Lucy Ricardo revealed her true gifts, but it changed her life immeasurably. This definitive portrait of Lucille Ball is based on the recollections of fellow performers, her closest friends and family, and Lucille herself.

The “Wild West” gunfighter is such a stock figure in our popular culture that some dismiss it all as a corny myth, more a product of dime novels and B movies than a genuinely important American history. In fact, as Bryan Burrough shows us in his dazzling and fast-paced new book, there’s much more below the surface. For three decades at the end of the 1800s, a big swath of the American West was a crucible of change, with the highest murder rate per capita in American history. The reasons behind this boil down to one word: Texas.

A shocking story of ambition and greed, crime and punishment, Meet the Kellys offers a fascinating portrait of a reluctant gangster named after a machine gun and a scheming moll as driven as Bonnie Parker and Ma Barker.

Submersed begins with an investigation into the beguiling subculture of DIY submersible obsessives: men and women—but mostly men—who are so compelled to sink into the deep sea that they become amateur backyard submarine-builders. Matthew Gavin Frank explores the origins of the human compulsion to sink to depth, from the diving bells of Aristotle and Alexander the Great to the Confederate H. L. Hunley, which became the first submersible to sink an enemy warship before itself being sunk during the Civil War.