Beyond the sainted Rembrandt—who harbored a startling darkness—and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was.

Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamourous fledgling career at The New Yorker, Patrick Bringley never thought that he’d be one of them.

After the death of famed art detective Harold Smith, reporter Ulrich Boser decided to take up the case. Exploring Smith's unfinished leads, Boser travels deep into the art underworld and comes across a remarkable cast of characters, including a brilliant rock 'n' roll thief, a gangster who professes his innocence in rhyming verse, and the enigmatic late Boston heiress Isabella Stewart Gardner herself. Boser becomes increasingly obsessed with the case and eventually uncovers startling new evidence about the identities of the thieves.

An award-winning journalist obsessed with obsession, Bianca Bosker’s existence was upended when she wandered into the art world—and couldn’t look away. Intrigued by artists who hyperventilate around their favorite colors and art fiends who max out credit cards to show hunks of metal they think can change the world, Bosker grew fixated on understanding why art matters and how she—or any of us—could engage with it more deeply.

Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary - one who was equally ambitious but who possessed sharply contrasting strengths and weaknesses.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She’s in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic.

Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 brilliant female artists in this smart, feisty, educational, and enjoyable book.

The Lioness of Boston is a portrait of what society expected a woman's life to be, shattered by a courageous soul who rebelled and was determined to live on her own terms.

When Pamela Churchill Harriman died in 1997, the obituaries that followed were predictably scathing–and many were downright sexist. Written off as a mere courtesan and social climber, her true legacy was overshadowed by a glamorous social life and her infamous erotic adventures. Much of what she did behind the scenes–on both sides of the Atlantic–remained invisible and secret. That is, until now: with a wealth of fresh research, interviews and newly discovered sources, Sonia Purnell unveils for the first time the full, spectacular story of how she left an indelible mark on the world today.

At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good.

Acclaimed best-selling author Francine Prose offers a listen of Guggenheim's life that will enthrall enthusiasts of 21st-century art as well as anyone interested in American and European culture and the interrelationships between them. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries to her celebrity friendships, failed marriages, and scandalous affairs.

This superbly told story brings to life one of the most remarkable rulers––and men––in all of history and conveys the drama of his life and world. The Russia of Peter's birth was very different from the Russia his energy, genius, and ruthlessness shaped. Crowned co-Tsar as a child of ten, after witnessing bloody uprisings in the streets of Moscow, he would grow up propelled by an unquenchable curiosity, everywhere looking, asking, tinkering, and learning, fired by Western ideas.

He was an ambitious but drifting writer from a prominent Scottish family. She was a tough Nevada silver miner’s wife, with children, when they met. Who could have predicted that Fanny Van de Grift and Robert Louis Stevenson would go on to create one of history’s great literary marriages? From their first encounter in France in 1876, Fanny and Louis’s partnership transcended societal expectations to become a literary union that was progressive, eccentric, and tempestuous, but always animated by a profound mutual respect

In America’s collective consciousness, Pat Nixon has long been perceived as enigmatic. She was voted “Most Admired Woman in the World” in 1972 and made Gallup Poll’s top ten list of most admired women fourteen times. She survived the turmoil of the Watergate scandal with her popularity and dignity intact. The real Pat Nixon, however, bore little resemblance to the woman so often described as elusive, mysterious and “plastic” in the press. Pat married Richard Nixon in June of 1940. As the couple rose to prominence, Pat became Second Lady from 1953-1961 and then First Lady from 1969-1974.

A great American artist, John Singer Sargent is an abiding enigma. He scandalized viewers with the frankness and sensuality of his work, while dressing like a businessman and crafting a highly respectable persona. In The Grand Affair, scholar Paul Fisher explores the enigmas of fin de siecle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.

The Lioness of Boston is a portrait of what society expected a woman's life to be, shattered by a courageous soul who rebelled and was determined to live on her own terms.

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers—and, in some cases, changing the course of art history. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.

Beyond the sainted Rembrandt—who harbored a startling darkness—and the mysterious Vermeer, whose true subject, it turned out, was lurking in plain sight, Moser got to know a whole galaxy of geniuses: the doomed virtuoso Carel Fabritius, the anguished wunderkind Jan Lievens, the deaf prodigy Hendrik Avercamp. Year after year, as he tried to make a life for himself in the Netherlands, Moser found friends among these centuries-dead artists. And he found that they, too, were struggling with the same questions that he was.

Jean Strouse's Family Romance: John Singer Sargent and the Wertheimers looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career—and at the intersections of all these lives with the sparkle and strife of the Edwardian age.

Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamourous fledgling career at The New Yorker, Patrick Bringley never thought that he’d be one of them.

Empresses of Seventh Avenue will tell the story of how these extraordinary women put American fashion on the world stage and created the template for modern style—and how the nearly $500 billion American fashion industry, the largest in the world, could not have accrued its power and wealth without their farsightedness and determination.

A great American artist, John Singer Sargent is an abiding enigma. He scandalized viewers with the frankness and sensuality of his work, while dressing like a businessman and crafting a highly respectable persona. In The Grand Affair, scholar Paul Fisher explores the enigmas of fin de siecle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.

The Swedish painter Hilma af Klint (1862-1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe. But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic.

After the death of famed art detective Harold Smith, reporter Ulrich Boser decided to take up the case. Exploring Smith's unfinished leads, Boser travels deep into the art underworld and comes across a remarkable cast of characters, including a brilliant rock 'n' roll thief, a gangster who professes his innocence in rhyming verse, and the enigmatic late Boston heiress Isabella Stewart Gardner herself. Boser becomes increasingly obsessed with the case and eventually uncovers startling new evidence about the identities of the thieves.

Rivalry is at the heart of some of the most famous and fruitful relationships in history. The Art of Rivalry follows eight celebrated artists, each linked to a counterpart by friendship, admiration, envy, and ambition. All eight are household names today. But to achieve what they did, each needed the influence of a contemporary - one who was equally ambitious but who possessed sharply contrasting strengths and weaknesses.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s.

For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world.

The celebrated painter Camille Pissarro (1830-1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cezanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify.

When Peter Schjeldahl, The New Yorker’s art critic and the leading art writer of his generation, published his eye-opening autobiographical essay, “The Art of Dying,” in December 2019, he reported that he had lung cancer and had been given six months of life. Fortunately, his treatment was showing some improvement, and so, he wrote, “These extra months are a luxury that I hope to have put to good use.”

From an early age, Margaret Fuller provoked and dazzled New England’s intellectual elite. Her famous Conversations changed women’s sense of how they could think and live; her editorship of the Transcendentalist literary journal the Dial shaped American Romanticism. Now, Megan Marshall, whose acclaimed The Peabody Sisters "discovered" three fascinating women, has done it again: No biography of Fuller has made her ideas so alive or her life so moving.