A Place to Stand is Jimmy Santiago Baca's memoir of childhood on the small farms of New Mexico, his adolescence spent in orphanages and detention centers, his years as a drug dealer in San Diego and Arizona, and his extraordinary personal transformation under the harrowing conditions behind bars. Life in prison was often brutal, and Baca describes the extreme measures he had to take to survive, which endowed him with an indomitable will to resist the dehumanization of prison life. The act of writing offered a powerful means of transcending his surroundings.

On screen, Danny Trejo the actor is a baddie who has been killed at least a hundred times. He’s been shot, stabbed, hanged, chopped up, squished by an elevator, and once, was even melted into a bloody goo. Off screen, he’s a hero beloved by recovery communities and obsessed fans alike. But the real Danny Trejo is much more complicated than the legend.

The Overstory unfolds in concentric rings of interlocking fable that range from antebellum New York to the late 20th-century Timber Wars of the Pacific Northwest and beyond. An air force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits 100 years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light.

Rick Bragg closes his circle of family stories with an unforgettable tale about fathers and sons inspired by his own relationship with his 10-year-old stepson.

In a forgotten corner of western Kentucky lies a haunted forest referred to locally as "The Deadening", where vampire cults roam wild and time is immaterial. Our protagonist and his accomplice - the one and only Carver Canute - set out down the Old Spur Line in search of the legendary Kudzu House, where an old couple is purported to have been swallowed whole by a hungry vine.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

This beautiful and haunting novel bares the soul of a Hawaiian-American family during World War II. As you share in the Meahuna family's misfortunes and triumphs, a sense of intense intimacy evolves. Cristine McMurdo-Wallis lets you savor the family members' remarkable, heartwrenching stories as they are revealed piece by piece in language rich with sensuous detail.

When his third wife abandons him in Tucson, boozing, misanthropic anarchist Henry Holyoak Lightcap shoots his refrigerator and sets off in a battered pick-up truck for his ancestral home in West Virginia. Accompanied only by his dying dog and his memories, the irascible warhorse (a stand-in for the "real" Abbey) begins a bizarre cross-country odyssey - determined to make peace with his past-and to wage one last war against the ravages of "progress".

Daniel Woodrell is able to lend uncanny logic to harsh, even criminal behavior in this wrenching collection of stories. Desperation-both material and psychological - motivates his characters. A husband cruelly avenges the killing of his wife's pet; an injured rapist is cared for by a young girl, until she reaches her breaking point; a disturbed veteran of Iraq is murdered for his erratic behavior; an outsider's house is set on fire by an angry neighbor. There is also the tenderness and loyalty of the vulnerable in these stories - between spouses, parents and children, siblings, and comrades in arms....

Orphaned as a child, Fatimah Asghar grapples with coming of age and navigating questions of sexuality and race without the guidance of a mother or father. These poems at once bear anguish, joy, vulnerability, and compassion, while also exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests itself in our relationships. In experimental forms and language both lyrical and raw, Asghar seamlessly braids together marginalized people’s histories with her own understanding of identity, place, and belonging.

In 1955, novelist Jack Kerouac detoured from his cross-country American travels to Mexico City, where a group of junkie expatriates he had known from the New York City post-war scene had gone for the cheap and plentiful supply of heroin and morphine. Fellow beat writer William S. Burroughs, who had been a part of the Mexican expatriate community, had introduced Kerouac to Bill Garver (named Old Bull Gaines in the novel), a much-older, long-term addict who had in turn introduced Kerouac to Esperanza Villanueva, whom Kerouac named Tristessa in the novel.

The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation.

A Friend of the Earth opens in the year 2025, as Tyrone O'Shaughnessy Tidewater ekes out a bleak living in southern California, managing a rock star's private menagerie. Global warming is a reality. The biosphere has collapsed and most of the major mammalian species are extinct.

Nanashi was born into a life of violence. Delivered from the mean streets by the Heron Clan, he mastered the way of the gun and knife and swiftly ascended through yakuza ranks to become a dreaded enforcer. His latest task? He and an entourage of expert killers are commanded to kidnap Muzaki, a retired world-renowned wrestler under protection of the rival Dragon Syndicate. It should be business as bloody usual for Nanashi and his ruthless brothers-in-arms.

In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope.