In 1919 South London, Harry Stubbs is freshly out of the army and dreams of glory as an up-and-coming heavyweight boxer. Afraid of nothing, after a few drinks Harry carelessly takes on a dare to explore a disused amusement park attraction. The fake mine is said to be haunted by something with a craving for human blood, but Harry doesn't believe a word of it. What follows is stranger and more dangerous than Harry could ever have dreamed, but the full horrifying truth does not emerge until a chance encounter years later in a waxwork museum...

The Necronomicon was not the first book by H.P. Lovecraft to terrify readers with tales of dark and twisted horrors from beyond. No, the Al-Azif, or Book of the Insect, is the first work that told mankind of Cthulhu, Azathoth, and other terrors. Indeed, it was the book that inspired "The Mad Arab" Abdul Al-Hazred to write its more famous successor.

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.

When dissolute fisherman Abel Davenport discovers an ancient temple in the deep ocean, he under the influence of a long dead god. In his attempts to restore the god's cult, Abel unleashes a plague of twisted doppelgangers on Arkham. Horrified by the consequences, Davenport realizes that he alone cannot stop the monsters from resurrecting the Ancient One. Sometimes the only way to end one cult is to start another.

Brian Lumley, author of the best-selling Necroscope and Vampire World series of novels, has for many years been a devotee of H. P. Lovecraft’s Cthulhu Mythos. By such nightmare fables as Dagon, The Call of Cthulhu The Shadow Over Innsmouth, Lovecraft’s legendary Deep Ones have taken their place in terror fiction alongside the vampire and the werewolf. Now they are given the Lumley treatment in—Return of the Deep Ones!

John Perry did two things on his 75th birthday. First he visited his wife's grave. Then he joined the army. The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce—and alien races willing to fight us for them are common. So: we fight. To defend Earth, and to stake our own claim to planetary real estate. Far from Earth, the war has been going on for decades: brutal, bloody, unyielding. Earth itself is a backwater.

Dr. Andrew Doran has been out of touch with the major civilizations for quite a while. When an emissary from his Alma Mater demands his assistance, Andrew is in such a state that he has no choice but to help. The Nazis have taken the Necronomicon from Miskatonic University's library. With it they could call upon every form of darkness and use the powers of the void to destroy all who stand in their way of unlimited power.

In 1972, Jeff Rice's novel The Night Stalker introduced Carl Kolchak to the world. This spine-tingling novel of supernatural terror became an instant best seller and served as the basis for the film of the same name. After The Night Stalker became one of the highest rated television movies of all time, a sequel, The Night Strangler, was released the following year to great acclaim. Now, after more than three decades out of print, The Night Stalker and The Night Strangler are together in one volume.

Prepare to meet the wicked progeny of the master of modern horror. In Lovecraft's Monsters, H. P. Lovecraft's most famous creations--Cthulhu, Shoggoths, Deep Ones, Elder Things, Yog-Sothoth, and more--appear in all their terrifying glory. Each story is a gripping new take on a classic Lovecraftian creature. Contributors include such literary luminaries as Neil Gaiman, Joe R. Lansdale, Caitlin R. Kiernan, Karl Edward Wagner, Elizabeth Bear, and Nick Mamatas.

Kinch Na Shannack owes the Takers Guild a small fortune for his education as a thief, which includes (but is not limited to) lock-picking, knife-fighting, wall-scaling, fall-breaking, lie-weaving, trap-making, plus a few small magics. His debt has driven him to lie in wait by the old forest road, planning to rob the next traveler that crosses his path. But today, Kinch Na Shannack has picked the wrong mark.

Harry Keogh is the man who can talk to the dead, the man for whom every grave willingly gives up its secrets, the one man who knows how to travel effortlessly through time and space to destroy the vampires that threaten all of humanity.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.

Countess Alessandra Zorzi, international adventurer and thief, arrives in Arkham pursuing an ancient body freshly exhumed from a mound in Oklahoma. Before she can steal it, another party beats her to it. During the resulting gunfight at the Miskatonic Museum, the countess makes eye contact with the petrified corpse and begins an adventure of discovery outside her wildest experiences. Now, caught between her mysterious client, the police, and a society of necrophagic connoisseurs, she finds herself on the trail of a resurrected mummy as well as the star-born terror gestating within it.

In 1915, Sherlock Holmes is retired and quietly engaged in the study of honeybees in Sussex when a young woman literally stumbles onto him on the Sussex Downs. Fifteen years old, gawky, egotistical, and recently orphaned, the young Mary Russell displays an intellect to impress even Sherlock Holmes. Under his reluctant tutelage, this very modern, twentieth-century woman proves a deft protégée and a fitting partner for the Victorian detective.

It’s the mid-'90s. Grunge and flannel are fading as the Spice Girls and Hot Topic conquer the malls. Cherry gloss glistens on the lips of the youth. Modems hiss as America comes online. And in a fog-drenched cove at the edge of New England, something terrible awakens when a fisherman reels in a gruesome catch: the remains of a young woman. Remains still pulsing with furious life.

Sherlock Holmes is an unparalleled genius who uses the gift of deduction and reason to solve the most vexing of crimes. Warlock Holmes, however, is an idiot. A good man, perhaps; a font of arcane power, certainly. But he’s brilliantly dim. Frankly, he couldn’t deduce his way out of a paper bag. The only things he has really got going for him are the might of a thousand demons and his stalwart flatmate. Thankfully, Dr. Watson is always there to aid him through the treacherous shoals of Victorian propriety...

Bridgestead is a peaceful spot: a babbling brook, rolling hills, and a working mill at its heart. Pretty and remote, nothing exceptional happens...until the day that Master of the Mill Joshua Braithwaite goes missing under dramatic circumstances, never to be heard of again. Now Joshua's daughter is getting married and wants to make one last attempt at finding her father. Kate Shackleton has always loved solving puzzles. So who better to get to the bottom of Joshua's mysterious disappearance?

Deep in the trenches of Flanders Fields, men are dying in the thousands every day. So one more death shouldn't be a surprise. But then a body turns up with bizarre injuries, and Sherlock Holmes' former sidekick, Dr. John Watson - unable to fight for his country due to injury but able to serve it through his medical expertise - finds his suspicions raised.

The fiction world of today needs a “Saint” more than it ever did. For years now that scene has been dominated by the “anti-heroes"—those grim gray operators in a sunless sub-culture where global issues are worked out with totally unemotional pragmatism, those hapless uninspired puppets manipulated and expended by ruthlessly dedicated little brothers of Big Brother. It made morbidly fascinating narrative, but it never gave anyone a lift until it climaxed in the hyper-gadgeted parodies of 007 extravaganzas.

London, 1889. For Ira Adler, former rent-boy and present plaything of crime lord Cain Goddard, stealing back the statue from Goddard's blackmailer should have been a doddle. But inside the statue is evidence that could put Goddard away for a long time under the sodomy laws, and everyone's after it, including Ira's bitter ex, Dr. Timothy Lazarus.

The first novel Nabokov wrote while living in America, and the most overtly political novel he ever wrote, Bend Sinister is a modern classic. While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state. Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man.

Joe Spork repairs clocks, a far cry from his late father, a flashy London gangster. But when Joe fixes one particularly unusual device, his life is suddenly upended. Joe's client, Edie Banister, is more than just a kindly old lady - she's a former superspy. And the device? It's a 1950s doomsday machine. And having triggered it, Joe now faces the wrath of both the government and a diabolical South Asian dictator, Edie's old arch-nemesis.

London, 1882. Alec Lonsdale, a young reporter on the Pall Mall Gazette, is working on a story about a fatal house fire. But the postmortem on the victim produces shocking results: Patrick Donovan's death was no accident. But why would someone murder a humble shop assistant and steal part of his brain? When a second body is discovered, its throat cut, and then a third, Lonsdale and his spirited female colleague, Hulda Friederichs, begin to uncover evidence of a conspiracy that reaches to the highest echelons of Victorian society.

Headstrong and beautiful, the young housemaid Sally Jupp is put rudely in her place, strangled in her bed behind a bolted door. Coolly brilliant policeman Adam Dalgliesh of Scotland Yard must find her killer among a houseful of suspects, most of whom had very good reason to wish her ill. Cover Her Face is P. D. James' electric debut novel, an ingeniously plotted mystery that immediately placed her among the masters of suspense.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

Evaline Stoker and Mina Holmes never meant to get into the family business. But when you're the sister of Bram and the niece of Sherlock, vampire hunting and mystery solving are in your blood. And so, when two society girls go missing, there's no one more qualified to investigate. Now, the fierce Evaline and the logical Mina must resolve their rivalry, in order to navigate the advances of not just one, but three mysterious gentlemen, and solve a murder with only one clue: the strange Egyptian scarab.

India, 1837: William Avery is a young soldier with few prospects except rotting away in campaigns in India; Jeremiah Blake is a secret political agent gone native, a genius at languages and disguises, disenchanted with the whole ethos of British rule, but who cannot resist the challenge of an unresolved mystery.

When the body of a suicide victim disappears at West Point Military Academy in 1831, only to be discovered hours later missing its heart, the Academy calls on retired detective Gus Landor to investigate. Landor is something of a legend among his peers, noted for an uncanny, Holmesian ability to read people. When Edgar Allan Poe, a new cadet, comes forth with his own cryptic conclusion—that the man Landor is looking for is a poet—Landor is intrigued and enlists Poe as his assistant.

It is 1864, and London is a city in transition. The Constantine Affliction - a strange malady that kills some of its victims and physically transforms others into the opposite sex - has spread scandal and upheaval throughout society. Scientific marvels and disasters, such as clockwork courtesans, the alchemical fires of Whitechapel, electric carriages, and acidic monsters lurking in the Thames, have forever altered the face of the city.

In the last days of the First World War, socialist revolution swept across Germany, sending Kaiser Wilhelm into exile and transforming Berlin into a battleground. But for Detective Inspector Nikolai Hoffner and his young assistant, Hans Fichte, the revolution is a mere inconvenience. Four women from the slums of Berlin have turned up dead, all with identical markings etched into their backs, and Hoffner and Fichte have spent the better part of six weeks trying to crack the bizarre case.