In 1957, as the Cold War raged, Ian Fleming took a respite from writing James Bond to craft a work of nonfiction every bit as tense as a Bond adventure. Aided by an ex-MI5 agent and International Diamond Security Organization operative going by the alias “John Blaize,” Fleming chronicled the IDSO’s infiltration of the “million-carat network”―the world’s most notorious diamond smuggling ring.

It is the 4th of May, two days before the Coronation of King Charles III and the world’s favourite spy has his work cut out for him. Bond is sent at the last minute to thwart an attempt to disrupt the Coronation by the wealthy, eccentric and self-styled Athelstan of Wessex, who is on a deadly mission of his own to teach the United Kingdom a lesson. Can Bond dismantle his shady plans and defeat his privately hired team of mercenaries?

It was a strong face, certainly—the eyes pale grey and very cold, the mouth was hard, the dark hair-grey-streaked now—still fell in the authentic comma over the forehead. This is how John Pearson reacted to his first encounter with the real James Bond, an encounter probably unique in the annals of thriller writing. He went on to write the bestselling authorized biography of Ian Fleming. At the time, like most of the world he assumed that James Bond was nothing more than a character in Fleming's highly charged imagination.

Hosts Mike Kalinowski and Brad Gilmore team up in this comprehensive breakdown of the longest running film series in the history of cinema. In Bond, James Bond, they explore the cinematic history of the James Bond collection to celebrate everything it got right and reflect on everything it got wrong.

In the Australian desert, a nuclear bomb explodes. There are no survivors and no clues about who has made it or detonated it. In England, two police officers are shot dead when they apprehend a cargo vessel in Portsmouth dock. Vast quantities of heroin are later found on board.

Ian Fleming’s world travels and interests, as well as his journalism and wartime experiences, lent authority to everything he wrote. In 1959, the Sunday Times commissioned Fleming to write a series of dispatches from the world’s most beguiling locales. The result was Thrilling Cities, a masterpiece of well-observed travelogue that stands ably alongside the author’s Bond canon. From Hong Kong to Honolulu, New York to Naples, he left the bright main streets for the back alleys, abandoning tourist sites in favor of underground haunts, and mingling with celebrities, gangsters and geishas.

Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote.

One of the most celebrated thrillers ever written, The Day of the Jackal is the electrifying story of an anonymous Englishman who in, the spring of 1963, was hired by Colonel Marc Rodin, operations chief of the O.A.S., to assassinate General de Gaulle.

In 1961, the new president John F. Kennedy, inherited an ill-conceived, poorly executed invasion of Cuba that failed miserably and set in motion the events that put the U.S. and the Soviet Union on a collision course that nearly started a war that would have enveloped much of the world. Extensively researched and vividly imagined, The Shadow of War brings to life the many threads that lead to the building crisis between the Soviet Union and the United States in 1962.

A gripping, behind-the-scenes account of the personalities and contending forces in Tokyo during the volatile decade that led to World War II, as seen through the eyes of the American ambassador who attempted to stop the slide to war.