
Bob Dylan in America
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Narrado por:
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Sean Wilentz
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De:
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Sean Wilentz
One of America’s finest historians shows us how Bob Dylan, one of the country’s greatest and most enduring artists, still surprises and moves us after all these years. Growing up in Greenwich Village, Sean Wilentz discovered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan’s work with the skills of an eminent American historian as well as the passion of a fan. Drawn in part from Wilentz’s essays as “historian in residence” of Dylan’s official website, Bob Dylan in America is a unique blend of fact, interpretation, and affinity—a book that, much like its subject, shifts gears and changes shape as the occasion warrants. Beginning with his explosion onto the scene in 1961, this book follows Dylan as he continues to develop a body of musical and literary work unique in our cultural history. Wilentz’s approach places Dylan’s music in the context of its time, including the early influences of Popular Front ideology and Beat aesthetics, and offers a larger critical appreciation of Dylan as both a songwriter and performer down to the present. Wilentz has had unprecedented access to studio tapes, recording notes, rare photographs, and other materials, all of which allow him to tell Dylan’s story and that of such masterpieces as Blonde on Blonde with an unprecedented authenticity and richness. Bob Dylan in America—groundbreaking, comprehensive, totally absorbing—is the result of an author and a subject brilliantly met.
©2010 Sean Wilentz (P)2010 Random House AudioListeners also enjoyed...




















Reseñas de la Crítica
"This should have been impossible. Writing about Bob Dylan's music, and fitting it into the great crazy quilt of American culture, Sean Wilentz sews a whole new critical fabric, part history, part close analysis, and all heart. What he writes, as well as anyone ever has, helps us enlarge Dylan's music by reckoning its roots, its influences, its allusive spiritual contours. This isn't Cliff Notes or footnotes or any kind of academic exercise. It's not a critic chinning on the high bar. It's one artist meeting another, kickstarting a dazzling conversation." (Jay Cocks, screenwriter of The Age of Innocence and The Gangs of New York)
"Sean Wilentz makes us think about Bob Dylan’s half-century of work in new ways. Combining a scholar’s depth with a sense of mischief appropriate to the subject, Wilentz hears new associations in famous songs and sends us back to listen to Dylan’s less familiar music with fresh insights. By focusing on the parts of Dylan’s canon that most move him, Wilentz gets straight to the heart of the matter. If you thought there was nothing new to say about Bob Dylan’s impact on America, this book will make you think twice." (Bill Flanagan, author of A&R and Evening's Empire; Editorial Director, MTV Networks)
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This is a serious work and as such, those seeking a peek behind Dylan's multiple personas, may not be satisfied the author can only provide exquisitely detailed signposts instead of pop punditry. However, musicians and poets alike -as well as anyone alive during Bob Dylan's life and times- may find this audiobook the closest we'll get to grasping Robert Zimmerman's true genius.
Another side of Bob Dylan
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But not all is sunshine in this book. Wilentz takes a very hard look at the accusations of plagiarism that began to dog Dylan late in his career. Here I think Dylan is given the benefit of the doubt for the most part. And I think that that is fair. I do wish Dylan was a little more candid about his borrowings if that is what they are. And because Dylan was awarded the Nobel for literature I think maybe that finishes the story but it makes me wish there were some new thoughts from Wilentz about this controversy. Here, I am less sympathetic to Dylan. I am torn about whether he deserved it (both sides make compelling cases here) but I think that he has been very casual to the point of disrespect to the Academy about accepting it. Guess he's still a rebel at heart.
Anyway, enjoy this title. As an added bonus--Sean Wilentz reads his own book and does a marvelous job. I wouldn't mind hearing more from him as a narrator.
Great Historian's a Fan
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looking back
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A book for American history and Dylan buffs.
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not endless factoids about Aaron Copland who no doubt merits some time . But not a mini thesis pasted on to a book .
Editing badly needed.
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A solid choice for Dylan enthusiasts
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Would you recommend this audiobook to a friend? If so, why?
See review belowWhat was one of the most memorable moments of Bob Dylan in America?
See review belowDid Sean Wilentz do a good job differentiating all the characters? How?
See review belowWas this a book you wanted to listen to all in one sitting?
See review belowAny additional comments?
Four stars usually denotes a book of uniformly high calibre, though perhaps not truly exceptional. Bob Dylan in America deserves the rating, though parts of it are without doubt truly exceptional. The problem is that parts are verging on dull-as-ditchwater too. Unfortunately (or fortunately if, as I would implore, you persevere) the dullest parts are front-loaded, meaning many will be put off reading what turns out to blossom into one of the most perceptive reckonings of the great man's career to-date. Although more academic in tone (albeit very accessible, if a little dry) BDIA is something of a half-sibling to Greil Marcus's Invisible Republic (aka The Old, Weird America), in locating Bob Dylan's genius in his alchemical relationship to American history & cultural tradition. We all know by now that Bob Dylan is like a human jukebox, but Wilentz really opened my eyes to the depth & breadth of Dylan's reading, which comes to have special bearing on one of the final quarter of the book's main themes: originality. The second half of this book is among the most interesting things I've ever read on Dylan, American popular music & the creative process in general. Although subsequently of more interest to me having completed the book, the first quarter seemed a bit of a drag; so much so that I twice gave up on it to listen to something more engaging. Also, the passages on the making of Dylan's classic album's counterintuitively are among the least interesting (compared to what follows) to anyone who's already read Marcus, Shelton, Heylin etc and has heard the stories a hundred times before. Although not exactly a chore to hear again it seems a bit of a lengthy & unnecessary thematic digression in comparison to the exceptionally interesting and wholly original things Wilentz has to say about inspiration vs plagiarism in the context of Dylan's obsessions (again, off discussed, but I think this book has the most in-depth and enlightening analysis of this topic of any Dylan book), as well as his fascinating origin stories of some of the key songs that formed part of Dylan's (and the folk revival's, rock & roll's, hip-hop's...) psyche.All said, the first half of this book is interesting, but dry. The second, is one of the truly essential pieces of writing about Bob Dylan and American popular (and esoteric) music. With that in mind, this is highly recommended.
American alchemist; recalibrating genius
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Not a fan. I was quite bored after the first 3 chapters.
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Don't expect much
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