Was Billy the Kid really shot to death by Sheriff Pat Garrett on a July night in 1881? At the midpoint of the last century, an old man comes forth seeking a pardon for crimes committed. He says that he wants to die a free man - and that he is Billy the Kid. The incident leads to this examination of new facts, new interpretations, and new contradictions. It is the story of "Brushy" Bill Roberts, a man who laid claim to a legend. Originally published in 1955 by University of New Mexico Press.

Deadwood, 1876: a notorious little mining town in modern-day South Dakota that was a hive of criminal activity. Thieves, drunkards, prostitutes, and murderers ran rampant among its booming streets. There were over 300 murders in this town during the first year of its existence. When Wild Bill Hickok was brutally shot and killed at point-blank range in the back of the head, it was obvious that someone had to rise up and save the town of Deadwood from itself.

Considering that he has gone down in history as Ivan the Terrible, the first tsar of Russia could hardly have been a boy scout. As his name suggests, Ivan had an utterly terrifying presence during his 37-year-long reign. Ivan's story is not only one of brutality, it is also a tale of great suffering.

Billy the Kid - a.k.a. Henry McCarty, Henry Antrim, and William Bonney - was a horse thief, cattle rustler, charismatic rogue, and cold-blooded killer. A superb shot, the Kid gunned down four men single-handedly and five others with the help of cronies. Two of his victims were Lincoln County, New Mexico, deputies, killed during the Kid's brazen daylight escape from the courthouse jail on April 28, 1881.

Wyatt Earp is regarded as the most famous lawman of the Old West, best known for his role in the Gunfight at the OK Corral in Tombstone, Arizona. But the story of his two-year war with a band of outlaws known as the Cowboys has never been told in full. The Cowboys were the largest outlaw gang in the history of the American West. After battles with the law in Texas and New Mexico, they shifted their operations to Arizona. There, they ruled the border, robbing, rustling, smuggling, and killing with impunity until they made the fatal mistake of tangling with the Earp brothers.

In April 1944, Rudolf Vrba became one of the very first Jews to escape from Auschwitz and make his way to freedom—among only a tiny handful who ever pulled off that near-impossible feat. He did it to reveal the truth of the death camp to the world—and to warn the last Jews of Europe what fate awaited them. Against all odds, Vrba and his fellow escapee, Fred Wetzler, climbed mountains, crossed rivers, and narrowly missed German bullets until they had smuggled out the first full account of Auschwitz the world had ever seen.

A poignant look at the disillusionment and angst of the post-World War I generation, The Sun Also Rises introduces two of Hemingway’s most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. In his first great literary masterpiece, Hemingway portrays an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.

In Doc Holliday: The Life and Legend, the historian Gary Roberts takes aim at the most complex, perplexing, and paradoxical gunfighter of the Old West, drawing on more than 20 years of research - including new primary sources - in his quest to separate the life from the legend. Doc Holliday was a study in contrasts: the legendary gunslinger who made his living as a dentist; the emaciated consumptive whose very name struck fear in the hearts of his enemies

Award-winning historian Michael Wallis has spent several years re-creating the rich, anecdotal saga of Billy the Kid (1859-1881), a deeply mythologized young man who became a legend in his own time and yet remains an enigma to this day. With the Gilded Age in full swing and the Industrial Revolution reshaping the American landscape, "the Kid", who was gunned down by Sheriff Pat Garrett in the New Mexico Territory at the age of 21, became a new breed of celebrity outlaw.

The events of July 19, 1878, marked the beginning of what became known as the Lincoln County War and catapulted Susan McSween and a young cowboy named Henry McCarty, alias Billy the Kid, into the history books. The so-called war, a fight for control of the mercantile economy of southeastern New Mexico, is one of the most documented conflicts in the history of the American West, but it is an event that up to now has been interpreted through the eyes of men.

In the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma, thanks to the oil that was discovered beneath their land. Then, one by one, the Osage began to die under mysterious circumstances, and anyone who tried to investigate met the same end. As the death toll surpassed more than 24 Osage, the newly created Bureau of Investigation, which became the FBI, took up the case, one of the organization's first major homicide investigations.

On New Year's Day in 1870, 10-year-old Adolph Korn was kidnapped by an Apache raiding party. Traded to Comanches, he thrived in the rough nomadic existence, quickly becoming one of the tribe's fiercest warriors. Forcibly returned to his parents after three years, Korn never adjusted to life in white society. He spent his last years living in a cave, all but forgotten by his family. That is, until Scott Zesch stumbled upon his great-great-great-uncle's grave. Determined to understand how such a "good boy" could have become Indianized so completely, Zesch traveled across the West.

He left the West at the age of seventeen, leaving behind a rootless past and a bloody trail of violence. In the East he became one of the wealthiest financiers in America—and one of the most feared and hated. Now, suffering from incurable cancer, he has come back to New Mexico to die alone. But when an all-out range war erupts, Flint chooses to help Nancy Kerrigan, a local rancher. A cold-eyed speculator is setting up the land swindle of a lifetime, and Buckdun, a notorious assassin, is there to back his play.

The outlaw Darby brothers have been sentenced to hang until dead. Witnessing the execution are Amelia Darby, sister of the condemned men, as well as US Deputy Marshal Sam “Trusty” Dawson and Judge Gordon Hadesworth. After justice is served, Trusty hits the trail, escorting the judge - and begrudgingly, Amelia - back to Oklahoma. Ambushed en route, the judge is murdered and Amelia vanishes, leaving Trusty to believe she led them into a trap for revenge.

Zane Grey’s books shoot fast and straight from the hip, hitting readers dead center with thrilling action. His name has become synonymous with western adventure. Because of his killing speed with a revolver, Buck Duane has lived the lone-wolf life of an outlaw. Every day is a struggle against desperate men anxious to prove themselves—and a bigger struggle to hold onto his basic human decency. So when the Texas Rangers offer to deputize him for a dangerous undercover mission, Buck grabs it as his final chance for redemption.

In July 1865, "Wild Bill" Hickok shot and killed Davis Tutt in Springfield, Mo., - the first quick-draw duel on the frontier. Thus began the reputation that made him a marked man to every gunslinger the Wild West. The legend of Wild Bill has only grown since his death in 1876, when cowardly Jack McCall famously put a bullet through the back of his head during a card game. Best-selling author Tom Clavin has sifted through years of Western lore to bring Hickock fully to life in this rip-roaring, spellbinding true story.

Deadwood, 1876: a notorious little mining town in modern-day South Dakota that was a hive of criminal activity. Thieves, drunkards, prostitutes, and murderers ran rampant among its booming streets. There were over 300 murders in this town during the first year of its existence. When Wild Bill Hickok was brutally shot and killed at point-blank range in the back of the head, it was obvious that someone had to rise up and save the town of Deadwood from itself.

The Wild West was a troublesome area for a long, long time. Hard conditions brought hard people - not everyone was suited to live there, but those who did had a choice - the boring everyday life or a life of an outlaw, filled with daring escapes, adventures, and thievery. If it was you, which one would you choose?

Billy the Kid - a.k.a. Henry McCarty, Henry Antrim, and William Bonney - was a horse thief, cattle rustler, charismatic rogue, and cold-blooded killer. A superb shot, the Kid gunned down four men single-handedly and five others with the help of cronies. Two of his victims were Lincoln County, New Mexico, deputies, killed during the Kid's brazen daylight escape from the courthouse jail on April 28, 1881.

Award-winning historian Michael Wallis has spent several years re-creating the rich, anecdotal saga of Billy the Kid (1859-1881), a deeply mythologized young man who became a legend in his own time and yet remains an enigma to this day. With the Gilded Age in full swing and the Industrial Revolution reshaping the American landscape, "the Kid", who was gunned down by Sheriff Pat Garrett in the New Mexico Territory at the age of 21, became a new breed of celebrity outlaw.

Of all the colorful characters that inhabited the West during the 19th century, the man who has earned an enduring legacy as the region's quirkiest is John Henry "Doc" Holliday (1851-1887), a dentist turned professional gambler who was widely recognized as one of the fastest draws in the West. In fact, the only thing that might have been faster than the deadly gunman's draw was his violent temper, which was easily set off when Holliday was drunk. By the early 1880s, Holliday had been arrested nearly 20 times.

Wyatt Earp is regarded as the most famous lawman of the Old West, best known for his role in the Gunfight at the OK Corral in Tombstone, Arizona. But the story of his two-year war with a band of outlaws known as the Cowboys has never been told in full. The Cowboys were the largest outlaw gang in the history of the American West. After battles with the law in Texas and New Mexico, they shifted their operations to Arizona. There, they ruled the border, robbing, rustling, smuggling, and killing with impunity until they made the fatal mistake of tangling with the Earp brothers.

Butch Cassidy and the Sundance Kid - as leaders of the Wild Bunch, they planned and executed the most daring bank and train robberies of the day, with a professionalism never before seen by authorities. For several years at the end of the 1890s, the two friends, along with a revolving cast who made up their band of thieves, eluded local law enforcement and bounty hunters, all while stealing from the rich bankers and eastern railroad corporations who exploited western land. The close calls were many, but Butch and Sundance always managed to escape to rob again another day - that is, until they rode headlong into the 20th century.

For more than a century the life and death of Butch Cassidy have been the subject of legend, spawning a small industry of mythmakers and a major Hollywood film. But who was Butch Cassidy, really? Charles Leerhsen, best-selling author of Ty Cobb, sorts out the facts from folklore and paints a “compelling portrait of the charming, debonair, ranch hand-turned-outlaw” (Ron Hansen, author of The Kid) of the American West.

The must-have companion to Bill O'Reilly's historical docudrama Legends and Lies: The Patriots, an exciting and eye-opening look at the Revolutionary War through the lives of its leaders. The American Revolution was neither inevitable nor a unanimous cause. It pitted neighbors against each other as loyalists and colonial rebels faced off for their lives and futures. These were the times that tried men's souls: No one was on stable ground, and few could be trusted.

Charles Whitman, Jr. was born and raised with his two younger brothers in a nice neighborhood in the suburbs of Lake Worth, Florida. From the outside, the Whitmans appeared to be living the American dream but within the household, lay a much darker reality. Charles Whitman, Sr. made sure his family wanted for nothing, and in return, he demanded perfection. Lethargy or failure were unacceptable and resulted in violence.

The “compelling [and] vivid” (The New York Times Book Review) true story of a man who claimed to be a survivor of a 1919 British massacre in India, his elaborate 20-year plan for revenge, and the mix of truth and legend that made him a hero to hundreds of millions.

Filled with bitter quarrels, reckless affairs, treacherous betrayals, relentless mercenaries, and courageous detectives, The Feud is the riveting story of two frontier families struggling for survival within the narrow confines of an unforgiving land. It is a formative American tale, and in it, we see the reflection of our own family bonds and the lengths to which we might go in order to defend our honor, our loyalties, and our livelihood.

The Open Range cattle era lasted barely a quarter-century, but it left America irrevocably changed. These few decades following the Civil War brought America its greatest boom-and-bust cycle until the Depression, the invention of the assembly line, and the dawn of the conservation movement. It inspired legends, such as that icon of rugged individualism, the cowboy. Yet this extraordinary time and its import have remained unexamined for decades. Cattle Kingdom reveals the truth of how the West rose and fell, and how its legacy defines us today.

The romance of the West is built on an endless armature of shootouts and train robberies, cowboys versus Indians, white hat versus black, and everybody versus the wilderness. From John Colter's harrowing escape from the Blackfeet to Hugh Glass' six-week crawl to civilization after a grizzly attack, from Custer's final moments to John Wesley Powell's treacherous run through the rapids of the Grand Canyon, Cowboys, Mountain Men, and Grizzly Bears takes the top 50 wildest episodes in the region's history and presents them to the listener in one convenient, narrative-driven package.