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  • Bike Battles: A History of Sharing the American Road

  • By: James Longhurst
  • Narrated by: Chuck Galco
  • Length: 8 hrs and 49 mins
  • 4.0 out of 5 stars (1 rating)

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Bike Battles: A History of Sharing the American Road

By: James Longhurst
Narrated by: Chuck Galco
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Publisher's summary

Americans have been riding bikes for more than a century now. So why are most American cities still so ill-prepared to handle cyclists? James Longhurst, a historian and avid cyclist, tackles that question by tracing the contentious debates between American bike riders, motorists, and pedestrians over the shared road.

Bike Battles explores the different ways that Americans have thought about the bicycle through popular songs, merit badge pamphlets, advertising, films, newspapers, and sitcoms. Those associations shaped the actions of government and the courts when they intervened in bike policy through lawsuits, traffic control, road building, taxation, rationing, import tariffs, safety education, and bike lanes from the 1870s to the 1970s.

Today, cycling in American urban centers remains a challenge as city planners, political pundits, and residents continue to argue over bike lanes, bike-share programs, law enforcement, sustainability, and public safety. Combining fascinating new research from a wide range of sources with a true passion for the topic, Longhurst shows us that these battles are nothing new; in fact they're simply a continuation of the original battle over who is - and isn't - welcome on our roads.

The book is published by University of Washington Press. The audiobook is published by University Press Audiobooks.

©2015 University of Washington Press (P)2020 Redwood Audiobooks
  • Unabridged Audiobook
  • Categories: History

Critic reviews

"The book ought to give today's bicycle advocates a sense of their place in history and make them proud to continue the battle." (Wall Street Journal)

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Incredibly odd and distracting narration.

Was this actually narrated by a living human? The narration is choppy, weird, and literally sounds like words sampled in different contexts and sandwiched together in post production. No one should have to pay for this lack of quality.

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