H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

From the acclaimed author who enthralled the world with Exodus, Battle Cry, QB VII, Topaz, and other beloved classics of twentieth-century fiction comes a sweeping and powerful epic adventure that captures the "terrible beauty" of Ireland during its long and bloody struggle for freedom. It is the electrifying story of an idealistic young Catholic rebel and the valiant and beautiful Protestant girl who defied her heritage to join his cause. It is a tale of love and danger, of triumph at an unthinkable cost.

Since its publication in 1960, William L. Shirer’s monumental study of Hitler’s German empire has been widely acclaimed as the definitive record of the 20th century’s blackest hours. The Rise and Fall of the Third Reich offers an unparalleled and thrillingly told examination of how Adolf Hitler nearly succeeded in conquering the world. With millions of copies in print around the globe, it has attained the status of a vital and enduring classic.

This is the first volume in a bold new series that tells the stories of all peoples, connecting historical events from Europe to the Middle East to the far coast of China, while still giving weight to the characteristics of each country. Susan Wise Bauer provides both sweeping scope and vivid attention to the individual lives that give flesh to abstract assertions about human history. This narrative history employs the methods of "history from beneath" - literature, epic traditions, private letters, and accounts - to connect kings and leaders with the lives of those they ruled.

Bulgakov’s first full-length novel is set in the harsh and chaotic winter of 1918-19, as power struggles start to play out with brutal consequences. Echoing Tolstoy’s approach in War and Peace, Bulgakov contrasts the concerns of domestic life with the wide-ranging and destructive historical events; but where Tolstoy’s structure is clear, Bulgakov interweaves narrative, details of military action, snatches of songs, dreams, dialogue and fragments of thought to capture this swirl of confusion on every level.

The first three mysteries for Dorothy L. Sayers' aristocratic sleuth: first, a body is discovered in a Battersea bathroom, wearing nothing but a pair of pince-nez, on the same night that financier Sir Reuben Levy disappears from his Park Lane home. Then, Wimsey returns to England when his brother, the Duke of Denver, is accused of murdering the fiance of their sister, Lady Mary, and a trial in the House of Lords looms; and finally, an overheard conversation in a restaurant begins an investigation of the strangely premature death of wealthy and terminally ill old lady Miss Agatha Dawson.

Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role.

A poignant look at the disillusionment and angst of the post-World War I generation, The Sun Also Rises introduces two of Hemingway’s most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. In his first great literary masterpiece, Hemingway portrays an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.

Karana, a Ghalas-at Indian, lives peacefully on the island with her tribe until the arrival of a Russian otter-hunting ship. In spite of the deal the Aleutian hunters make with her father, the Ghalas-at chief, in the end they prove treacherous, killing most of the tribe. Karana's younger brother, Ramo, is all that is left of her family. Fearful of the Aleuts' return, the remaining Indians decide to move to another island, and are offered safe passage by some friendly ships. But as Karana boards the ship to leave the island forever, she is unable to find Ramo.

In this remarkable novel, Mauriac brings his extraordinary talent for probing the inmost core of the human character to what is arguably the most exciting theme in the world: the battle for the human soul. In all of literature there can be few more appalling studies of a soul devoured by pride and avarice, corroded by hatred.

In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car.

For most of the last hundred years, Biloxi was known for its beaches, resorts, and seafood industry. But it had a darker side. It was also notorious for corruption and vice, everything from gambling, prostitution, bootleg liquor, and drugs to contract killings. The vice was controlled by small cabal of mobsters, many of them rumored to be members of the Dixie Mafia.

The story is seen through the eyes of Uhtred, a dispossessed nobleman, who is captured as a child by the Danes and then raised by them so that, by the time the Northmen begin their assault on Wessex, Alfred's kingdom and the last territory in English hands, Uhtred almost thinks of himself as a Dane.

It's 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of dos and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job - and don't ever associate with loose women. The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail.

Riddle of the Sands is set during the long suspicious years leading up to the First World War and is a classic of spy fiction.

The fiction world of today needs a “Saint” more than it ever did. For years now that scene has been dominated by the “anti-heroes"—those grim gray operators in a sunless sub-culture where global issues are worked out with totally unemotional pragmatism, those hapless uninspired puppets manipulated and expended by ruthlessly dedicated little brothers of Big Brother. It made morbidly fascinating narrative, but it never gave anyone a lift until it climaxed in the hyper-gadgeted parodies of 007 extravaganzas.

The colorful Cossack way of life is made alive and real in this historical novel.

Tolstoy's first novel and acknowledged as one of his best, it is based on his own forays into the Caucasus, abandoning his aristocrat life of gambling and carousing in Moscow and volunteering to be attached to the regular army.

In The Thirty-Nine Steps, Hannay struggles to thwart an assassination plot designed to hasten war between Britain and Germany. Later he is plucked from the trenches first, in Greenmantle, to frustrate a plot to ferment an uprising in the Islamic world; and then, in Mr. Standfast, to undertake a vital secret mission against a German spy ring operating among pacifist elements in England. After the war, his adventures continue in The Three Hostages; and then in The Island of Sheep, when an old oath to protect the son of a friend from his days in Africa draws him into new danger.

When The Centurions was first published in 1960, readers were riveted by the thrilling account of soldiers fighting for survival in hostile environments. They were equally transfixed by the chilling moral question the novel posed: how to fight when the "age of heroics is over". As relevant today as it was half a century ago, The Centurions is a gripping military adventure, an extended symposium on waging war in a new global order, and an essential investigation of the ethics of counterinsurgency.

When a carousing Englishman disgraces the consecrated effigy of Hanuman, a leprous "Silver Man" marks him with a hideous curse. The ensuing night brings new terrors to the house of the doomed man.

Demobilised officer, finding peace incredibly tedious, would welcome diversion. Legitimate if possible; excitement essential. When Captain Hugh Drummond, DSO, MC placed that advertisement, he was looking for adventure. What he finds is an international plot headed by the greatest criminal mastermind in the world.

Just before his regiment sails off to war in the Sudan, British officer Harry Feversham quits the military. He is immediately given four white feathers as symbols of cowardice, one by each of his three best friends and one by his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives. Having proven his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée.

Raffles is Sherlock Holmes' polar opposite, a foil for great detectives and a man with all the immoral charms of a hero-thief, plus a remarkable ability at cricket. Raffles is the godson of Robin Hood, the model for Cary Grant in "To Catch a Thief," and the inspiration of Leslie Charteris' "The Saint." As the great reinvention of the trickster for the 20th century, Raffles convinces readers to throw away their scruples and follow along for wit, bold adventures, and thrilling suspense.

First published as four separate novels ( Some Do Not…, No More Parades, A Man Could Stand Up, and The Last Post) between 1924 and 1928, Parade’s End explores the world of the English ruling class as it descends into the chaos of war. Christopher Tietjens is an officer from a wealthy family who finds himself torn between his unfaithful socialite wife, Sylvia, and his suffragette mistress, Valentine. A profound portrait of one man’s internal struggles during a time of brutal world conflict, Parade’s End bears out Graham Greene’s prediction that "there is no novelist of this century more likely to live than Ford Madox Ford."

On the day of his wedding, Edmond Dantès is falsely accused of treason, arrested, and imprisoned without trial in a grim island fortress off Marseilles. A fellow prisoner inspires Dantès to escape and guides him to a fortune in treasure. Dantès returns home under the pseudonym of the mysterious Count of Monte Cristo, in order to avenge himself on the men who conspired to destroy him.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Often called the greatest novel ever written, War and Peace is at once an epic of the Napoleonic wars, a philosophical study, and a celebration of the Russian spirit. Tolstoy's genius is clearly seen in the multitude of characters in this massive chronicle, all of them fully realized and equally memorable.

Sherlock Holmes is an unparalleled genius who uses the gift of deduction and reason to solve the most vexing of crimes. Warlock Holmes, however, is an idiot. A good man, perhaps; a font of arcane power, certainly. But he’s brilliantly dim. Frankly, he couldn’t deduce his way out of a paper bag. The only things he has really got going for him are the might of a thousand demons and his stalwart flatmate. Thankfully, Dr. Watson is always there to aid him through the treacherous shoals of Victorian propriety...

This trilogy about World War II, largely based on his own experiences as an army officer, is the crowning achievement of Evelyn Waugh's career. Its central character is Guy Crouchback, head of an ancient but decayed Catholic family, who at first discovers new purpose in the challenge to defend Christian values against Nazi barbarism, but then gradually finds the complexities and cruelties of war too much for him.

The Left Hand of God is the story of 16-year-old Thomas Cale, who has grown up imprisoned at the Sanctuary of the Redeemers, a fortress run by a secretive sect of warrior monks in a distant, dystopian past. He is one of thousands of boys who train all day in hand-to-hand combat, in preparation for a holy war that only the High Priests know is now imminent.