Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

A precocious young girl with an unusual imagination is sent on an odyssey into the depths of depravity. After her father dies violently, young Mara is surprised to find her mother welcoming a new guest into their home, claiming that he will protect them from the world of devastation and destruction outside their door.

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

Martin Lorensen is a twenty-three-year-old counselor for disturbed teenagers. He’s bright, compassionate, attractive, and outgoing. He’s also—and this is the most interesting thing—not dead. Martin has improbably survived not one but two deadly disasters that claimed dozens of lives. The kid is riding one hell of a lucky streak. Two federal agents think there is something darker at play. Now that they’ve arranged to interview Martin, they want answers. Martin is ready to share everything he knows. One thing is for certain: when it comes to escaping death, luck doesn’t figure into it at all.

An alcoholic teacher and father’s world spirals out of control when a former student is killed and he is left with her dog and the dark presence that follows it. Matt Matheny teaches during the day, drinks at night, and barely hides his functioning alcoholism from his veterinarian ex-wife, Lucy, and his six-year-old son, Mikey. His world spirals out of control when a former student is killed, and he's left with her dog, Conehead. But something isn't right with Conehead.

New York, 1977. The sweltering height of the Summer of Sam. The entire city is gripped with fear, but all Nell Sullivan worries about is whether or not she’ll ever make a friend. The self-proclaimed “Plain Jane” does her best to fit in with the girls at work, but Nell’s brother, Barrett, assures her that she’ll never be like them.

Muriel McAuley has lived in the Scottish fishing village of Witchaven all her life. She was born there, and she intends to die there. But when an overseas property developer threatens to evict the residents from their homes and raze Witchaven to the ground in the name of progress, all seems lost . . . until the day a mysterious fog bank creeps inland.

Noah Fairchild has been losing his formerly polite Southern parents to far-right cable news for years, so when his mother leaves him a voicemail warning him that the “Great Reckoning” is here, he assumes it’s related to one of the many conspiracy theories she believes in. But when his own phone calls go unanswered, Noah makes the long drive from Brooklyn to Richmond, Virginia. There, he discovers his childhood home in shambles, a fridge full of spoiled food, and his parents locked in a terrifying trance-like state in front of the TV.

Each precious thing I show you in this book is a holy relic from the night we both perished—the night when I combed you from my hair and watered the moon with your blood.

On a sunny morning in June, Margaret Carpenter wakes up to find a new iPhone on her doorstep. She switches it on to find a text from her best friend, Charity Atwater. The problem is, Charity’s been missing for over a month. Most people in town—even the police—think she’s dead. Margaret and Charity have been lifelong friends. They share everything, know the most intimate details about one another…except for the destructive secret hidden from them both. A secret that will trigger a chain of events ending in tragedy, bloodshed, and death. And now Charity wants Margaret to know her story.

Sadomasochism. Obsession. Death. A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s - a darkness that threatens to forever transform them once they finally succumb to their most horrific desires. What have you done today to deserve your eyes?

A skeleton crew of desperate men looks to capitalize on a handsome reward offered by an eerie outsider. But when they brave the harsh winter waters to transport an ominous crate, their food supply mysteriously spoils, forcing them to stray off course. After several weeks of dead winds, absent sunlight, and diminishing rations the crew begins to question their faith and each other. As past lives of the crew are put on the chopping block, blood begins to spill. Has starvation driven them to delirium? Have they fallen out of the Lord's good graces?

The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned.

They call them wayward girls. Loose girls. Girls who grew up too fast. And they’re sent to Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, to give them up for adoption, and most important of all, to forget any of it ever happened. Everything the girls eat, every moment of their waking day, and everything they’re allowed to talk about is strictly controlled by adults who claim they know what’s best for them.

From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

For the last year, Holly and Brian have been out of sync. Neither can forget what happened that one winter evening; neither can forgive what’s happened since. Tonight, Holly and Brian race toward Pinebuck, New York, trying to outrun a blizzard on their way to the ski village getaway they hope will save their relationship. But soon they lose control of the car—and then of themselves. Now Sheriff Kendra Book is getting calls about a couple in trouble—along with reports of a brutal and mysterious creature rampaging through town.

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

The Woods All Black is a story of passion, prejudice, and power—an Appalachian period piece that explores reproductive justice and bodily autonomy, the terrors of small-town religiosity, and the necessity of fighting tooth and claw to live as who you truly are.

Clara Woods is a killer—and perfectly fine with it, too. So what if she takes a couple of lives to make her own a little bit better? At the bottom of her garden is a flower bed, long overgrown, where her late husband rests in peace—or so she’s always thought. Then the girls arrive. Lily and Violet are her nieces, recently orphaned after their affluent parents died on an ill-fated anniversary trip. In accordance with their parents’ will, the sisters are to go to their closest relative—who happens to be Clara.

Dawn hasn't spoken to her brother, Cody, since he was sent to prison for a violent crime seven years ago. But when Dawn's seemingly perfect life in the big city implodes, she is forced to return to her childhood home and the prairie city that still holds so much pain for her and her fractured family. Cody is released from prison with a mysterious new friend by his side, and Dawn must follow increasingly sinister leads to uncover their nefarious plans to access a dangerous supernatural network.

In Thirteen, Victoria Dean takes the listener on a journey through the multifaceted landscape of horror. This collection of thirteen short stories offers a tryst into the paranormal, the terrors of the mundane, and what the dark shadows may be hiding around every corner.

Eight stories of literary dark fiction from a master storyteller. Exploring the shadow side of love, these are tales of grief, obsession, control. Intricate examinations of trauma and tragedy in raw, poetic prose. In these narratives, a woman imagines horrific scenarios whilst caring for her infant niece; online posts chronicle a cancer diagnosis; a couple in the park with their small child encounter a stranger with horrific consequences; a toxic relationship reaches a terrifying resolution . . .

Investigating a noise in the attic of her historic home, Maggie Holliday encounters a handsome man in a Civil War uniform. He calls her "Isabel", seduces her in ways the shy academic had never dreamed of, then literally vanishes. With every fleeting visit, Maggie's mysterious lover, Ethan, takes her closer to the edge of ecstasy and madness. Is he really a ghost? Far from chilling her, his touch is incendiary; it all feels so real and so very, very good. And so very familiar.

The Screaming Skull is a 1958 independently made American black-and-white horror film, produced by John Kneubuhl and directed by Alex Nicol (in his directorial debut), starring John Hudson, Peggy Webber, Russ Conway, Tony Johnson, and Nicol. The film's storyline concerns a newly-married couple, Eric and Jenni, who arrive at the home of Eric's first wife, where the gardens have been maintained by a gardener faithful to the dead woman's memory. Soon, eerie events lead Jenni to think she's losing her mind being haunted by the ghost of her new husband's previous wife.

John Dolan Vincent was born with an extra ring finger on one hand. He was an abnormally gifted child with a proclivity for mathematics beyond his years, but he lacked social skills. Childhood ridicule and a difficult family life led him to use his talents in adulthood for criminal acts of forgery. When he starts getting untreatable migraines, his self-medication results in overdosing which sends him repeatedly to the emergency room.

The Brain That Wouldn't Die (also known as The Head That Wouldn't Die or The Brain That Couldn't Die) is a 1962 American science fiction horror film directed by Joseph Green and written by Green and Rex Carlton. The film was completed in 1959 under the working title The Black Door but was not theatrically released until May 3, 1962. The film focuses on a mad doctor who develops a means of keeping his fiancée's severed head alive for days, along with a lumbering, malformed brute (one of his earlier failed experiments) imprisoned in a closet. The following is the audio track of the feature film.

When a local parish finds themselves without a priest, Father Woosley stepped onto the pulpit, ready to fight sin with his new congregation and bring the word that had saved him so many times. When he is visited by a divine power promising to help him purge the unearthly evil from the hearts of his congregation, Father Woosley believes his prayers have been answered. As darkness spreads malignant and ruthless through the church, and an insidious presence sinks its claws into his soul, he realizes that even the faithful can fall.

Twenty years later, the survivors of the Mutant apocalypse live in walled cities away from the creatures that roam the wastelands at night looking for warm flesh to feed on. Akachi is a former pit fighter and Mutant Bounty Hunter with a deadly secret. After being savagely mauled by a mutant twenty years ago, she didn’t turn into a mindless monster, but became stronger and faster than the average human.

Henry had found himself at the end of his rope. An ex-wife, a dead end job and the best years of his life, seemingly behind him. Hope for a normal life had been lost years ago. When a cry for help from a stranger pulls him from the brink, Henry finds himself in an ever-changing world that is more suited toward his particular skill set. Having been alone for so long, it becomes increasingly difficult to get along with his fellow survivors. The infection is not the only threat he faces; it is just one concern of many in the struggle to live and finding his place in the new world.

In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers—ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?