Armadale
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Narrated by:
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Nicholas Boulton
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Rachel Atkins
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David Rintoul
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John Sackville
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Lucy Scott
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By:
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Wilkie Collins
About this listen
Two young men linked by a familial murder mystery, a beautiful yet wicked governess who spins a web of deceit, and five individuals named Allan Armadale
Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?
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When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.
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Nigel Patterson as the narrator is great
- By NH on 10-31-16
By: Anthony Trollope
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The Warden
- By: Anthony Trollope
- Narrated by: Flo Gibson
- Length: 7 hrs and 6 mins
- Unabridged
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A kindly warden is accused of misusing church funds. This amusing book examines the making and breaking of reputations.
By: Anthony Trollope
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Love of Life, and Other Stories
- By: Jack London
- Narrated by: Robertson Dean
- Length: 5 hrs and 11 mins
- Unabridged
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John Griffith "Jack" London was an American author, journalist, and social activist. He was a pioneer in the then-burgeoning world of commercial magazine fiction and was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. This collection includes "Love of Life", "A Day's Lodging", "The White Man's Way", "The Story of Keesh", "The Unexpected", "Brown Wolf", "The Sun-Dog Trail", and "Negore, the Coward".
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Review of Love of Life and Other Stories
- By Pre Paid Gift Card on 05-25-16
By: Jack London
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Lady Audley's Secret
- By: Mary Elizabeth Braddon
- Narrated by: Juliet Stevenson
- Length: 5 hrs and 12 mins
- Abridged
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A fast-paced Victorian thriller that will delight audiences today as it did 100 years ago, Lady Audley's Secret has subterfuge, kidnapping, jealousy, and fraud, all thrown into the mix and shaken up for good measure.
A mystery which keeps a listener guessing until the last moments, this production is a must-listen for anyone who enjoys playing detective.
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Narrator creates the listen
- By connie on 02-06-12
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Le Pere Goriot
- By: Honoré de Balzac
- Narrated by: Paul Hecht
- Length: 10 hrs and 31 mins
- Unabridged
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At the shabby boarding house in the rue Neuve-Sainte-Geneviève, petty Madame Vauquer and her tenants wonder at the plight of the aging resident Goriot. Once a well-heeled merchant, Goriot was, at first, afforded special treatment from the Madame. But now something is clearly amiss in his financial affairs, and his increasingly tawdry appearance makes him a subject of ridicule in the household.
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balzac rocks
- By beatrice on 03-12-10
By: Honoré de Balzac
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The Idiot
- By: Fyodor Dostoevsky
- Narrated by: Alastair Cameron
- Length: 23 hrs and 32 mins
- Unabridged
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Young Prince Mishkin is that rare thing - a "completely beautiful human being". He is honest, humble, generous, and selfless, but unfortunately these traits mean he is often mistaken for an idiot. Upon his return to St. Petersburg, after being away at a Swiss sanatorium for the treatment of epilepsy, Prince Mishkin is taken under the wing of the wife of General Yepanchin, who arranges for him to live with the family of her money-obsessed friend Ganya.
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wow.
- By Michal Krawczyk on 04-25-17
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The Tenant of Wildfell Hall
- By: Anne Brontë
- Narrated by: Mary Sarah Agliotta
- Length: 13 hrs and 33 mins
- Unabridged
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Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.
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A good story ruined by the narrator
- By i. Ski on 04-17-14
By: Anne Brontë
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The Gilded Age
- By: Mark Twain, Charles Dudley Warner
- Narrated by: Bronson Pinchot
- Length: 16 hrs and 31 mins
- Unabridged
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The Gilded Age is the collaborative work of Mark Twain and Charles Dudley Warner that satirized the era that followed the Civil War. This period is often referred to as the “Gilded Age” because of this book. The corruption and greed that was typical of the time is exemplified through two fictional narratives: one, of the Hawkins, a poor family from Tennessee that tries to persuade the government to purchase their seventy-five thousand acres of unimproved land.
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An American classic, beautifully narrated
- By TX lilbit on 03-31-12
By: Mark Twain, and others
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unforgettable
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When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel.
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Really Really Good Story
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Appearing in 1852, Basil was Wilkie Collins’s second published novel. The eponymous narrator is emotionally torn between two women: Margaret Sherwin and his sister Clara. His marriage to Margaret, a draper’s sexually precocious daughter, is to remain secret and unconsummated for the first year, as agreed with her father.
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Yet another amazing story from Collins
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The Moonstone
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Considered the first full-length detective novel in the English language, T.S. Eliot described The Moonstone as 'the first and greatest English detective novel'. The stone of the title is an enormous yellow diamond plundered from an Indian shrine after the Siege of Seringapatam. Given to Miss Verinder on her 18th birthday, it mysteriously disappears that very night. Suspicion falls on three Indian jugglers who have been seen in the neighbourhood. Sergeant Cuff is assigned to the case....
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An engrossing detective novel
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By: Wilkie Collins
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The Woman in White
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Published in instalments in 1859, The Woman in White is often considered to be one of the very first detective novels. Although critics weren’t impressed at the time, the novel proved to be a hit with the public and has since gone on to become one of the timeless classics of the Victorian era. Following the adventures of Walter Hartright, this is a story of sleuthing, inheritance, ghosts and mistaken identity and was recently the subject of a hit TV adaptation by the BBC.
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Excellent Narration
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Good and Evil and Funny
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Set in the financial centres of 1820s Frankfurt and London, Jezebel’s Daughter (1880) tells the story of two widows: Madame Fontaine, who will go to any lengths to secure her daughter’s marriage, and Mrs Wagner, who devotes herself to her late husband’s social reforms. In pursuit of her endeavours, Mrs Wagner befriends Jack Straw, a former inmate of Bedlam, who plays a pivotal role as the action, full of plotting and counterplotting, unfolds, culminating in the morgue, where several lives hang in the balance.
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unforgettable
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The Haunted Hotel
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When Lord Montbarry dies suddenly in his Venice palace, and his courier goes missing, suspicion is instantly thrown on his new wife, the beautiful Countess Narona, who has collected his life insurance and fled to America. Montbarry's former fiance, Agnes, still harboring feelings for him, and Henry Westwick, Montbarry's younger brother, decide to investigate this tragedy and head for the palace, now a hotel. Not long after their arrival they experience strange and unsettling occurrences, and the circumstances of Montbarry's death begin to unravel.
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Really Really Good Story
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Yet another amazing story from Collins
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Considered the first full-length detective novel in the English language, T.S. Eliot described The Moonstone as 'the first and greatest English detective novel'. The stone of the title is an enormous yellow diamond plundered from an Indian shrine after the Siege of Seringapatam. Given to Miss Verinder on her 18th birthday, it mysteriously disappears that very night. Suspicion falls on three Indian jugglers who have been seen in the neighbourhood. Sergeant Cuff is assigned to the case....
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An engrossing detective novel
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Excellent Narration
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Intricate plot, good dialogue, desperately needed an editor
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The Dead Secret
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A masterful blend of Gothic drama and romance, Wilkie Collins' mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception and involves a broad array of characters. The "secret" of the book's title is the true parentage of the book's heroine, Rosamond Treverton, which has been written down and kept in an unused room at Porthgenna Tower. This is where, 20 years later, much of the novel's action is set.
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Only complaint is I wish it were longer
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By: Wilkie Collins
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The Woman in White
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Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.
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The outstanding narration is what I enjoyed most
- By Leslie Grey on 12-03-10
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The Evil Genius
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Skyboat Media presents, paired together for the first time, both the novel and the play of The Evil Genius by Wilkie Collins. Although both versions of the story were written at the same time, the play has never before been published and was only ever performed once on the stage. In fact, it is almost entirely unknown and is otherwise unavailable.
By: Wilkie Collins
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The Two Destinies
- By: Wilkie Collins
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- Unabridged
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In this late romantic novel, the author explores the powers of telepathy while telling a skilful tale that interweaves suspense with the familiar ingredients of Victorian melodrama.
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Lovely Gothic Romance
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By: Wilkie Collins
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The Three Clerks
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- Unabridged
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Bound together by dreams of success, three clerks Harry Norman, Alaric Tudor, and Charley Tudor navigate the ranks of the Civil Service, each of them drawn into a web of temptation and moral dilemmas.
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Trollope Never Fails
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The Kellys and the O'Kellys
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Set in Ireland, the upper-class courtship of Lord Ballantine for Fanny Windham and the lower-class romance between Martin Kelly and Ann Lynch meet with many obstacles.
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Pleasant relic
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Hide and Seek
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- Unabridged
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Appearing in 1854, Hide and Seek was Wilkie Collins’s third published novel. At the centre of the plot is the mystery surrounding a deaf and dumb girl known as Madonna, whom the painter Valentine Blyth rescues from her life as a circus performer. But it is only when Blyth’s friend Zack Thorpe rebels against his disciplinarian father and falls into bad company that the secret of Madonna is revealed.
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Wilkie my Idol
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By: Wilkie Collins
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Lady Audley's Secret
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- Unabridged
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From the author of The Christmas Hirelings comes this Audible Exclusive production of Mary Elizabeth Braddon’s classic sensation novel Lady Audley’s Secret. English actress Olivia Poulet gives an assured and captivating narration; a cornerstone of the genre and a scandal at the time of its publication, Lady Audley’s Secret is an entertaining and shocking tale of high drama and shifting perceptions.
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Classic 19th Century “sensation novel”
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The Mystery of Edwin Drood
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Audible presents an original production of the aptly named The Mystery of Edwin Drood, Charles Dickens’ final, unfinished novel. Following his untimely death at the age of 58, Dickens managed to publish only six of the 12 planned instalments of the story. Though it has gone on to be one of his more popular titles and the source of inspiration for various television, stage and theatre adaptations, no one knows exactly how Dickens planned to end the mystery.
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Interesting but Frustrating
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The Woman in White
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- Unabridged
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One of the greatest mystery thrillers ever written, Wilkie Collins's The Woman in White was a phenomenal best seller in the 1860s, achieving even greater success than works by Charles Dickens. Full of surprise, intrigue, and suspense, this vastly entertaining novel continues to enthrall audiences today.
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Gripping novel, excellent production
- By David on 01-18-11
By: Wilkie Collins
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Ragged Trousered Philanthropists
- By: Robert Tressell
- Narrated by: David Timson
- Length: 23 hrs and 30 mins
- Unabridged
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The Ragged Trousered Philanthropists is the classic working-class novel. It was written in 1906 by an impoverished house painter, Robert Tressell, and within its framework contains a manifesto for socialism. It tells of the appalling working conditions of a group of painters and decorators and their struggle to survive at the most basic level. It is moving, grimly humorous and tragic. It has sold over six million copies worldwide since it was published, and it has the power to change lives.
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Loved it
- By meikota rigge on 04-12-18
By: Robert Tressell
What listeners say about Armadale
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Anonymous User
- 11-23-20
Wonderfully engaging!
Worth every minute. You’ll be so sorry to reach the end and have to leave these marvelous characters!
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2 people found this helpful
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- Jon C
- 08-01-21
Great narration
Narration was spot on. Story was fascinating, but most of the second half is told from the point of view of characters who are the antagonists, and the characters you grew to like in the beginning have less to do. My desire to see where it would all lead got me to the end, and it was an interesting ending, but it did leave me feeling less satisfied than Collins's other book with the same narrators, NO NAME. ARMADALE delves deep into the psychology of crime and criminals, and into most of the characters' heads. This was fine for me when the story was being told through the eyes of characters I liked, but when it veered into unlikable POV's for long stretches, it was decidedly more difficult. This is probably my own personal preference, however. If you're looking to commit to reading one of Collins's lesser known novels, I personally think NO NAME is more entertaining and satisfying, but this was also interesting in its own way.
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1 person found this helpful
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- MegaMom
- 11-02-20
Wilkie Collins at his best
The story never gets boring and is fascinating until the end. No one is without flaws which is part of the charm
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- Simon Brodie
- 04-12-20
Classic Collins
This is the third of Wilkie Collins’s four great novels of the 1860s, the others being The Woman in White, No Name, and The Moonstone. The lives of two cousins, both named Allan Armadale, seem inextricably wound together. Is it fate or merely chance? One of the cousins is unaware of their kinship; the other goes by an assumed name and is haunted by a crime committed by his late father. The narrative is increasingly dominated by a third character, the beautiful but deceitful Lydia Gwilt, whose schemes threaten the life of one or both of the cousins. Armadale is a melodrama in the best sense of the word, and the Naxos cast is splendid!
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5 people found this helpful
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- Woolymamath
- 10-10-21
Wilke Collins
This is by far my favorite of his books! Gripping! Even better than Woman in White
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- hannah
- 05-27-21
Excellent
Excellent performance(s) of an intriguing narrative! I feel like I know each character so well.
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- erika
- 10-14-23
Epic bromance
Wilkie Collins never disappoints. All of the mystery, twists and turns. A+ story and the performance is excellent.
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- John
- 09-25-21
Perhaps the Best of Collins’ Four Best Novels
Note: This review contains no spoilers
Chekov once observed that if there’s a gun over the mantle in the first act, it had better go off in the third. Given their dates, it’s doubtful if Wilkie Collins ever heard that sound bit of dramatic advice. But he used it to great effect, perhaps never better than here.
Some have complained that the first act is a bit long. But Collins has more than one gun to place over his mantle, and they all need to be primed and loaded. As the story gets going, the wait for the inevitable fusillade—in conjunction with Collins’ flair for the unexpected twist and turn—creates more than enough exquisite dramatic tension to sustain interest over 30 hours. Of course, like any good Victorian novel, this one repays that investment of time with more than thrills and spills. There’s humor:
“A man who is entering on a course of reformation ought, if virtue is its own reward, to be a man engaged in an essentially inspiriting pursuit. But virtue is not always its own reward; and the way that leads to reformation is remarkably ill-lighted for so respectable a thoroughfare.”- Book the Second, Chapter IV
And memorable observations of our human condition:
“The influence exercised by the voice of public scandal is a force which acts in opposition to the ordinary law of mechanics. It is strongest, not by concentration, but by distribution. To the primary sound we may shut our ears; but the reverberation of it in echoes is irresistible.” – Book the Third, Chapter VII
Mercifully, this story lacks one other hallmark of the Victorian novel, the sentimental soapbox of social justice. These characters are too interesting and complex to be reduced to mere emblems and exemplars.
Some reviewers cavil at the myriad coincidences. Collins himself has his female lead, Lydia Gwilt, exclaim, “How unnatural all this would be if it was written in a book!” But this is not just a Victorian novel; it is a Victorian "novel of sensation", of mysteries, secrets and veiled motives, where, as the lawyer writes in the second to last chapter, “…rogues perpetually profit by the misfortunes and necessities of honest men.” Everything revolves around curses, fate, superstition, and whether we can escape what, for lack of a less melodramatic term, I’ll call destiny. In that context, each coincidence functions not as a cheap plot device, but a deepening of the central conundrum: is it of natural or supernatural origin? In an endnote, Collins leaves that up to us. For myself, history is rather too liberally studded with coincidence for me to think them wholly coincidental.
Third in the series of four remarkable novels Collins produced in the 1860’s, this strikes me as his best. It is certainly his most complex and ambitious from the standpoint of theme, plot, motivation, and character development. Whether he’s reading Lord Byron, Chretien de Troyes, Alessandro Manzoni or Wilkie Collins, Nicholas Boulton hands in a flawless performance. And the same goes for the rest of the cast, especially Rachael Atkins and Lucy Scott.
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5 people found this helpful
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- Alex
- 05-03-22
Best Wilkie Collins Novel!
Wow, this story is a good one. Thanks to audible, I’ve listened to 4 other Wilkie Collins novels and this one is my favorite! He’s such a talented storyteller and the voices reading it definitely do it justice. Highly recommend to anyone who is a fan of 19th century novels.
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- Proud Parents of Furry Kids
- 10-28-20
Listen again & again to unravel layers of mystery
Armadale has always been one of my favorite novels. With this beautiful production, I've been given a chance to listen to it again and again and delve deeply into the complexities of this story. The author tells the tale of two remarkable people who began life with the worst sort of luck. No family to care for them as children, no formal education, nothing to set them up in life. Each was exposed to adults who abused them. Each had nothing but his or her intelligence to educate and polish them. But one strives to be moral, and the other flouts morality. Or so it appears at first. The greatness of this novel is in its complexity. There is a modern feel to it in that the psychology of the characters, even down to their irrational beliefs, determines their actions and their outcomes. There is no good or evil character; only characters that choose to do good or evil and may choose differently at any moment.
The heroine is one of the strongest female characters I have come across in literature. She appears wicked and yet at no time does Wilkie Collins let us condemn her as wicked. She is riveting. She is magnificent.
Like other Wilkie Collins novels, Armadale is peppered with letters. Imagine a scene intent on critisizing the prurience of society, but written in letter form, so that we (the readers) become part of the scene, eavesdropping on someone else's life as divulged in the letter...
There's even a subtle criticism of the unequal treatment of blacks. There are two men starting out in life with the same name, but each with a very different beginning. And the man with a black ancestry is the one mistrusted for his brooding nature, his apparent moodiness, his dark complexion. This man masters his inheritance of murder and heritage of superstition to save his friend, the best of men because his morality is expressed in deeds instead of social mores.
Character names, too, will tease you. Miss Lydia Gwilt...so reminiscent phonetically to Lady Guilt—but whose is the guilt? Her’s or society’s? And Armadale—Arm a dale—two concepts so strangely coupled into a beautiful name. As you listen to the story again and again, take the time to contemplate the phonetic meanings behind the names, as clues to the theme of the novel.
To express his theme, Collins uses characters that are foils to each other. This is not merely true of the main characters as they relate to each other, but of these characters in relation to lesser ones or even to the social backdrop as a whole. Once again, the letters not only make the story more intimate at times, but they force us to engage in this comparison, to unmask the subtle statements Collins is weaving through the events of the novel.
It's easy to read Armadale superficially, but the puzzle untangles so many layers of mystery the more you ponder this story. So I love listening to this production for this reason, because I cannot digest everything Collins did in one read or one listen.
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