Manfred Macx is a patent junkie, spending his days dreaming up ideas that will make him rich, very rich indeed. He patents them and then offers them up to anyone for free. In doing so, he has shunned the need for cash, preferring to live off the generosity of his benefactors. Enter uploaded lobsters wanting to defect, government investigations, and a dominatrix ex-girlfriend who works for the IRS and you've got yourself a hip post-cyberpunk tale.

Bob Howard is a computer-hacker desk jockey, who has more than enough trouble keeping up with the endless paperwork he has to do on a daily basis. He should never be called on to do anything remotely heroic. But for some reason, he is.

Here is a modern novelette in H.P. Lovecraft's Cthulhu mythos. Imagine David Cronenberg directing Dr. Strangelove, based on a script by H. P. Lovecraft. Imagine an alternate history in which nuclear bombs are not the ultimate weapon, but instead are merely a stepping stone to eldritch technologies accessible through certain trans-dimensional forces first encountered in 1920s Antarctica, technologies that neither the United States nor the USSR can quite contain.

What is VALIS? This question is at the heart of Philip K. Dick's groundbreaking novel, the first book in his defining trilogy. When a beam of pink light begins giving a schizophrenic man named Horselover Fat (who just might also be known as Philip K. Dick) visions of an alternate Earth where the Roman Empire still reigns, he must decide whether he is crazy or whether a godlike entity is showing him the true nature of the world.

Prolific novelist Stross pauses to collect short stories that have not (yet) been stitched up into his longer work. Stories that move the US - USSR conflict onto a massive disk in another galaxy (Locus Award-winner "Missile Gap"), offer a spam-filter solution to the Fermi paradox ("MAXOS"), and suggest clever bargains with the devil in a newly frozen Scotland ("Snowball's Chance") demonstrate Stross's ability to crisscross genres, blending SF, fantasy, horror, and espionage.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.