All Systems Red (Dramatized Adaptation)
The Murderbot Diaries, Book 1
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By:
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Martha Wells
About this listen
A murderous android discovers itself in All Systems Red, a tense science fiction adventure by Martha Wells that interrogates the roots of consciousness through Artificial Intelligence.
"As a heartless killing machine, I was a complete failure."
In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.
But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.
On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.
But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.
Performed by David Cui Cui, Khaya Fraites, Zeke Alton, Alejandro Ruiz, Aure Nash, Bradley Foster Smith, Holly Adams, Megan Dorminy, Natalie Van Sistine, Michael John Casey, Rayner Gabriel, Shanta Parasuraman, Tanja Milojevic and Wyn Delano.
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In the not-too-distant future, a 21-member crew launches from Earth. Their mission: to establish a temporary colony on Mars. Little do they know that colony will become permanent–and the last stand of the human race. Because, without warning, every single person left on Earth simply...vanishes. Now, a thousand years later, the resources needed to sustain life are running out, and the very existence of the Mars colony is threatened. Humankind has only one option–to return to its home planet.
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It was ok.
- By Cregg Terasa on 08-06-24
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A masked vigilante known only as ""X"" dispenses justice without mercy to the criminals who rule the decaying city of Arcadia. When muckraking blogger Leigh Ferguson snoops down the wrong alley, she gets swept into X's bloody war with a politically powerful crime lord.
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What listeners say about All Systems Red (Dramatized Adaptation)
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- Crater Eddie
- 09-28-23
Don't Bother!
Hated it. Kevin R. Free brings Murderbot and his humans to life. This was a poor reading with sound effects. If this had been my first experience with Murderbot, I would not buy any other. As it is, thank you Mr. Free, I can't wait for the next installment.
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- A
- 09-24-23
Somewhat flawed, but overall good.
This is my first “dramatized adaptation” I have purchased. Being a fan of the source material, I figured I would give it a shot.
First, the positives. The sound design and music were really well done. There were a lot of little moments captured that made the experience unique. Music was also a great fit and performed just as well.
Also, I would like to applaud the actor who did murderbot. I felt he did a really good job capturing that Kevin R Free feeling of the voice. Also honerable mention to Ratthi’s voice actor as well for playing him in a memorable way.
Some minor issues: someone else mentioned the voice actresses sounded too similar. Although I do understand it, I think it’s very mitigated by Wells’ fantastic dialogue, giving you an idea of who is talking just by the way they speak. So that wasn’t a big issue for me. There still could be improvement though. Just even different accents could help.
The big issue: this is ultimately what gives the performance a 3 star rating and the overall a 4 star rating. Dr. Mensah was misscasted. From the book to Free’s audio book version has her with a much older voice that makes it clear that she’s the boss of whatever group she finds herself in (also, if I remember correctly, she’s around 50) . This is especially important in Exit Strategy, where she’s butting heads with Murderbot and is the only one who could make him back down. What makes the casting decision even weirder is that the actress who voices Pin-Lee seems to have a slightly older voice that matches better, and Dr. Mensah’s voice matched Pin-Lee’s better. If they were swapped, it would have been a lot better. So I don’t know what really happened there.
Overall, I would buy this version if your a fan of murderbot like I am. But I do hope that find a good match for Mensah for Exit Strategy, if it is also made in this form.
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- Joshua Scholl
- 12-16-23
Amazing Story, Subpar Reading
Multiple words mispronounced and somewhat lower quality reading than the original audiobook. Not sure I’d buy GraphicAudio audiobooks again.
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- Mya likes her bikes!
- 06-01-24
Whaaa? Love these books, but the dramatization failed.
I love these books, but the dramatized version was pretty awful. I hope the tv version gets the message.
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- Lucy A. Pithecus
- 10-05-23
Mismatch of story & casts
The story is excellent, I love the dramatized effects (the clings and clangs). and the narrators are established performers, but this production is a mismatch.
First, this version is too fast. The original audiobook is 3 hours 17 minutes, and the dramatized version is 2 hours 30 minutes (the last few minutes in this version is a sample of another book). Just because the story is fast-paced, it doesn't mean the reading needs to be rapid. The book sounds to me like the narrators want to finish reading the book quickly and finish it. A more leisurely narration helps the readers to enjoy the story and the special effects. The people can talk fast, but the narration needs to be stable and clear.
Second, the narrator for Murderbot reads everything in a monotone - the story narration, the actions, the inter-thoughts, and the dialogues - everything sounds more or less the same. This technique could be good for non-fiction, but what's the point of dramatizing a book if the narration is flat?
Third, the voices of some characters sound out of character. For example, the voice of Dr. Mensha, who is an established middle-aged woman and a fearless leader, sounds too young. Yes, in real life, someone in her shoes could technically sound like that, but in an audiobook, we, the readers, want the character to sound like what we expect him/her/them to be unless there is a good reason for otherwise. Also, I (and my friend, who has only read the books and not listened to the audio versions) think Murderbot's voice should be lower. I do like the casts for Ratthi and Gurathin - they fit the personalities.
If you are new to the story and intrigued by the story, please listen to the original version narrated by Kevin R. Free. If you are a fan and curious, try this at your own risk. (I know about the risk, but I still can't resist.)
If you are looking for outstanding dramatized audiobooks, check out: "Good Omens - A Full Cast Production" by Neil Gaiman & Terry Pratchett, and narrated by the main actors in the TV show; "The Graveyard Book: Full-Cast Production" by Neil Gaiman; or "The Sandman" by Neil Gaiman, all three books, which are straight-out full cast books, not dramatized version of audiobooks, but the best dramatized audiobook ever.
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13 people found this helpful
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- Marlene Morris
- 05-10-24
Love the story, not the performance
I love The Murderbot Diaries, and have read them several times so I decided to try the audio versions for my work commute. The audio version of Network Effect was pretty good so I decided to get the whole series. Unfortunately All Systems Red is poorly cast and poorly performed. The reader for SecUnit is light, chipper, and going way too fast. SecUnit is anxious and depressed and it expresses that in sarcasm and dry humor. To convey that you need a slower pacing and emphasis for emotional weight. Also, the reader for SecUnit mispronounced a few words - was there no director? Was the director not paying attention? And Dr. Mensah is described as having very dark skin and being calm and mature but the reader for her sounds like a 20-something white woman. I returned the audio and Audible returned my credit so I have no complaints there. I'll listen to samples before I buy next time. Maybe the series will be re-done after the Apple+ show.
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- Jason
- 10-10-23
fun, but go with the audio book rather than this
Huge fan of the book series in print and audio. I snatched this up to have a new way to enjoy Murderbot. This story definitely benefits from a full cast! My complaints are all about the editing/production choices. 1. The edits cram audio information too close together to be easily parsed. The original audio book is much easier to understand in this regard.
2. Murderbot essentially needs three consistent voices or voice effects from its narrator: one to voice the dialogue, one to narrate the thoughts, and one to give voice to feed messages. Instead, this production chose to put effects on in-flight communications (but only on Murderbot's voice, even though there were other people on the flight talking - wth?). It was too little and too inconsistent to work for helping me to understand when Murderbot was talking out loud versus not. The original audio book's performance is able to subtly convey these voices. I had been hoping for a more obvious performance here that did not at all deliver.
3. I had hoped for sound effects that were more immersive, but they seem sort of added on timidly in the background.
I'd say pick this up if you enjoy the story already and therefore don't need to scramble to understand it. If you're new to Murderbot, go with the audio book narrated by Kevin R. Free. Their performance is great, and more easily understood. I really missed their performance of Pin Lee in particular.
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- Jyoung
- 09-16-23
Just, ok.
I have listened to the original audiobook version, several times. I was excited for this new version. If you’ve never listened to the original version, this enhanced version is a good introduction to the Murderbot series. However, I did not find it an improvement over the original.
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- Paul G. Davitt
- 09-19-23
voice problem
seriously, who chose a young woman to play an old woman? the background noises didn't overwhelm the narrative. I enjoyed except for the one voice
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- Joyce Melvin
- 09-30-23
Not sure about this interpretation
I was really looking forward to this when I first saw it. I'm a big fan of Murderbot, and I love to see how different creative groups interpret the source material. in other words, I am that person who will watch and probably enjoy every variation of a book/movie/play that i like.
For this production, I'm not sure how successful this interpretation was. the added sound effects provided a surprisingly interesting environment. I didn't notice the music at all, but then I never notice the music in movies. the voice actors did a fine job, though I had difficulty telling characters apart in group scenes. unfortunately, some of the characters sounded very wrong. one who is a very serious and down to earth political leader sounded flippant and immature. the inflections were off (way off) for most of the production. towards the end, it was sounding better and finally hitting the emotional marks. these are production and directoral issues and not the fault of the actors.
this was my first Graphics Audio purchase, and it could very well be my last.
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