-
All Systems Red (Dramatized Adaptation)
- The Murderbot Diaries, Book 1
- Narrated by: Alejandro Ruiz, Bradley Foster Smith, Holly Adams, Michael John Casey, Zeke Alton, Rayner Gabriel, Natalie Van Sistine, David Cui Cui, Khaya Fraites, Aure Nash, Megan Dorminy
- Length: 2 hrs and 33 mins
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Publisher's summary
A murderous android discovers itself in All Systems Red, a tense science fiction adventure by Martha Wells that interrogates the roots of consciousness through Artificial Intelligence.
"As a heartless killing machine, I was a complete failure."
In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.
But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.
On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.
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In the not-too-distant future, a 21-member crew launches from Earth. Their mission: to establish a temporary colony on Mars. Little do they know that colony will become permanent–and the last stand of the human race. Because, without warning, every single person left on Earth simply...vanishes. Now, a thousand years later, the resources needed to sustain life are running out, and the very existence of the Mars colony is threatened. Humankind has only one option–to return to its home planet.
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It was ok.
- By Cregg Terasa on 08-06-24
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The Martian
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Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.
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I love Wil Wheaton but why not R. C. Bray?
- By L. Newman on 01-11-20
By: Andy Weir
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like a radio play
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In Antarctica, a research expedition discovers an ancient structure buried deep in the ice. In Indonesia, a genetics researcher identifies a breakthrough treatment for autism. But these two incredible discoveries aren't what they seem. They will set off a race to unravel the deepest secrets of human existence—the true history of human origins. And an event that could change humanity forever.
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great spy thriller style book reminiscent of dirk pitt
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The Majority always gets what it wants. Thomas Hill just wishes it didn't want him. There's no way to escape a galactic mob of mind readers, no way for him to blend in with his foster family and other average Americans. Because Thomas invented a way to save his own life. His custom medicine halts the progress of his degenerative neuromuscular disease. Newscasters proclaim him the next Einstein, but mere humans have no idea his bioengineered processing capacity rivals that of a supercomputer. They just think he's smart. However, there are other bioengineered supergeniuses in the Majority.
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2045, the Arctic Circle. A crew of six aboard the research vessel, The Nox, embark upon a voyage through the melting ice and Arctic dark in search of the last of the polar bears. The mission represents a ray of hope in a world ravaged by climate change, but it quickly becomes clear that some on board are in search of more than bears. Isolation and the disorientation of 24/7 darkness soon have the group losing their grip on reality – accidents, nightmares, or hauntings – no one can be sure, but the voyage seems cursed.
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Very disappointing
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Some people are born boring. Some live boring. Some even die boring. Fred managed to do all three, and when he woke up as a vampire, he did so as a boring one. Timid, socially awkward, and plagued by self-esteem issues, Fred has never been the adventurous sort. One fateful night, Fred reconnects with an old friend at his high school reunion. This rekindled relationship sets off a chain of events thrusting him right into the chaos that is the parahuman world.
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No Kirby means No Fred
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When a storm reveals a mysterious cave behind a waterfall, the young mystic’s apprentice and her wolf investigate. Inside, she discovers a secret place containing a pile of human bones and the young girl makes what could be a fatal mistake. In this Legends of the First Empire prequel, we witness the events that helped shape the woman who would one day become Suri the Mystic, the first Rhune Artist, and a hero to a generation
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Good preview, unsatisfying story
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What listeners say about All Systems Red (Dramatized Adaptation)
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Amazon Customer
- 01-13-24
Should have considered the story’s legacy
The work (book—narrative) is so good that it deserves better than this. Another reviewer’s critique addressed speed of delivery and gender and age of key characters, and nailed the disparagement of what comes off as an amateur review performance. Dramatic presentation of the Murderbot Diaries is desirable! But this isn’t it.
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- Kaitlin
- 04-02-24
funny and action packed
murderbot is a delightful and funny narrator! it's nice to see such a great representation of a nonbinary, introverted character, I cannot wait to read more in the series. full cast recording is excellent!
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- Keith G.
- 05-14-24
Mediocre version of the audiobook
Multiple voices and sound effects don’t make the story any better than the original. Movie in the mind is a little bit of a stretch
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- Lucy A. Pithecus
- 10-05-23
Mismatch of story & casts
The story is excellent, I love the dramatized effects (the clings and clangs). and the narrators are established performers, but this production is a mismatch.
First, this version is too fast. The original audiobook is 3 hours 17 minutes, and the dramatized version is 2 hours 30 minutes (the last few minutes in this version is a sample of another book). Just because the story is fast-paced, it doesn't mean the reading needs to be rapid. The book sounds to me like the narrators want to finish reading the book quickly and finish it. A more leisurely narration helps the readers to enjoy the story and the special effects. The people can talk fast, but the narration needs to be stable and clear.
Second, the narrator for Murderbot reads everything in a monotone - the story narration, the actions, the inter-thoughts, and the dialogues - everything sounds more or less the same. This technique could be good for non-fiction, but what's the point of dramatizing a book if the narration is flat?
Third, the voices of some characters sound out of character. For example, the voice of Dr. Mensha, who is an established middle-aged woman and a fearless leader, sounds too young. Yes, in real life, someone in her shoes could technically sound like that, but in an audiobook, we, the readers, want the character to sound like what we expect him/her/them to be unless there is a good reason for otherwise. Also, I (and my friend, who has only read the books and not listened to the audio versions) think Murderbot's voice should be lower. I do like the casts for Ratthi and Gurathin - they fit the personalities.
If you are new to the story and intrigued by the story, please listen to the original version narrated by Kevin R. Free. If you are a fan and curious, try this at your own risk. (I know about the risk, but I still can't resist.)
If you are looking for outstanding dramatized audiobooks, check out: "Good Omens - A Full Cast Production" by Neil Gaiman & Terry Pratchett, and narrated by the main actors in the TV show; "The Graveyard Book: Full-Cast Production" by Neil Gaiman; or "The Sandman" by Neil Gaiman, all three books, which are straight-out full cast books, not dramatized version of audiobooks, but the best dramatized audiobook ever.
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13 people found this helpful
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- Marlene Morris
- 05-10-24
Love the story, not the performance
I love The Murderbot Diaries, and have read them several times so I decided to try the audio versions for my work commute. The audio version of Network Effect was pretty good so I decided to get the whole series. Unfortunately All Systems Red is poorly cast and poorly performed. The reader for SecUnit is light, chipper, and going way too fast. SecUnit is anxious and depressed and it expresses that in sarcasm and dry humor. To convey that you need a slower pacing and emphasis for emotional weight. Also, the reader for SecUnit mispronounced a few words - was there no director? Was the director not paying attention? And Dr. Mensah is described as having very dark skin and being calm and mature but the reader for her sounds like a 20-something white woman. I returned the audio and Audible returned my credit so I have no complaints there. I'll listen to samples before I buy next time. Maybe the series will be re-done after the Apple+ show.
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- Amazon Customer
- 09-26-23
Maybe the printed version was better???
For it’s award pedigree this dramatized version makes the material seem to be the writing of a novice. Should I give the book a read ??
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2 people found this helpful
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- m_mkope
- 11-08-23
Disappointing
I am a fan of the written novel and of the original audio production, but not of this version. The production quality of this dramatization is good, except for the pacing. I usually speed up playback of audiobooks a bit. This listen is the first time I've had to slow the playback, and dramatically at that. Otherwise, Murderbot's sarcastic humor is lost and it comes across as just weird. Murderbot's character comes across as cheerful in this production, and that's all kinds of wrong.
The other character voices present a fresh take on these characters, and I enjoyed them. However, Murderbot's dry sarcasm is the entire point of the novela, and I miss it. This is not a response to the voice of David Cui Cui, which is fine, but in this instance he did not nail the essence of Murderbot.
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- Rook Wolf
- 11-06-23
My 4th Copy!
This is my 4th copy of this book. I own a hardcover, a digital book, a regular audiobook, and now this full audio drama version. And I do not regret a single one. The story is epic and I relate to Murderbot so much! The performances and sound effects were a great enhancement to the way everything played out too! Now I just need the movie!
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- Borden Fleetwood
- 10-16-23
This is Terrible.
The cast was competent, but the pacing destroyed an otherwise excellent book. I really enjoy Martha Wells' Murderbot Diaries, and while I was sad to see that Kevin R. Free was NOT cast as Murderbot, I was glad to see the series get enough attention to rate a full cast.
Overall, the acting was competent. Not great, and most were clearly not familiar with the wider corpus of the series, but good enough to be an enjoyable listen, if not for the glaring problem of pacing and tone. I don't know if the director was incompetent, if the producers were pushing an untenable schedule, or if the actors were simply never in a room together, but the performances almost universally failed to capture the tone of the book. The actor playing the SecUnit sounded just so gosh-darned happy to be there, youthful and full of hope as he portrayed an anxious, depressed, worn out slave, contracted out as a cheap second-hand security device, and at a pace that felt like a dead sprint. The other cast members, too, sounded like they were just trying to get through their lines as quickly as they could while still playing a character. Almost like a sight-reading.
The entire tone of the book in text and in the original audio is one of hopeless boredom, leading into visceral terror, to creeping dread, and finally to catharsis. The narrating character continually exhibits a sense of fatalism and depression, intermixed with mortal terror. the supporting characters spend most of the book terrified, thinking on the fly, struggling to figure out what's going on and what to do to stay alive. Why wasn't that portrayed? Why did it feel like we were just trying to get to the end of the book?
This could have been a wonderful addition to the series. Instead it feels like a self-fulfilling prophecy of failure handed down from a board room executive.
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- Pete
- 09-21-23
Where's Kevin?
As a fan, Murderbot's voice can only be Mr Free. While everyone did a fine job, nothing was added to the story with the dramatization. And yet something critical was LOST and that was the absence of Mr Free's voice.
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13 people found this helpful