In ordinary life, a mentor can guide a young man through various disciplines, helping to bring him out of boyhood into manhood; and that in turn is associated not with bodybuilding, but with building an emotional body capable of containing more than one sort of ecstasy.

This discussion between best-selling authors Deborah Tannen (You Just Don't Understand) and Robert Bly (Iron John) is presented as a sort of continuing education program. It is utterly delightful. The authors are both funny and serious. They care a great deal about the topic of women and men's conversational styles. The production is so well done that even questions from the audience are picked up by the microphones.

Robert Bly looks beyond the individual psyche to the problems of our public life, explaining why we as a culture are so adrift. What he finds is an infantilized society in which the battle between youth and age has been won by youth. Bly argues that in the collapse of the old patriarchal worldview, we are becoming a world of "siblings" who do not look up to heroes, leaders, or God, but only sideways at an army of siblings like ourselves. Through the psychological lessons embedded in ancient folk tales, Bly challenges us to move beyond our own adolescent envy and fantasy.

A Course in Miracles says that this world and every aspect of it got started when the Son of God remembered not to laugh. What we failed to laugh at is the joke that is ourselves. Now, however, you can have a true experience of metaphysical mirth - you might even, yourself, achieve "full realization".

When a woman or a father attacks a naive male, he immediately opens himself up and takes the attack right into himself. "Oh, yes, that is true. I am really bad!" It does not occur to him that the attack may be something quite different. Maybe the woman or father is angry at something else and is displacing or projecting the anger onto the man. The naive male takes in the attack, feels the wound, and then bends over, psychologically.

These broadcast quality archival recordings have been edited down into an amazing journey led by Robert Bly, one of America's greatest and entertaining thinkers. This audio explores the poetry of Yeats and goes deep into the author's biography to help bring to light the inspirations of Yeat's great works.

Robert Bly - one of the most compelling mythologists and storytellers of our time - captures the imagination in two live recordings. In The Human Shadow, Bly takes us on a thought provoking and entertaining journey exploring our "shadow" through poetry, music, and storytelling. What Stories Do We Need? reminds us that the mythology we have inherited is often defective. Just as the church refused to accept the reality Galileo saw in his telescope, literalists have removed the dark soul images that nourished our ancestors from mythology.

Leaving naivete behind may open up the wilder regions of maleness, where men can wrestle with their demons and, in time, reach maturity and balance, according to Bly, poet and men's workshop facilitator. This is a fascinating dialogue which explores the mystery of maleness and includes Bly's storytelling mastery and poetry.

Jalaluddin Rumi is unquestionably one of the greatest spiritual poets of the world. This audio features Robert Bly and Coleman Barks each reading his own versons of Rumi. Brilliant musical accompaniment provides playfulness and ground to great spiritual expression.

Characterized by petty rivalries, self-indulgence and lack of responsibility, our actions fail to fulfill what Robert Bly describes as our true soul longing. With characteristic irreverence and storytelling from various cultures, Bly tells us what we should be doing about green-haired adolescents and idle elders, not to mention televisions and computers. His insightful focus illuminates the truths and possibilities of a culture caught in an adolescent phase of development.

"As a man is, so he sees." These words of mystical poet and artist William Blake are just as relevant now as they were when they were written in 1802 - perhaps more so. Throughout his life, Blake undertook a voyage beyond rationality and materialism to an interior, visionary realm where "all things appear as they are - infinite." Yet all human beings, he believed, are capable of opening their eyes to a fuller experience of life.

Bly describes the three necessary and sequential life phases symbolized by three colors - the "red, white and black," in the Grimm Brothers' fairy tale "Iron John." He casts a penetrating light on these male life stages, describing complications that arise, for example, when a boy skips the red and goes directly to the white. He also discusses how these stages, when fulfilled, affect men's relationships with women.

An extraordinary visit with one of America's leading poets provides a unique exploration of the mystery of maleness. Bly uses fairy tales to illuminate the dark recesses of the psyche, and the result is a powerful intimation of the male experience and potential. From the soft, feminine male persona to the deeply buried wildman, Bly takes us on a journey through unmapped territory of the masculine. For men and women this is a conversation not to be missed.

In this discussion, Bly talks of four sources of shame, including shame inherited from parents, grandparents, and ancestors, and shame over our bodily and creative instincts. It opens with a Russian fairy story on the Frog Princess and the shame we feel over our interior "Frog Bride." Bly and host Michael Toms discuss the new work in America on shame, most of it done during the last ten years.

In this BetterListen Classic Course, recorded in NYC in 1989, Robert A. Johnson, the celebrated author of He, She, and We, revisits two medieval tales and illuminates how this feeling function has become a casualty of our modern times. Johnson tells the story of the Wounded Fisher King from the Grail Myth to illustrate the anxiety and loneliness that plague men. From the folktale of the Handless Maiden, he explains the very different frustrations of women.

When mystery author D. B. Ziegler is late delivering her book, Abi Schore steps in to help. Surely she can give her favorite author moral support over the holiday break and get the manuscript to her boss at Tea & Sympathy Publishing in time for the new year. When Abi shows up on Ms. Ziegler’s doorstep bearing holiday treats, she’s met by the author’s handsome grandson Dov, who reveals a startling plot twist. His grandmother isn’t able to finish the book and Dov promised he’d complete it so fans won’t be disappointed—a task that’s harder than he ever imagined.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

There's no place like home for the holidays ... especially for Lesley Carver. Life in the big city just wasn't her jam and now she's back in Hickory Falls, working at the family diner and helping her mom after she took a tumble. Lesley longs to build a life here, working at the cafe, selling her handmade ornaments and ... er, apparently reviving her high school crush on her best friend’s older brother. Only one problem, her mom wants her to leave Hickory Falls far behind.

Tilly Farriday isn’t feeling very jolly this season. Recently divorced and broke, she’s squatting in one of her rental agency’s properties until her new home is ready. The sprinkles on top of the burnt Christmas cookie that is her life? The new owner shows up early, forcing Tilly to hide in the attic to save her job…and what remains of her dignity.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before.

Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.

As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.