Growing up in a lighthouse on a remote island, Orca Monroe has lived isolated from the world . . . until one day when she finds a cell phone washed up on the beach. Orca has her first conversation with Jack Stevenson, a young man whose older brother, Adam, has gone missing after crashing his seaplane off the coast. Orca becomes Jack's lifeline and his reason to hope that Adam is still alive. One stormy night, Orca finds Adam Stevenson collapsed on her doorstep. As she nurses him back to health, she finds herself spellbound by his inquiring mind and rugged good looks.

It’s Tessa and Weston’s first Christmas together, and Tessa is determined to make it the best holiday ever. But when her estranged mother shows up with a suitcase and plans to stay for two weeks, Tessa’s hopes are shattered. Bitter from the past and still holding a grudge, Tessa is in no mood to give her mother a second chance. The holiday season may be a time of reconciliation with family, but Tessa believes her mother will never change. Why get close when she’s just going to leave again? Tessa realizes there is only one way to save this Christmas: avoid her mother as much as possible.

Running from his past and living in fear of being discovered, Ion knows he will never be an average college student. But when Hawk, the beautiful, mysterious girl next door unearths his darkest secret, Ion’s life is flipped upside-down. He’s shocked to discover a whole world of people just like him; a world in another dimension, where things like levitation, shape-shifting, and immortality are not only possible, they’re normal. Ion struggles to control his powers in the real world while commuting between realms...until his arch enemy starts a fight he can’t escape.

Set over the course of one school year in 1986, this is the story of two star-crossed misfits-smart enough to know that first love almost never lasts, but brave and desperate enough to try. When Eleanor meets Park, you'll remember your own first love—and just how hard it pulled you under.

It's every novelist's greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page-one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot).