World Art History

Fallen Idols looks at 12 statues in modern history. It looks at why they were put up, the stories they were supposed to tell, why those stories were challenged, and how they came down.

Now a Netflix Original Series, featuring interviews with Steven Spielberg, Francis Ford Coppola and Guillermo del Toro. Before the Second World War, the Hollywood box office was booming, but the business was accused of being too foreign, too Jewish, too 'un-American'. Then the war changed everything. With Pearl Harbor came the opportunity for Hollywood to prove its critics wrong. America's most legendary directors played a huge role in the war effort: John Ford, William Wyler, John Huston, Frank Capra....

Wendy Law-Yone was 15 at the time of Burma's military coup in 1962. The daughter of Ed Law-Yone, daredevil proprietor of Rangoon Nation, Burma's leading postwar English-language daily, she experienced firsthand the perils and promises of a newly independent Burma. On the eve of Wendy's studies abroad, Ed Law-Yone was arrested, his newspaper shut down, and Wendy herself was briefly imprisoned. After his release, Ed fled to Thailand with his family, where he formed a government-in-exile.

There were talented and dexterous people living in what is now Southern Iraq during the time of Sumer. Humankind's first known civilization arose in the fertile plain irrigated by the Euphrates and Tigris rivers some 6,000 years ago "suddenly", "unexpectedly", and "with stunning abruptness", according to researchers. It was a society to which we owe virtually every "first" of what we consider essential to an advanced society.

This book is intended as a survey of pyramids and possible pyramids worldwide. There are more than 50 different pyramids and sites reviewed.

From the earliest times, human beings have found it difficult to represent their own bodies in a straightforward way. The rare painted images of humans in Paleolithic art are much less naturalistic than the images of animals created at the same epoch. At the dawn of art, representations of the nude body were simply vehicles for statement about the need for fertility if the human race was to survive successfully.

They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles, sometimes gliding through countries in the splendour of a first-class sleeper car. While empires collapsed and fledgling democracies faltered, they chased deposed empresses, international financiers and Balkan gunrunners, then knocked back doubles late into the night.

On 12 October 2010 the world's attention was fixed on a remote Chilean mine. Final preparations were underway for a daring rescue to end the longest underground entrapment in human history. Learn how 33 trapped men and the rescuers dedicated to saving them created a miracle in the desert. What those men experienced in the claustrophobic dark of the mine, and how their families kept faith, makes this an unforgettable story.

أشخاص صغار الحجم يطلق عليهم اسم الهوبيت، وحوش شريرة قاتلة شرسة هم الأورك، جنيات طوال القامة بقدرات هائلة، أشجار وتنانين تتحدث وسحرة طيبون وأشرار وقوى الظلام وعوالم غريبة وجديدة كلها في قارة كاملة تسمى الأرض الوسطى وتجري فيها أحداث عجيبة وسحرية وحروب طاحنة ومغامرات أغرب وأعجب من الخيال.

As a boy, Simon Garfield started collecting "errors" - rare stamps flawed by printing faults and absent colours. As an adult his childhood obsession became a full-blown mid-life crisis. This amusing but painfully revealing account of a passion he was once only able to admit to people he could really trust traces his fascination for these tiny print slip-ups from the simple pleasures of boyhood to an attempt to create order out of chaos and finally the gradual decline and break-up of his marriage.

It is a historical peculiarity of landscape painting that it begins with the artificial, and only after that proceeds towards the natural. For example, landscape paintings, and especially fanciful Nilotic panoramas, were one of the genres produced by artists in Pompeii. When, with the Renaissance, landscape painting once again started to establish itself after a long interval, the representations of the surrounding world that artists began to produce as a separate and independent genre, rather than simply as a background for human figures, were usually more fanciful than real.

For more than thirty years Francesco Lotoro, an Italian pianist and composer, has been on an odyssey to recover music written by the inmates of Adolf Hitler's concentration camps and the gulags of Stalin's Soviet Union. Between 1933, the year of the opening of the Dachau Lager in Germany, to Stalin's death in 1953 when thousands of Soviet prisoners were released, Lotoro pieces together the human stories of survivors whose only salvation was their love of music.

James Marsh tells of his evolution from a troubled childhood to a long career in publishing that culminated in the creation of The Canadian Encyclopedia—what one reviewer called “the intellectual equivalent of the building of the CPR.” Through friendships, curiosity, the insights of a charismatic psychiatrist, his passion for books, and the intimate encounters with the authors he met, he championed a diverse and inclusive view of Canada, which was used to draw the great minds of an impossible nation together in a common national enterprise.

The fascinating Mexican artist Frida Kahlo is remembered for her self-portraits, her dramatic works featuring bold and vibrant colors. Her work brought attention to Mexican and indigenous culture, and she is also renowned for her works celebrating the female form. Brown's story recounts Frida's beloved pets - two monkeys, a parrot, three dogs, two turkeys, an eagle, a black cat, and a fawn - and playfully considers how Frida embodied many wonderful characteristics of each animal.

This striking new collection exemplifies the way in which Mendelsohn - a classicist by training - uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer’s epics to help explain the AI films Ex Machina and Her and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ‘bad boy of Athens’) about a wayward husband whose wife returns from the dead.

Lucky soldiers who could sing a song, perform a skit or pass as a “lady” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some 12 years after the war, the Dumbells became a household name and made more than 25 audio recordings.

This is the story of amateur dramatics in Britain. In a triumphant mix of memoir, social history, interviews and manifesto, Jenny Landreth opens our eyes to am-dram and shows us a vibrant world that is a crucial part of our culture. Starting with the Mystery Plays of the Middle Ages, we move, via Shakespeare, to the Georgian aristocrats who built opulent private theatres in their own homes, then to the halcyon days of radical lefties taking political theatre to the streets and on to the present day.

Marcel Reich-Ranicki spricht seine Essays selbst. Welche Funktion hat Literaturkritik? An wen wendet sie sich? Was will sie erreichen? Seit mindestens zweihundertfünfzig Jahren werden diese Fragen gestellt und mehr oder weniger erregt debattiert, denn sie treffen ins Zentrum des literarischen Lebens. Marcel Reich-Ranicki, die deutsche Institution der Literaturkritik, hat dazu scharfzüngige, kenntnisreiche und großartig formulierte Essays verfasst.

Before Ian Fleming there was Dennis Wheatley. A best-selling spy novelist at the outset of World War II, Wheatley became a master of deception for Great Britain, turning pulp fiction fantasies into real-life espionage. Pulitzer Prize-winning author Tina Rosenberg tells the amazing true story of one man who applied the plots of his own novels to the battlefield - and changed the course of history.

Walter Frentz var en af Hitlers topfotografer, og han kommer til Danmark sommeren 1943 efter ordre fra Føreren. Hans opgave er at dokumentere, hvor langt tyskerne er nået med den såkaldte Atlantvold langs den jyske vestkyst. Men i takt med, at Walter Frentz rejser rundt i et postkortskønt Danmark, bliver Atlantvolden mindre vigtig. For fotografen havner i en af de mest skelsættende måneder i den danske besættelseshistorie.