World Art History

This unprecedented history of Black cinema examines 100 years of Black movies - from Gone with the Wind to Blaxploitation films to Black Panther - using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown.

At the same time Adolf Hitler was attempting to take over the Western world, his armies were seeking and hoarding the finest art treasures in Europe. He had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised. A special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

The reason you never heard these histories is so dark that few have dared to speak about it, until now. Completely new and meticulously researched, Tai Chi, Baguazhang and the Golden Elixir erases 120 years of confusion and error to reveal the specific theatrical and religious origins of Chinese internal martial arts.

A collector of strange machines. An enthusiast of skiing and sweets. A world famous fantasy writer who kept many secrets, even from his own family. What did he do with the unsuccessful versions of his books? What did he do to anger Philip K. Dick? How did he survive three occupations of Lviv? In a word: Stanisław Lem's life was out of this world. It's a story full of unexpected twists of fate, funny anecdotes, tragic events, small secrets, and big mysteries. It's the first Polish biography of Stanisław Lem, written by another science fiction writer, Wojciech Orliński.

Pandemic, climate change, or war: Our era is ripe with the odor of doomsday. In movies, books, and more, our imaginations run wild with visions of dreadful, abandoned cities and returning to the land in a desperate attempt at survival. In The Next Apocalypse, archaeologist Chris Begley argues that we completely misunderstand how disaster works. Examining past collapses of civilizations, such as the Maya and Rome, he argues that these breakdowns are actually less about cataclysmic destruction than they are about long processes of change.

In February 1943, a group of journalists - including a young wire service correspondent named Walter Cronkite and cub reporter Andy Rooney - clamored to fly along on a bombing raid over Nazi Germany. Seven of the 64 bombers that attacked a U-boat base that day never made it back to England. A fellow survivor, Homer Bigart of the New York Herald Tribune, asked Cronkite if he’d thought through a lede. "I think I’m going to say," mused Cronkite, “that I’ve just returned from an assignment to hell."

Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past 50 years. From the salsa born and bred in the streets of New York City, to Puerto Rican reggaetón and bilingual chart-toppers, this rich oral history is a veritable treasure trove of never-before heard anecdotes and insight from a who's who of Latin music artists, executives, observers, and players. Their stories, told in their own words, take you inside the hits, to the inner sanctum of the creative minds behind the tracks that have defined eras and become hallmarks of history.

Scandal, shock, and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack.

There have been few times in modern music history that an instant shift in how we listen to - and view - music has occurred. However, the launch of MTV on August 1, 1981, was certainly one such occurrence. Instantly, music fans were now “listening with their eyes” rather than relying solely on their ears.

From its humble beginnings as a discount shop on Seventh Avenue, Barneys grew into an international phenomenon, setting the tone for fashion not only in New York, but across the country and worldwide. Told with razor-sharp wit and inimitable style, They All Came to Barneys takes us on an insider’s journey as rakish, would-be rocker Gene Pressman and the global fashion industry grew up and came into their own, side by side.

Leave Me Alone and I'll Make You Rich draws in entertaining fashion on history, economics, literature, philosophy, and popular culture, from growth theory to The Simpsons. It is the perfect introduction for a broad audience to McCloskey's influential explanation of how we got rich.

In Detestable and Wicked Arts, Paul B. Moyer places early New England's battle against black magic in a transatlantic perspective. Moyer provides an accessible and comprehensive examination of witch prosecutions in the Puritan colonies that discusses how their English inhabitants understood the crime of witchcraft, why some people ran a greater risk of being accused of occult misdeeds, and how gender intersected with witch-hunting.

Hans Memling, a painter from Flanders, is the holder of an unfortunate record. He painted a triptych, The Last Judgment, commissioned by Medici banker Angelo Tani. The paintings were intended for a new chapel in Fiesole in Tuscany, near the city of Florence. However, in April 1472, the ship on which they were being transported from Bruges to Florence was intercepted by Polish privateer and Danzig Town Council leader Paul Beneke.

In 1612, William Shakespeare gave evidence in a court case at Westminster; it is the only occasion on which his actual spoken words were recorded. The case seems routine - a dispute over an unpaid marriage dowry - but it opens an unexpected window into the dramatist's famously obscure life. Using the court testimony as a springboard, acclaimed nonfiction writer Charles Nicholl examines this fascinating period in Shakespeare's life.

The riveting story of China's rise from economic ruin to global giant in the four decades is illuminated by another, equally fascinating, narrative beneath its surface - the story of the country's emerging artistic avant-garde and the Chinese people's ongoing struggle for freedom of expression. By following the stories of nine contemporary Chinese artists, The Phoenix Years shows how China's rise unleashed creativity, thwarted hopes, and sparked tensions between the individual and the state that continue to this day.

Can anyone really own a culture? This magnificent account argues that the story of global civilisations is one of mixing, sharing, and borrowing. It shows how art forms have crisscrossed continents over centuries to produce masterpieces. From Nefertiti's lost city and the Islamic Golden Age to twentieth century Nigerian theatre and Modernist poetry, Martin Puchner explores how contact between different peoples has driven artistic innovation in every era - whilst cultural policing and purism have more often undermined the very societies they tried to protect.

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

With lips slightly parted and eyes fixed on a point in the distance, a breathtaking marble portrait of Costanza Piccolomini appears alive. Carved by Gianlorenzo Bernini in 1636 - 37 for his own pleasure, the portrait of Costanza is one of his most captivating works, but until now little has been known about its subject. For centuries Costanza was identified only as Bernini's mistress, who later incited his rage by betraying him for his brother. Author Sarah McPhee corrects and expands this story in her remarkable biography of a sculpture and its subject.

From a distinctive, inimitable voice, a wickedly funny and fascinating romp through the strange and often contradictory history of Western parenting.

In Broadcast Hysteria, A. Brad Schwartz examines the history behind the infamous radio play. Did it really spawn a wave of mass hysteria? Schwartz is the first to examine the hundreds of letters sent directly to Orson Welles after the broadcast. He draws upon them, and hundreds more sent to the FCC, to recapture the roiling emotions of a bygone era, and his findings challenge conventional wisdom. Relatively few listeners believed an actual attack was underway.