Working Class

Gewinner und Verlierer im Ungleichland – eine schonungslose Analyse der sozialen Ungerechtigkeit in Deutschland... Journalistin und Autorin Julia Friedrichs hinterfragt mit ihrem beeindruckenden und aufrüttelnden Sachbuch "Working Class: Warum wir Arbeit brauchen, von der wir leben können" die Wohlstandsillusion. In Zeiten der prekären Arbeitsverhältnisse und des Lohndumpings ist der Vermögensaufbau aus eigener Kraft für die meisten Bundesbürger unmöglich.

Raw, gritty, compassionate, surprising and darkly funny - Australian legend Jimmy Barnes' unforgettable childhood memoir. A household name, an Australian rock icon, the elder statesman of OzPubRock - there isn't an accolade or cliché that doesn't apply to Jimmy Barnes. But long before Cold Chisel and Barnesy, long before the tall tales of success and excess, there was the true story of James Dixon Swan - a working class boy whose family made the journey from Scotland to Australia in search of a better life.

For all the attempts to understand the state of American politics and the blue/red divide, we've ignored what economic and cultural loss can do to pride. What happens, Arlie Russell Hochschild asks, when a proud people in a hard-hit region suffer the deep loss of pride and are confronted with a powerful political appeal that makes it feel "stolen"? Hochschild's research drew her to Pikeville, Kentucky, in the heart of Appalachia, within the whitest and second-poorest congressional district in the nation.

Thirty years ago, almost nobody talked about the white working class: in the House of Commons and the House of Lords the term had been used just three times in the previous two decades. Brexit helped to turn the group into a towering social and political force. But, in the aftermath, one-third of the population has been reduced to a cartoon. Veteran Economist journalist Joel Budd has spent years travelling around Britain, from Teesside to the Isle of Wight, south Wales to Lincolnshire. In Underdogs he offers a sharp corrective to the familiar stereotype of the white working class.

It’s a life too big and a story too extraordinary for just one book. Jimmy Barnes has lived many lives - from Glaswegian migrant kid to iconic front man, from solo superstar to proud father of his own musical clan. In this hugely anticipated sequel to his critically acclaimed best seller, Working Class Boy, Jimmy picks up the story of his life as he leaves Adelaide in the back of an old truck with a then unknown band called Cold Chisel. A spellbinding and searingly honest reflection on success, fame and addiction, this self-penned memoir reveals how Jimmy Barnes used the fuel of childhood trauma to ignite and propel Australia’s greatest rock ’n’ roll story.

Velcro & Zippers originally appeared in the literary journal Raven Chronicles. It is also available on Kindle and in print as part of the collection Easy Money & Other Stories. True love is sweet, but it's not always meant to last. "He looked at her beautiful face and breasts, her firm abdomen, all striped by bands of light and shadow, wondering what she was doing with him, why she had stayed as long as she had. He reached across the table and touched her cheek with his fingertips, then leaned forward and kissed her lips. He sat back. She smiled." A short read with a subtle impact.

Many black strategies of daily resistance have been obscured—until now. Race rebels, argues Kelley, have created strategies of resistance, movements, and entire subcultures. Here, for the first time, everyday race rebels are given the historiographical attention they deserve, from the Jim Crow era to the present.

A century ago, it was a given that a woman with a college degree had to choose between having a career and a family. Today, there are more female college graduates than ever before, and more women want to have a career and family, yet challenges persist at work and at home. This book traces how generations of women have responded to the problem of balancing career and family as the twentieth century experienced a sea change in gender equality, revealing why true equity for dual career couples remains frustratingly out of reach.

Liverpool, 1935: Raised in a strict Catholic family, Viv Byrne knows what’s expected of her: marry a Catholic man from her working-class neighborhood and have his children. However, when she finds herself pregnant after a fling with Joshua Levinson, a Jewish man with dreams of becoming a famous jazz musician, Viv knows that a swift wedding is the only answer. Her only solace is that marrying Joshua will mean escaping her strict mother’s scrutiny. But when Joshua makes a life-changing choice on their wedding day, Viv is forced once again into the arms of her disapproving family.

Seraphine Mayes and her twin brother, Danny, were born in the middle of summer at their family's estate on the Norfolk coast. Within hours of their birth, their mother threw herself from the cliffs, the au pair fled, and the village thrilled with whispers of dark cloaks, changelings, and the aloof couple who drew a young nanny into their inner circle.

“Genius is one percent inspiration and ninety-nine percent perspiration.” This phrase, arguably Thomas Edison’s most famous quote, has been drilled into the minds of generations of Americans. A fairly straightforward iteration of the idea that innovation, discovery, and ingenuity are the result of drive and grit above all, it has also come to represent much darker myths: that hard work always leads to success and that achievement is the product of individuals and not communities.

Jen Dixon is not your typical Kansas City kindergarten class mom - or mom in general. Jen already has two college-age daughters by two different (probably) musicians, and it's her second time around the class mom block with five-year-old Max - this time with a husband and father by her side. Though her best friend and PTA president sees her as the "wisest" candidate for the job (or oldest), not all of the other parents agree.

Nobody who works hard should be poor in America, writes Pulitzer Prize-winner David Shipler. Clear-headed, rigorous, and compassionate, he journeys deeply into the lives of individual store clerks and factory workers, farm laborers and sweat-shop seamstresses, illegal immigrants in menial jobs and Americans saddled with immense student loans and paltry wages. They are known as the working poor.

Over the first two-thirds of the twentieth century, as many as eight million whites left the economically depressed southern countryside and migrated to the booming factory towns and cities of the industrial Midwest in search of work. The "hillbilly highway" was one of the largest internal relocations of poor and working people in American history, yet it has largely escaped close study by historians.

Conventional political wisdom views the two most consequential presidents of the 20th century - FDR and Ronald Reagan - as ideological opposites. FDR is hailed as the champion of big-government progressivism manifested in the New Deal. Reagan is seen as the crusader for conservatism dedicated to small government and free markets. But Henry Olsen argues that this assumption is wrong.

"Bridges We Build" takes readers into the heart of Watertown, New York, during the darkest days of the Great Depression. Through the eyes of Maggie O'Connor, a resilient housewife, the novel explores the intertwining lives of working-class families, small business owners, and local leaders as they struggle to survive—and ultimately rebuild—amidst economic collapse. From factory layoffs to neighborhood food drives, Maggie becomes the emotional anchor of her community, finding strength in resourcefulness and solidarity. As her husband Jim grapples with the shame of losing his job and ...

It’s a life too big and a story too extraordinary for just one book. Jimmy Barnes has lived many lives—from Glaswegian migrant kid to iconic front man, from solo superstar to proud father of his own musical clan. In this hugely anticipated sequel to his critically acclaimed best seller Working Class Boy, Jimmy picks up the story of his life as he leaves Adelaide in the back of an old truck with a then unknown band called Cold Chisel.

Rarely does a work of history contain startling implications for the present, but in The People, No, Thomas Frank pulls off that explosive effect by showing us that everything we think we know about populism is wrong. Today "populism" is seen as a frightening thing, a term pundits use to describe the racist philosophy of Donald Trump and European extremists. But this is a mistake. The real story of populism is an account of enlightenment and liberation; it is the story of American democracy itself, of its ever-widening promise of a decent life for all.

It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection.

Heiress Leah Sinclair is finally out from under the watch of her overprotective parents, and she’s ready to let loose and enter a new era — one filled with travel, exploration, adventure, and most of all… men. And what better options are there than charity auction where she can win a date with a sexy alien? Aano and Yahn is working a complex operation when things go sideways, and when they stumble upon a charity date auction, they figure it’s the perfect place to hide. And when Leah, a willing, slightly ditzy heiress offers them a tour of her ship, they see the perfect opportunity ...