Victorian Horror

Private investigator Charles Maddox is surprised when he is approached by Edward Tulkinghorn for help. The feared and shadowy attorney offers Charles a handsome price he can't refuse to do some sleuthing for a client. Charles learns that Sir Julius Cremorne has been receiving threatening letters, and now Tulkinghorn wants him to find and stop whoever is responsible. But what starts as a simple open-and-shut case swiftly escalates into something bigger and much darker. As he cascades toward a collision with powerful forces, Charles will need all the assistance he can get…

Iseult Wince is a Victorian woman perilously close to spinsterhood whose distinctly unpleasant father is trying to marry her off. She is awkward, plain, and most pertinently, believes that her mother, who died in childbirth, lives in the scar on her neck. Iseult’s father parades a host of unsuitable candidates before her, the majority of whom Iseult wastes no time frightening away. When at last her father finds a suitor desperate enough to take Iseult off his hands - a man whose medical treatments have turned his skin silver - a true comedy of errors ensues.

Clayton Barbour, the narrator, is a protected bourgeois son just weak enough to allow himself to be overwhelmed by a sly, dissembling force of evil, just strong enough to be constantly tormented by his weakness. Invited to a séance by a casual acquaintance, Moore, who sees in him a psychic force, he becomes the inadvertent victim of Moore's wife's contact with a channeled malignant force.

Celeste struggles with finding her way from a dark past, until she gets a summer volunteer gig at the local historical fair. Enter: outrageous actors, dominating psychics, and ghosts stirred by a medium’s presence. With the help of the psychic’s son - who isn’t at all what her dream date would look like but rather endearing all the same - Celeste uncovers secrets about the village left hidden among the dilapidated buildings.

Twin sisters Keziah and Tilly Lovell are identical in every way, except that Tilly hasn't grown a single inch since she was five. Then at the age of 15 the girls are sold to a mysterious Italian known as 'Captain'. Theo is an orphan, raised by his grandfather. Resenting his grandson for his mother's death in childbirth, Theo is forced to leave home without a penny to his name when he remarries, and a new heir is produced. Unable to train to be a doctor as he'd hoped, Theo finds employment in Dr Summerwell's Museum of Anatomy in London, and here he meets Captain and his theatrical 'family'.

In a warning against the fickleness of youth and love, a young artist makes a promise he has no real desire to keep and from which he discovers there is no escape. 'The Cold Embrace' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

A duke who has imprisoned himself in an attic for nine years is in need of a wife...Evander Meyrick, the Duke of Sutherton, has lived the past 13 years under a curse. He didn’t know just how bad the curse was until every lady he married died within a year of their wedding day. Now he has a step-daughter, Tabitha, who is ready for her first Season, and he longs to give her something he can’t have for himself: A normal life. A spinster who thought her best years were behind her may find a second chance so long as the curse doesn’t touch her...

A stay in Paris should be just the tonic for a distracted and insular German student. But it is the beginning of the French Revolution and the blood-stained guillotine is doing its grisly work every day. So when the student encounters a beautiful, distraught woman in need of comfort on its steps in the dead of night, he doesn’t consider this meeting perhaps as strange as he should. "The Adventure of the German Student" is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural.

At their newly founded school, Samuel Hood and his daughter, Caroline, promise a groundbreaking education for young women. But Caroline has grave misgivings. After all, her own unconventional education has left her unmarriageable and isolated, unsuited to the narrow roles afforded women in 19th-century New England. When a mysterious flock of red birds descends on the town, Caroline alone seems to find them unsettling. But it's not long before the assembled students begin to manifest bizarre symptoms: Rashes, seizures, headaches, verbal tics, night wanderings. One by one, they sicken.

"For the love of God, cut off my head." The last request in Uncle Silas's will shocks everyone speechless, everyone except his favorite niece, Anna. More than death itself, the claustrophobic Silas fears a premature burial. Will her elders carry out his request? Anna is certain they will not. It's up to her to do the right thing, even if it is a bit grisly. Armed with butcher knife and candle, Anna heads for the crypt underneath the church in the dead of night. All does not go according to Anna's careful planning.

A boy with a dream. A demon with no name. A childhood in suburbia like a lucid dream. It all comes together, in no way predictable. But, in every way true. The truth has emerged about life, and its parallel worlds. Many will never get it. Some, unfortunately, will forever fear it...

In Victorian London, a select group of writers, led by Arthur Conan Doyle, Bram Stoker, and Henry James, held an informal dining club, the price of entry to which was the telling of a story by each invited guest. These are their stories, containing tales of revenant loved ones, lost cities, weird science, spectral appearances, and mysteries in the fog of the old city, all told by some of the foremost writers of the day. In here you'll find Verne and Wells, Tolstoy and Checkov, Stevenson and Oliphant, Kipling, Twain, Haggard, and Blavatsky alongside their hosts.

Paris, 1750. In the midst of winter, as birds fall frozen from the sky, a new maid arrives at the home of a celebrated clockmaker and his clever, unworldly daughter. But rumours are stirring that Reinhart's uncanny mechanical creations - bejewelled birds, silver spiders - are more than mere automata. That they might defy the laws of nature, perhaps even at the expense of the living. But Madeleine is hiding a dark past, and a dangerous purpose - to discover the truth of the clockmaker's experiments and record his every move, in exchange for her own chance of freedom.

Can a curse strike twice in a woman's life? In 1854, 17-year-old chambermaid Clara Crofton was dismissed from Gravesend Hall for having fallen in love with Richard Blackwood, the younger son of the house. Alone in the world, Clara found a tenuous position as a seamstress, but she always blamed the Gravesend curse for the disaster that had befallen her - and for Richard's death soon after in the Crimean War.

A gothic mystery book set in Sounders Bay, Delmarvashire, during the late Victorian era. "Eyes of the Dead" masterfully spins a tale of mysteries, prophecies, and potent supernatural undercurrents, all deeply entwined with the ominously beautiful landscape of Sounders Bay. The Mysterious Bay and its Brooding AtmosphereStep into the world of Sounders Bay where looming sand hills, lush meadows and treacherous rocky inlets create a gothic atmopshere of chilling suspense. The protagonist battling with cryptic visions and messages from a gaunt mysterious lady named Gormala, successfully ...

Mary Shelley's Frankenstein, the book that changed the world. Published to coincide with the 200th anniversary of the publication of Mary Shelley’s Frankenstein and a movie starring Elle Fanning as Mary Shelley, Monster is a brilliant fictionalized biography akin to The Other Boleyn Girl. Two centuries ago this year, the young woman who invented science fiction was only 20 when she wrote the book that became Frankenstein. Mary Shelley said, “People ask how I, then a young girl, could think of, and dilate upon, so hideous subject?”

An ill-fated grave-robbery unearths a corpse with a most disturbing symbol on it. The very same sign is daubed in blood on the walls of Edinburgh's lunatic asylum, on the night that one of the patients is murdered. The mark in question? The mark of the devil. The prime suspect: Amy McGray, the asylum's most infamous inmate, a young woman who has grown up behind bars after she killed her parents many years ago. Her brother, Detective 'Nine-Nails' McGray, knows the evidence is stacked against her. To prove her innocence, he needs the help of an old friend.

Dr. Jekyll and Mr. Hyde are about to face off... Mr. Edward Hyde is slowly taking over Dr. Jekyll’s body and committing unspeakable acts while possessing him. Meanwhile, Dr. Frankenstein is working on improving a serum to prevent Hyde from overtaking Jekyll completely and becoming the most notorious serial killer of all time. Have no fear, Abraham Van Helsing is on the case. With help from Mina Harker, Lilith and Adam (Frankenstein) can he save the people of London from the monster that is extinguishing one life after another? Will they stop Hyde before he consumes Dr. Jekyll completely? ...

Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the 19th century, when brilliant writers everywhere indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Michael Sims brings together the very best vampire stories of the Victorian era - from England, America, France, Germany, Transylvania, and even Japan - into a unique collection that highlights their cultural variety.

Sullo sfondo della brughiera battuta dai venti, una ragazza umile ma volitiva trova lavoro come istitutrice nella casa di un uomo aspro e malinconico. Tra di loro nascerà inaspettata una grande passione, che dovrà però fare i conti con un segreto scabroso. Un capolavoro di una modernità dirompente, un cult che continua ad affascinare generazione dopo generazione.