Urban Studies

In his blistering new audiobook, Bias in the Booth, sports reporter and commentator Dylan Gwinn takes you inside the sports media spin machine to reveal what they hope you won't notice: The sports media are no different from the news and entertainment media.

A vividly written and timely polemic tackling the burning injustices shaping British society today, Fortress London argues that to address Britain’s manifold problems, we need first to end the hegemony of its capital. Enriched by a vast array of interviews and statistics, it will examine how our individual destinies, from childhood to death, are determined by the disproportionate power of London.

Tom Chivers follows hidden pathways, explores lost islands and uncovers the geological mysteries that burst up through the pavement and bubble to the surface of our streets. From Roman ruins to a submerged playhouse, from an abandoned Tube station to underground rivers, Chivers leads us on a journey into the depths of the city he loves.

Prince Callum is diplomatic. That is until Staxeons kidnap the man he loves. Then he will do anything required to make sure he is returned safely. That includes seeking the help of the enemy.

"Gee, Miss Plumtartt, after our calamitous arrival in this unsuspecting city, do you think we are still under threat of imminent murder by gangs of assorted, yet stylish, assassins?" Temperance asked. "I say, I do fear this to be the case, Mr. Temperance. The machinations of intrigue are not unlike one of your ingenious spring-driven contraptions, sir. Yes, plots boil and swarms of suspicious characters are at our every turn, eh hem?"

Dirty White Boy is a vivid mosaic of modern London, caught between the ghosts of the past and the uncertainties of the future. With an unforgettable cast of characters ranging from Chico the camp queen to Pam the Fag Lady (with guest spots by stars like Kathy Griffin and Graham Norton), these compulsively listenable true tales offer a wry panorama of Soho's rich and often raucous subcultures.

First published as Journal of The Gallery London in 1993 with revised editions in 1998, 2001, 2008 and 2011, over 600 entries chronicle the life of the city: a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters: in the streets, the movement of shoppers and travelers, and scenes of social and internal life.