Tudor Women

Some inheritances change your future. This one will help you find your way back home. Jana Calloway has built a perfect life—or so it seems. Maren Foster spends her days helping others heal, but her own heart remains guarded. Ivy West would rather run than risk being hurt again. They haven’t seen each other in over a decade, not since their friendship shattered under the weight of an unbearable loss. When their beloved college professor leaves them Winterfield Manor—a sprawling Tudor estate deep in the Oregon mountains—the three women are brought back together to confront not just ...

1539. Anne of Cleves wins the dangerous prize of becoming Henry VIII’s fourth wife. From the start, Anne’s royal blood, education and fierce intelligence count for nothing as the king pursues young Katherine Howard. Katherine is a pawn in the political manoeuvres of her ambitious family; unprepared for the dangers that await, she steps into their trap. At her side is kinswoman Jane Boleyn, who has served - and betrayed - one queen already: her sister-in-law Anne, who died on Henry’s scaffold. Will Jane betray a second queen to the headsman?

When beautiful and successful Susan Harris jumps from the roof of her apartment building, she sets a tremor through her New York City mothers’ group that forces them all to look at one another with new cynicism: How could this have happened right under their noses? To one of them? Between her death and the harrowing private school admission season on the horizon, these women are forced to explore the hard truths about themselves.

It is 1685 and England is on the brink of a renewed civil war. King Charles II has died without an heir and his brother James is to take the throne. But the people are bitterly divided, and many do not welcome the new king or his young queen. Ned Ferryman cannot persuade his sister, Alinor, that he is right to return from America with his Pokanoket servant, Rowan, to join the rebel army. Instead, Alinor and her daughter Alys, have been coaxed by the manipulative Livia to save the queen from the coming siege.

Jacquetta, daughter of the count of Luxembourg and kinswoman to half the royalty of Europe, was married to the great Englishman John, duke of Bedford, uncle to Henry VI. Widowed at the age of 19, she took the extraordinary risk of marrying a gentleman of her household for love and then carved out a life for herself as Queen Margaret of Anjou's close friend and a Lancaster supporter - until the day that her daughter Elizabeth Woodville fell in love and married the rival king Edward IV.

It's 1527 and Hans Holbein is welcomed as a guest at the splendid Chelsea home of Sir Thomas More to paint the family portrait. Unknown to them, it is the dawn of a tumultuous time in English history, affecting the family as well as Tudor society. Meg Griggs, a foster daughter of More, attracts the attention of two people, one of them being Holbein. She marries one - but loves the other.

1568. Mary Queen of Scots, fleeing rebellion in her kingdom, is offered a safe haven by Elizabeth I with George Talbot, Earl of Shrewsbury, and his indomitable wife, Bess of Hardwick. The arrival of an extravagent queen turns the household upside down, as it becomes clear that the visit is a house arrest. Queen Mary makes Bess’ hard-won house a centre for unrest and treason, and - perhaps worst of all - Mary Queen of Scots’ fabled beauty starts to work on the Tudor loyalist, Bess’ own husband, George.

On her birthday, Elizabeth Tudor steps away from the celebration distracted by an exceptionally brilliant harvest moon. As she gazes upward, the familiar light surrounding the heavenly orb dances, swirls, then coalesces, dropping out of the heavens to hit the princess quite shockingly in the face. The moment the light touches Elizabeth, her skin begins to glow, which is most definitely a problem. Even more unsettling, Elizabeth soon finds herself casting about her own orbs of light.

Varina Westcott is a young widow and a talented candlemaker for the royal court and church. At a time of great political unrest in 1501, Varina is conscripted for a secret project by Queen Elizabeth of York. Her task? To carve wax figures of four dead children. But soon, news comes to the court: The queen's eldest child, heir to the throne, Arthur, prince of Wales, has died. Deep in her grief, Elizabeth of York does not believe her son died of natural causes or because of a sudden illness - she believes he was murdered by the king's enemies.

The idea of a powerful woman in the Middle Ages seems like an oxymoron. Females in this time are imagined to be damsels in distress, trapped in a high tower, and waiting for knights to rescue them, all while wearing traffic-cones for a hat. After rescue, their lives improved little. Their career choices were to be either docile queens, housewives, or be burned at the stake for witchcraft. But what if this image of medieval women is a complete fiction? It turns out that it is. Powerful female rulers fill the Middle Ages.

Frenchwoman Avril Montdidier is on a mission: to emigrate to Australia and start her own fashion business, leaving the tragedies of the Second World War behind her. She has family in Melbourne and an apprenticeship at Dior in Paris under her tailored belt, so the future seems bright. Avril settles into 1950s Melbourne and makes friends and contacts for her business-to-be. But just as she's ready to begin, an event in her personal life forces her to make the difficult decision to flee to a cattle station in southern Queensland to work as a nanny. It is here Avril meets Tim.

1431 is a dangerous time for a woman to be defiant. England has been fighting France for 100 years. At home, power-hungry men within a corrupt government manipulate a weak king - and name Cecily's husband, York's loyal duke, an enemy. As the king's grasp on sanity weakens, plots to destroy York take root. It will take all of Cecily's courage and cunning to save her family. But when the will to survive becomes ambition for a crown, will she risk treason to secure it?

Lydia finds herself interested in her handsome neighbour. Lord Danbye thinks his sweet little minx is adorable, but he is twice her age. It is the Year of our Lord, 1671. Nineteen-year-old Lydia Robins has a penchant for mischief. No matter where she goes or who she’s with, she will find herself in some kind of trouble. Her neighbour, the dashing, powerful Lord Danbye, Earl of Barnham, feels it is his duty to protect her, and although attracted to him, she finds his high-handed attitude rather irksome. When she’s invited to become a lady-in-waiting, he forewarns of the dangers at court,...

When multi-millionaire Jacki Turner is forced to take stock of her life, she sets her daughters a challenge - in order to inherit her vast fortune, each must fulfil a task that she believes will push them to become better versions of themselves. Rose, an exhausted mother of three, must write and publish a children's picture book. Exercise-hater Mel must run the Gold Coast marathon. Isla, the eldest, must figure out who she is beyond her wealth and status, while commitment-phobic Jess must stay in a relationship for longer than three months.

In 16th-century Europe, two women came to hold all the power, against all the odds. They were Elizabeth I and Catherine de Medici. One a Virgin Queen who ruled her kingdom alone, and the other a clandestine leader who used her children to shape the dynasties of Europe, much has been written about these iconic women. But nothing has been said of their complicated relationship: 30 years of friendship, competition and conflict that changed the face of Europe.

Frances Walsingham is the only surviving child of Queen Elizabeth’s ‘spymaster’ Sir Francis Walsingham. Better educated than most men, her father arranges her marriage to warrior poet Sir Philip Sidney. After Philip Sidney is killed in battle, Frances becomes Countess of Essex, and is banished from court after her husband Sir Robert Devereaux’s rebellion against the queen.

Anne Neville and her sister Isabel are daughters of the most powerful magnate in 15th century England. Ever ruthless, always plotting, in the absence of a son and heir, Warwick sets about using his daughters as pawns in his political games. Anne grows from a delightful child brought up at the court of Edward IV and his queen, Elizabeth Woodville, intimacy and friendship with the family of Richard, Duke of Gloucester. Her life is overturned when her father turns on his former allies, escapes England and invades with an enemy army.

Spanish Netherlands, 1620s: raised by her father Lucas to know her mind, Antonia Vorsterman sees everything that goes on in her world—all the rivalries and jealousies that course through the artists' studios and workshops of Antwerp. Drawn into the lively household of the artist Peter Paul Rubens, whose work her father engraves for a living, Antonia begins to see a life of colour and possibility for herself—until Lucas entrusts her with a terrible secret that will alter the course of their family's future.

In modern-day London, architectural historian and recovering alcoholic Annie Kendall hopes to turn her life around and restart her career by locating several long-missing pieces of ancient Judaica. Geoff Harris, an investigative reporter, is soon drawn into her quest, both by romantic interest and suspicions about the head of the Shalom Foundation, the organization sponsoring her work. He's also a dead ringer for the ghost of a monk Annie believes she has seen at the flat she is subletting in Bristol House.

Internationally bestselling author Philippa Gregory brings the tumult and intrigue of The Wars of the Roses to vivid life through the women of the House of Lancaster and the House of York, beginning with the story of Elizabeth Woodville, the White Queen. A woman who won the love of a king and ascended to royalty by virtue of her beauty, Elizabeth fought tenaciously for the success of her family -- her daughter who would one day unite the warring dynasties, and her two sons whose eventual fate has confounded historians for centuries: the Princes in the Tower.