Tudor Era

Anne Boleyn may be best known for losing her head, but as Tudor expert Tracy Borman reveals in a book that recasts British history, her greatest legacy lies in the path-breaking reign of her daughter, Elizabeth.

A young pretender raises an army to take the throne. Learning of his father’s death, the adolescent, dashing and charismatic and descended from the old kings of the North, vows to avenge him. He is supported in this war by his mother, who has spirited away her two younger sons to safety. Against them is the queen, passionate, proud, and strong-willed and with more of the masculine virtues of the time than most men. She too is battling for the inheritance of her young son, not yet fully grown but already a sadist who takes delight in watching executions.

Grace O'Malley, daughter of a clan chief in the far west of Ireland, went from marriage at fifteen to piracy on the high seas. She soon had a fleet of galleys under her commander, but her three decades of plundering, kidnapping, murder and mayhem came to a close in 1586, when she was captured and sentenced to hang. Saved from the scaffold by none other than Queen Elizabeth herself—another powerful woman in a man's world—Grace's life took another extraordinary turn, when it was rumored she had become intelligencer for the queen's spymaster, Sir Francis Walsingham.

C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.

Here is the tragic, stormy life of Mary Tudor, daughter of Henry VIII and Katherine of Aragon. Her story is a chronicle of courage and faith, betrayal and treachery - set amidst the splendor, pageantry, squalor, and intrigue of 16th-century Europe. The history of Mary Tudor is an improbable blend of triumph, humiliation, heartbreak, and devotion - and Ms. Erickson recounts it all against the turbulent background of European politics, war, and religious strife of the mid-1500s.

Why did Henry VIII marry six times? Why did Anne Boleyn have to die? Why did Elizabeth I's courtiers hail her as a goddess come to earth? The dramas of courtly love have captivated centuries of readers and dreamers. Yet too often they're dismissed as something existing only in books and song—those old legends of King Arthur and chivalric fantasy. Not so. In this ground-breaking history, Sarah Gristwood reveals the way courtly love made and marred the Tudor dynasty.

Drawing on the records of national and regional archives as well as archaeological remains, James Clark explores the little-known lives of the last men and women who lived in England's monasteries before the Reformation. Clark challenges received wisdom, showing that buildings were not immediately demolished and Henry VIII's subjects were so attached to the religious houses that they kept fixtures and fittings as souvenirs. This rich, vivid history brings back into focus the prominent place of abbeys, priories, and friaries in the lives of the English people.

For almost two decades before her execution at Fotheringhay Castle in 1587, Mary, Queen of Scots was a prisoner. From her chambers, she wrote countless letters, many encrypted using complex ciphers to prevent her communications from being intercepted. In this way, she used language to exert her will and her influence, even while incarcerated. More than four hundred years after Mary's death, the discovery of further encoded letters has led to renewed interest in the breadth of her correspondence while in captivity.

History has lied. Anne Boleyn has been sold to us as a dark figure, a scheming seductress who bewitched Henry VIII into divorcing his queen and his church in an unprecedented display of passion. Quite the tragic love story, right? Wrong. In this electrifying exposé, Hayley Nolan explores for the first time the full, uncensored evidence of Anne Boleyn’s life and relationship with Henry VIII, revealing the shocking suppression of a powerful woman.

England, late 1547. King Henry VIII is dead. His 14-year-old daughter Elizabeth is living with the king's widow, Catherine Parr, and her new husband, Thomas Seymour. Seymour is the brother of Henry VIII's third wife, the late Jane Seymour, who was the mother to the now-ailing boy king. Ambitious and dangerous, Seymour begins an overt flirtation with Elizabeth that ends with Catherine sending her away. When Catherine dies a year later and Seymour is arrested for treason soon after, a scandal explodes.

In this remarkable biography, Carolly Erickson brings Elizabeth I to life and allows us to see her as a living, breathing, elegant, flirtatious, diplomatic, violent, arrogant, and outrageous woman who commands our attention, fascination, and awe. With the special skill for which she is acclaimed, Carolly Erickson electrifies the senses as she evokes with total fidelity the brilliant colors of Elizabethan clothing and jewelry, the texture of tapestries, and even the close, perfumed air of castle rooms. Erickson demonstrates her extraordinary ability to discern and bring to life psychological and physical reality.

In lively, absorbing prose that rivals the finest literary fiction, prize-winning historian Carolly Erickson recreates the life of the notorious Tudor king, Henry VIII. In his youth as a charming national hero, his reign as a monstrous king, and his final days as a tottering old man, Erickson draws a thoroughly convincing portrait of one of English history’s most notorious characters.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

In Behind the Throne, historian Adrian Tinniswood uncovers the reality of five centuries of life at the English court, taking the listener on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire, the practicalities of cooking dinner for thousands and of ensuring the king always won when he played a game of tennis.

Jasper Tudor, son of Queen Catherine and her second husband, Owen Tudor, has grown up far from the intrigue of the royal court. But after he and his brother Edmund are summoned to London, their half brother, King Henry VI, takes a keen interest in their future. Bestowing earldoms on them both, Henry also gives them the wardship of the young heiress Margaret Beaufort. Although she is still a child, Jasper becomes devoted to her and is devastated when Henry arranges her betrothal to Edmund.

Sixteenth-century Europe was a time of destabilization of age-old norms and the waging of religious wars - yet it also witnessed the remarkable flowering of a pacific culture cultivated by a cohort of extraordinary women rulers who sat on Europe's thrones, most notably Mary Tudor; Elizabeth I; Mary, Queen of Scots; and Catherine de' Medici.

"Good people, I am come hither to die, and by a law I am condemned to the same." These were the heartbreaking words of a 17-year-old girl, Lady Jane Grey, as she stood on the scaffold awaiting death on a cold February morning in 1554. Minutes later, her head was struck from her body with a single stroke of a heavy ax. Her death for high treason sent shock waves through the Tudor world and served as a gruesome reminder to all who aspired to a crown that the ax could fall at any time.

Five Tudor monarchs sat on the throne of England and Ireland from 1485 to 1603. The family earned their royal rights through strategic planning and battlefield prowess, and kept them because of intellect, strength, and sheer determination. The Tudors, one of England’s most powerful and famous royal dynasties, knitted together a fragmented and small island nation that became one of the world’s financial, colonial, and technological superpowers.

Normal Women is a radical retelling of our nation’s story – not of the rise and fall of kings and the occasional queen – but of social and cultural change, powered by the determination, persistence and effectiveness of women – from 1066 to modern times. Did women really do nothing to shape England’s culture and traditions in nine centuries of turmoil, plague, famine, religious reform and the rise of empire and industry?