Theater Plays

An undercover vampire, a prophetic park bench, an audience on stage, a mixed-up fairy tale, a bad hand, a little gibberish, some self care, a dental obsession, and the end of the world are some of the things you will encounter in this fourth collection of ten-minute plays. Most are designed to be produced with just a few actors, a few props, and within one or two simple settings. They are easy to perform or fun to just read.

Charles Paris has landed a dual role in a lavish West End musical: onstage as a bit player, offstage as an undercover sleuth. The production's nervous backers fear that someone is trying to kill the play. The ultimate showstopper would be to eliminate the star.

Are you ready to embark on a journey through the remarkable achievements of African American men and women who have left an indelible mark on America and the world? “TEAR DOWN THE WALLS" is not just a play; it's a captivating exploration of the profound contributions made by African Americans across a spectrum of fields. From science to politics, law to sports, and the arts to entertainment, this production shines a spotlight on their outstanding accomplishments. Prepare to be moved by the touching portrayal of the struggles and triumphs that have shaped African American history. From the...

In over her head this junior higher will not quit. Can she find a way to finish the production? Aimi Wilby is loyal to a fault when it comes to her friends, new and old. The administrators overload her. Her mentor abandons the project and leaves this eighth grader to ‘figure things out.' Even the lawyers try to shut her down. But, she will not let her cast members and her newest friend down. Aimi discovers that not all witches wear pointy hats and ride brooms. Her new friend asks Aimi to do the unthinkable, to go where she has never gone before. Aimi’s devotion is tested beyond what she...

Ten easy to produce and perform plays designed to be used as part of intergenerational worship services which bring to life important lessons about being together in community.

Comedy is how we cope with the absurdity of life. The person who cannot step back and see how ludicrous are most of the things we encounter in life is the person who gets mired and engulfed in them. Comedy lets us step back and see the whole picture. It reminds us of what is really important which certainly includes laughing and laughing often. These four comedies each take on several situations but exaggerate them until they become enlarged and laughable. To each are added an unusual use of standard theatrical tradition. A writer of one play becomes involved with his own characters. ...

Richard, duke of Gloucester, schemes to inherit the throne by killing all who stand in his way - including his own brother and the two young sons of King Edward IV.

Christopher Lee: A One-Person Play by Michael B. Druxman (Lee’s one-time publicist), joins the actor in 1976, as he is about to depart his home in England for the United States. It is his hope that, in America, he will be able to abandon the horror genre, and find a greater variety of roles.

Michael B. Druxman’s one-person play, Ronald Reagan: Movie Star, joins the actor in 1949, when he has just lost a major film role to Errol Flynn. Indeed, not much in his life seems to be going well at this time. Divorced from actress Jane Wyman, his recent romance with Patricia Neal has also taken a wrong turn after she discovered Gary Cooper.

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

Audrey Hepburn was not your usual movie star. She was the highest paid actress of her day, yet she never took a formal acting lesson. A child of war, and the daughter of a Fascist sympathizer, she spent her last years helping children of other wars. An Academy Award-winner for her first major film role (Roman Holiday), Hepburn continued her storybook career with such classic movies as Sabrina, Funny Face, The Nun's Story, Breakfast at Tiffany's, Charade, My Fair Lady and Wait until Dark. Her two marriages ended in divorce.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

In her Tennessee Williams on the Soviet Stage book, Irene Shaland explores the history and problems involved in staging Tennessee Williams’s works in the Soviet theater. This book has five chapters and discusses 1970s – early 1980s Russian productions of five plays, A Streetcar Named Desire, The Glass Menagerie, Orpheus Descending, Sweet Bird of Youth, and Kingdom of Earth, in several Moscow, St. Petersburg (Leningrad), and provincial theaters. This production-based study serves as a useful resource to theater historians interested in intercultural interpretations of the great American ...

"The Dybbuk" original play by S. Ansky (1863 – 1920) a.k.a Shloyme Zanvl Rappoport. Adapted in English by David Serero. One of the most important Yiddish story and play of all time.

This stage play takes place in Boston in the year 1638 and tells the story of Anne Hutchinson, a nearly forgotten colonial woman whose independence and spiritual insights were hundreds of years ahead of her time. Despite the historical distance, the themes of this drama are very contemporary: the abuse of a strong-willed, brilliant woman in a male- dominated society; the hypocrisy of power-hungry clergy; personal experience versus rigid dogma. The plot centers around the trial in which Anne Hutchinson is ultimately excommunicated and banished from the colony for her opinions. The essence of...

This study of Hollywood's favorite "screwball" comedienne begins on the eve of her death. Following a successful war bonds tour, she awaits word in an Indianapolis hotel room to see if she's been successful in securing plane reservations for a flight back to Los Angeles. She's anxious to get home, because she suspects that her husband, Clark Gable, is cheating on her.

Her apprenticeship at Phyllis Marlowe's Repertory Theater behind her, green-eyed Carol Page now faces her first real job as second ingénue at the Richards Village Theater, Winasset, Maine. Along with her go her former classmate Julia Gregg and clever young Mike Horodinsky - Julia as apprentice, Mike as assistant stage manager. In a rambling old house by the sea, Carol, Julia, and Mike live with the other members of the Richards Theater. Here their days are filled with learning parts, attending rehearsals, painting scenery, and absorbing as much as possible about the business of a summer ...

The definitive memoir of David Williamson, author of iconic dramas such as The Removalists, The Club, Don's Party, Emerald City and Travelling North, as well as more than fifty other plays, explores the life of the writer and the true stories and real lives that inspired his works. A powerful force in theatre since the 1970s, Williamson's plays have uniquely explored the pulse of our Australianness.

Every funeral is an unplanned occasion thrown together under terrible circumstances by people in shock and mourning. No one involved in burying the dead can fail to recognize their own mortality or confront the course their life has taken to date. In this full cast audio play about the death of a philandering family patriarch in a small town, characters reveal shocking secrets and struggle to decide if, when, and how they will ever see one another again. This moment marks the end of who each character is and allows us to understand who they will become.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.