Theater Plays

Daughter of an ousted king, descendant of ancient druids, Gruoch (GREW-ock), has grown up believing that she will be crowned queen of Alba and reclaim the lands of her Pictish kin, a prophecy seemingly fulfilled by her betrothal to Duncan, the heir-elect.

Are you ready to embark on a journey through the remarkable achievements of African American men and women who have left an indelible mark on America and the world? “TEAR DOWN THE WALLS" is not just a play; it's a captivating exploration of the profound contributions made by African Americans across a spectrum of fields. From science to politics, law to sports, and the arts to entertainment, this production shines a spotlight on their outstanding accomplishments. Prepare to be moved by the touching portrayal of the struggles and triumphs that have shaped African American history. From the...

10 minute plays for kids of all ages #2 is an additional collection of original, royalty-free, plays excellent for any audience. These scripts will work for intermediate drama students, to high school acting classes, and even multi-aged youth groups. Each play is versatile and can be staged as a reader’s theatre, a short parent recital, or even adapted into full stage productions. Most roles are gender flexible and range from 5 to 13 players, with the option to add more if needed. All plays are age-appropriate without concern about subjects or language. Kids as young as 5yrs have watched ...

A Scottish meteorologist locks horns with his American counterpart as both men try to convince General Dwight D. Eisenhower that they can accurately predict the atmospheric conditions needed to launch the greatest amphibious assault in the history of mankind - the D-Day invasion.

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

Johnny is a Spanish guitar player with a mysterious past. At a party, he meets the beautiful songstress Aphrodite who is enthralled with his flamenco guitar skills. Later, she learns they have a connection, a particular song they both appear to know. Aphrodite discovers the connection, and through dreams, the two fall in love. The question is whether they will ever be together.

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

Comedy is how we cope with the absurdity of life. The person who cannot step back and see how ludicrous are most of the things we encounter in life is the person who gets mired and engulfed in them. Comedy lets us step back and see the whole picture. It reminds us of what is really important which certainly includes laughing and laughing often. These four comedies each take on several situations but exaggerate them until they become enlarged and laughable. To each are added an unusual use of standard theatrical tradition. A writer of one play becomes involved with his own characters. ...

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

Christopher Lee: A One-Person Play by Michael B. Druxman (Lee’s one-time publicist), joins the actor in 1976, as he is about to depart his home in England for the United States. It is his hope that, in America, he will be able to abandon the horror genre, and find a greater variety of roles.

Characters search for a conflict, upset audience members disrupt the show, a spy mission goes wrong, cowboys try but can’t do a simple shootout correctly, and a considerate and mannerly thief asks permission before he robs people. These are some of the situations found in this collection of ten-minute plays. Here are delightful theatrical nuggets that range from the comical to the serious. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

Three theatrical adaptations of ancient stories: Agamemnon A queen, her son, and his teacher await the return of their king after ten years of brutal war. Gilgamesh The oldest story in the world, in which a king finds and loses a great friend, and then sets off in search of an answer to the question of eternal life. The Golem In 17th-century Prague, a rabbi and his family turn to ancient mysticism in a desperate attempt to protect their community from approaching violence.

Four original, full-length plays: The King of Infinite Space In the ruins of an old prison at the edge of a landscape blasted by war, teenagers enact the story of the previous generation’s struggle for survival. Scenes from a Broken Hand A young man inherits an old car from his activist parents and drags his best friend on a cross-country journey in search of meaning and understanding. Motherland A teacher in a small Slovak town tries to free herself from old ways of thinking and living in the wake of the Velvet Revolution and the fall of Communism. The Wind on the Water A Jewish ...

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

"It's The End" is a comedy-monologue about a woman who is supposedly in her last moments, and therefore makes some radical decisions. "The Beast" is about an elderly woman who moves into the refrigerator in protest at the neglect of her caregivers.

This stage play is about the struggle of the main character, Ricard, who has recently been arrested for driving under the influence (DUI) of alcohol. The play chronicles his personal struggle to deal with how he became an alcoholic and how to repair his life. It focuses on his values, how to identify their role in his life, and how he can shed alcohol as a value. As he begins to understand what is important in his life, he begins the trek from his distorted value structure to what is important in life.

An undercover vampire, a prophetic park bench, an audience on stage, a mixed-up fairy tale, a bad hand, a little gibberish, some self care, a dental obsession, and the end of the world are some of the things you will encounter in this fourth collection of ten-minute plays. Most are designed to be produced with just a few actors, a few props, and within one or two simple settings. They are easy to perform or fun to just read.

Are you ready to embark on a transformative journey into the world of theatre production? The stage is set for you to tap into your creative spirit and drive like never before. Introducing "PRODUCING MADE SIMPLE," a comprehensive guide tailor-made for aspiring producers, writers, actors, and seasoned professionals alike. Dive into a treasure trove of essential methods that empower you to efficiently produce captivating small to medium-sized stage productions. This is your opportunity to breathe life into the artist community and invigorate the theatre scene. Discover professional producing ...

All the Ways to Say I Love You by Neil LaBute, directed by Leigh Silverman, is a thoughtful, psychological solo play centered around the character Faye Johnson, performed by multi-award-winning actress Judith Light (Transparent, American Crime Story, Who's the Boss?). Reflecting on an event from her past, Johnson confronts the defining question of her life: What is the weight of a lie?

All the Ways to Say I Love You received its World Premiere production at the MCC Theater in September of 2016. MCC is under the leadership of Artistic Directors Robert Lupone, Bernard Telsey, William Cantler, and Executive Director Blake West.

Bonus content includes an Audible-exclusive conversation between director Leigh Silverman and actress Judith Light.

This theatrical presentation features romantic love poems found in Mr. Villegas's books Poetic Prose and Poetry, The Raven Haired Girl and others. The poems are arranged so they create a love story about a young woman and her soldier husband.