Theater Plays

Richard Griffiths, Clive Merrison, and Frances de la Tour star as part of the National Theatre cast. At a boys' grammar school in Sheffield, eight boys are being coached for the Oxbridge entrance exams. It is the mid-eighties, and the main concern of the unruly bunch of bright sixth-formers is getting out, starting university and starting life.

Four metaphysical One Act Comedies for your reading pleasure and reflection. They are also easy to produce, small cast, minimal set. These plays have been staged and enthusiastically received by audiences. Small on production cost, big on creativity, energy, laughs, and insights on the human condition. The book includes: "The Amazing Invention" "The Final Moment" "The Archangel's Voyage" "Madman at the Wishing Well"

Mother Love is a one-act play that tells the story of the Moore family. A family comprised of three generations of African American women. This is a story about redemption and forgiveness. It's a story about the need to find one’s own voice and use it.

The definitive memoir of David Williamson, author of iconic dramas such as The Removalists, The Club, Don's Party, Emerald City and Travelling North, as well as more than fifty other plays, explores the life of the writer and the true stories and real lives that inspired his works. A powerful force in theatre since the 1970s, Williamson's plays have uniquely explored the pulse of our Australianness.

Среди книг западной беллетристики, изображающих жизнь театральных подмостков, Актриса - классическое произведение, может быть, лучшее, что написано в этой области. Эдмон де Гонкур дал в Актрисе своеобразное сочетание романа и исследования, сплетающихся, дополняющих друг друга и освещающих судьбу и творчество главной героини произведения, Жюльетты Фостэн, великой актрисы, вылепленной Гонкуром наподобие знаменитых трагических артисток французской сцены.

A poignant exploration of memory, loss, and regret entwined with the realization of hope for the future. An elderly couple Sheila and Ted live in domestic contentment until one morning they receive some unexpected news. They begin to discuss their pasts and reflect on the missed opportunities and regrets of their lives, each revealing truths that the other had never known.

Josh’s second excursion to the adult cinema promises to be even more red-hot than the first. Determined to take his exhibitionist adventure to the next level, he once again ventures into the steamy interior of Aphrodite’s theater, renowned for its outrageous gay scene. Once inside, and filled with confidence following his first visit, Josh initiates the hot, sexy action with a pair of young, black guys and pops his public cherry whilst watching the incredibly erotic movie up on the screen. His hot, enabling partner, Ray waits for him in the foyer of the cinema, so tantalizingly close, ...

Dick Powell made a career of reinventing himself. Born in Arkansas, the young tenor played horn and banjo, and sang with various dance bands and orchestras in Pittsburgh and elsewhere before he was brought to Hollywood, where he sang opposite Ruby Keeler and others in such classic Busby Berkeley musicals as 42nd Street, Footlight Parade, Gold Diggers of 1935, and the Al Jolson film, Wonder Bar.

This delightfully musical story theater tale strives to answer the questions: who was Rumpelstiltskin? Did he spin and if he spun was it actually straw he was spinning? Was the king a good king or a bad king? Was the girl's father a chronic fibber or was he just a victim of his time and socioeconomic standing? Was the girl an innocent dupe and were her broken promises acceptable considering the circumstances? These seemingly complex questions will most likely go unanswered but all – young and old alike – will have a marvelous time reading, listening, and singing along to this wonderfully fractured tale by Parents’ Gold Award Winning musical artist and author Keith Torgan.

"Captain Dreyfus" a drama by Jacob Gordin. A group with a strong male lead actor could produce this powerfully. The Dreyfus affair: a French officer of Jewish descent was falsely convicted of treason in 1894. This placard announces the presentation of two plays at the Windsor, both starring Jacob P. Adler. The first is "The Yiddish King Lear," to be performed on 2 October 1898, and "Der Yudisher Kapitan Drayfus oyf dem Tayvel's Inzel" [The Jewish Captain Dreyfus on Devil's Island], to be performed during the next two evenings. The original poster of this play announced: 'Who has not read ...

As Captain Blood, Robin Hood, and the Sea Hawk, he was the "King of the Swashbucklers". As Errol Flynn, he was Hollywood's number one rogue. He was married three times, and also was the defendant in three rape trials. Indeed, it's fitting that his last major swashbuckling film cast him in the role of Don Juan. The play joins Flynn a few weeks before his premature death. Knowing that the end is near, he is in a New York airport, waiting to fly west to see his children for the last time.

Sexy shemale Savannah’s second excursion to the adult cinema promises to be even more red-hot than the first. Determined to take her public futanari adventure to the next level, she once again ventures into the sensual interior of Aphrodite’s theater, renowned for its outrageous shemale scene. Once inside, dressed in an incredibly revealing outfit and filled with confidence following her first visit, Savannah initiates the hot, sexy TS action with a pair of young, black guys and pops her futa cherry whilst watching the incredibly erotic transsexual movie up on the screen. Explicit: ...

The History Plays is a series of five two-hander plays by Vent author Nigel Smith, which are imagined conversations at key moments in recent history, moments that have permanently changed the British psyche. Starting with Mick Jagger's conviction for drug possession and the surprising pro-Jagger line taken in a Times editorial through the fragmented morality of John Stonehouse, the Indian summer of patriotism over the Falklands, the death of Diana, and the end of the Blair years, The History Plays are a satirical and thoughtful exploration of huge social forces.

To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.

When a staged murder at a mystery dinner playhouse turns into a real poisoning death‚ recently retired detective Gabe Tremont is called back to solve the crime and discovers the playhouse director‚ the cast and a spy from a competing theater all have reasons to want the murdered man dead.

All Brexit's a stage, and all the men and women merely players.... Written by the Bard himself, with a little help from novelist Boris Starling, this wonderful comedy of errors retells the tragic story of the UK's acrimonious break from the EU, written in wonderful iambic pentameter. From Cameron and Osborne, through May and Gove, to Cummings and Boris, this is a story of cynical electioneering and poisoned political scheming, and a most original take on the defining event of our time.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.

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Clifton Webb was one of those rare motion picture actors who became a major box-office star when he was in his mid-50s. Indeed, his first sound movie was Laura (1944), and his role as Waldo Lydecker in that classic film noir earned him the first of three Oscar nominations. Four years later, Clifton Webb became a household name when he played Lynn Belvedere and poured a bowl of mush onto a baby's head in Sitting Pretty.