Theater Plays

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

An eighth grader dares to direct the school play. Can she handle her cast of peers? Aimi Wilby loves theater and writing. With the spring play coming up, the budding author is thrilled to be assigned as an assistant director. Diligent Aimi can’t believe it when her teacher abruptly quits, and she is chosen to write and direct the entire production. Aimi refuses to be deterred even when she loses her mentor, her cast members fight, the school administrators prove apathetic, and parents are constantly overbearing. However, what the intrepid teenager fears most is that she will disappoint ...

Three theatrical adaptations of ancient stories: Agamemnon A queen, her son, and his teacher await the return of their king after ten years of brutal war. Gilgamesh The oldest story in the world, in which a king finds and loses a great friend, and then sets off in search of an answer to the question of eternal life. The Golem In 17th-century Prague, a rabbi and his family turn to ancient mysticism in a desperate attempt to protect their community from approaching violence.

Four original, full-length plays: The King of Infinite Space In the ruins of an old prison at the edge of a landscape blasted by war, teenagers enact the story of the previous generation’s struggle for survival. Scenes from a Broken Hand A young man inherits an old car from his activist parents and drags his best friend on a cross-country journey in search of meaning and understanding. Motherland A teacher in a small Slovak town tries to free herself from old ways of thinking and living in the wake of the Velvet Revolution and the fall of Communism. The Wind on the Water A Jewish ...

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Portraits While Portraits takes place in a modern law firm with recognizable surroundings, its collection of characters are just as tragic as those vagabonds, kings, prostitutes, puppets, and clowns who search for meaning in an absurd world. It questions our values and illusions as it forces us to ask who are the real winners and losers as we pass through an existence none of us understand. Portraits peels away the masks of conventionality through a quirky host that invites us to attend Bernie Geldmann's birthday party. The party is in the firm's conference room which has two portraits ...

10 minute plays for kids of all ages #2 is an additional collection of original, royalty-free, plays excellent for any audience. These scripts will work for intermediate drama students, to high school acting classes, and even multi-aged youth groups. Each play is versatile and can be staged as a reader’s theatre, a short parent recital, or even adapted into full stage productions. Most roles are gender flexible and range from 5 to 13 players, with the option to add more if needed. All plays are age-appropriate without concern about subjects or language. Kids as young as 5yrs have watched ...

Johnny is a Spanish guitar player with a mysterious past. At a party, he meets the beautiful songstress Aphrodite who is enthralled with his flamenco guitar skills. Later, she learns they have a connection, a particular song they both appear to know. Aphrodite discovers the connection, and through dreams, the two fall in love. The question is whether they will ever be together.

Comedy is how we cope with the absurdity of life. The person who cannot step back and see how ludicrous are most of the things we encounter in life is the person who gets mired and engulfed in them. Comedy lets us step back and see the whole picture. It reminds us of what is really important which certainly includes laughing and laughing often. These four comedies each take on several situations but exaggerate them until they become enlarged and laughable. To each are added an unusual use of standard theatrical tradition. A writer of one play becomes involved with his own characters. ...

Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.

In over her head this junior higher will not quit. Can she find a way to finish the production? Aimi Wilby is loyal to a fault when it comes to her friends, new and old. The administrators overload her. Her mentor abandons the project and leaves this eighth grader to ‘figure things out.' Even the lawyers try to shut her down. But, she will not let her cast members and her newest friend down. Aimi discovers that not all witches wear pointy hats and ride brooms. Her new friend asks Aimi to do the unthinkable, to go where she has never gone before. Aimi’s devotion is tested beyond what she...

Orla lives a carefree and contented existence. She enjoys visiting the library and taking strolls around town. She talks to herself and laughs aloud at whatever she finds humorous. As well, she likes to write; her stories a mashup of song lyrics and film plots the narrator finds most entertaining. Sometimes, Orla comes up with the idea for a play, and these, she takes to theatres all over Dublin. The staff in every establishment have gotten to know her, and have learned how to deal with her, then send her on her way. But one day, she encounters a manager who is new in the job. He invites ...

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

"The Dybbuk" original play by S. Ansky (1863 – 1920) a.k.a Shloyme Zanvl Rappoport. Adapted in English by David Serero. One of the most important Yiddish story and play of all time.

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"It's The End" is a comedy-monologue about a woman who is supposedly in her last moments, and therefore makes some radical decisions. "The Beast" is about an elderly woman who moves into the refrigerator in protest at the neglect of her caregivers.

Characters search for a conflict, upset audience members disrupt the show, a spy mission goes wrong, cowboys try but can’t do a simple shootout correctly, and a considerate and mannerly thief asks permission before he robs people. These are some of the situations found in this collection of ten-minute plays. Here are delightful theatrical nuggets that range from the comical to the serious. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

Charles Paris has landed a dual role in a lavish West End musical: onstage as a bit player, offstage as an undercover sleuth. The production's nervous backers fear that someone is trying to kill the play. The ultimate showstopper would be to eliminate the star.

All the Ways to Say I Love You by Neil LaBute, directed by Leigh Silverman, is a thoughtful, psychological solo play centered around the character Faye Johnson, performed by multi-award-winning actress Judith Light (Transparent, American Crime Story, Who's the Boss?). Reflecting on an event from her past, Johnson confronts the defining question of her life: What is the weight of a lie?

All the Ways to Say I Love You received its World Premiere production at the MCC Theater in September of 2016. MCC is under the leadership of Artistic Directors Robert Lupone, Bernard Telsey, William Cantler, and Executive Director Blake West.

Bonus content includes an Audible-exclusive conversation between director Leigh Silverman and actress Judith Light.

Ben Riller is the most successful producer on Broadway, but his newest production is in danger of closing before it opens. In his stressed-out condition, Ben is hearing the voice of his long-dead father, and they're having a running argument about life, love, and other people's money.